Connecting Lucille's actions with the boy's in a way that makes sense is a challenge that first-time director Antonio Banderas and screenwriter Mark Childress fail to meet.
Crazy in Alabama (1999)
Tomatometer
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Reviews Counted:54
Fresh:17
Rotten:37
Average Rating:4.5/10
Consensus: Melanie Griffith gets kudos for her performance, but the movie just doesn't seem to come together.
Runtime: 1 hr 53 mins
Genre: Dramas
Synopsis: Banderas' directorial debut has enough plots for two movies. In one, crazy Lucille (Griffith) chops off her husband's head and flees to Hollywood to become a star. In another, a small black boy,... Banderas' directorial debut has enough plots for two movies. In one, crazy Lucille (Griffith) chops off her husband's head and flees to Hollywood to become a star. In another, a small black boy, Taylor Jackson (Miller), is the victim of brutally vicious racism, sparking a heated civil rights battle. All of this is seen through the eyes of Peejoe (Black), a young boy who recounts the events with a nostalgic memory, bringing all of the various subplots together. [More]
Starring: Melanie Griffith, David Morse, Lucas Black, Louis Miller
Starring: Melanie Griffith, David Morse, Lucas Black, Louis Miller, John Beasley, Rod Steiger, Paul Mazursky, Robert Wagner, Cathy Moriarty, Meat Loaf, Richard Schiff, Noah Emmerich
Director: Antonio Banderas
Director: Antonio Banderas
Screenwriter: Mark Childress
Producer: Meir Teper, Linda Goldstein Knowlton, Debra Hill
Composer: Mark Snow
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Reviews for Crazy in Alabama
Of course, it’s probably foolhardy to expect logic or realism from a movie with the word 'crazy' in the title.
Griffith's performance is daffy and endearing, but the twisted comedy of her half of the tale eventually drives the movie right off the rails.
Never has a woman been more lovingly directed by her real-life husband in a Hollywood film.
There are a lot of movies struggling to get out of Crazy in Alabama, and most of them are bad.
Crazy in Alabama is an ungainly fit of three stories that have no business being shoehorned into the same movie.
Melanie Griffith makes it a husband - and - wife triumph with an appealing lead performance.
The movie flounders in the final reels, as a series of overextended courtroom scenes threaten to spell out every message Banderas and Childress have already underlined.
A sharp eye and direction from Antonio Banderas and a captivating performance by Melanie Griffith.
The film is all over the board and never demonstrates a dominant personality to lead the viewer through the story.
Because the civil rights sections are somber and serious and the Lucille sections exaggerated and giddy, Crazy in Alabama never finds any cohesive tone.
Crazy in Alabama manages to be both sweeping and small, quirky and sincere, and offers Melanie Griffith her best role in years.
The sweetly endearing craziness of Griffith is an effective contrast to the quiet intensity of Black, who was so wonderful in Sling Blade.
Too many scenes feel excessively underscored, either by Mark Snow's sentimental music, or by characters commenting on the action.
Melanie Griffith's presence causing the upbeat portion of Mark Childress' story to drag its feet, the movie tips out of kilter.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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