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Movies / Upcoming / Cremaster 3
Cremaster 3

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Cremaster 3 (2002)

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Reviews Counted:37

Fresh:23

Rotten:14

Average Rating:6.4/10

Rated: Not Rated

Runtime: 3 hrs 2 mins

Genre: Dramas

Theatrical Release:May 15, 2002 Limited

Box Office: $201,251

Synopsis: Giant cavemen stalk the meek through a rear projection landscape. Driverless automobiles smash a predecessor into a chrome mouth piece. Such is the wordless world of Matthew Barney's CREMASTER... Giant cavemen stalk the meek through a rear projection landscape. Driverless automobiles smash a predecessor into a chrome mouth piece. Such is the wordless world of Matthew Barney's CREMASTER series. The five-part epic culminates, oddly enough, in CREMASTER 3, one of a myriad of peculiarities in the avant-garde series that moved from the museum circuit to packed art houses. Intrigue leads to mayhem for taskmasters toiling in a highly stylized Chrysler building. At the forefront is a blue collar man (sculptor Richard Serra) whose work in the immaculate building is rewarded with a horse muzzling, knocking his teeth out. A bizarre operation is performed, replacing his jaw with a chrome implant. While this proletariat's innards seep out, a wayward savage (Barney) appears. Upon proving his worth, he also is bestowed chrome, a medal. A violent conclusion hammers home the idea of man's fruitless search during a chaotic Guggenheim hootenanny complete with a kick line, a nude cheetah lady (double amputee Aimee Mullins), and a war between punk bands Agnostic Front and Murphy's Law. This narrative of Barney's three-hour series finale is less important than juxtaposition and iconography in a film obsessed with medallions, triangular blocks, and the pentagonal Chrysler logo. [More]

Starring: Richard Serra, Aimee Mullins, Nesrin Karanouh, Matthew Barney

Starring: Richard Serra, Aimee Mullins, Nesrin Karanouh, Matthew Barney, Peter Badalamenti, The Mighty Biggs, Agnostic Front, Murphy's Law

Director: Matthew Barney

Director: Matthew Barney
Screenwriter: Matthew Barney
Producer: Matthew Barney, Barbara Gladstone
Composer: Jonathan Belper
Studio: Glacier Field

[See More Credits]

Reviews for Cremaster 3

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1 - 20 (sorted by critic A-Z)
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Viewers of Barney's crushingly self-indulgent spectacle will see nothing in it to match the ordeal of sitting through it.

Full Review Source: San Francisco Chronicle | comment Comment
05/23/03
Kenneth Baker
Kenneth Baker
San Francisco Chronicle
Top Critic Icon Top Critic

the longest and last of 'the Cremaster Cycle' is also Barney's crowning masterpiece.

Full Review Source: Movie Gazette | comment Comment
02/02/04
Anton Bitel
Anton Bitel
Movie Gazette

Matthew Barney makes Peter Greenaway look like Joel Schumacher.

Full Review Source: Movie Boeuf | comment Comment
05/07/03
David N. Butterworth
David N. Butterworth
Movie Boeuf

“Cremaster 3” should come with the warning “For serious film buffs only!”

Full Review Source: Reeling Reviews | comment Comment
05/22/03
Robin Clifford
Robin Clifford
Reeling Reviews

"Cremaster 3" requires repeat viewings or fungal accompaniment of a magical nature, yet the film is completely mesmerizing.

Full Review Source: Reeling Reviews | comment Comment
05/17/03
Laura Clifford
Laura Clifford
Reeling Reviews

Extremely accomplished filmmaking that's only in need of an editor. And perhaps a coherent story.

Full Review Source: Shadows on the Wall | comment Comment
10/22/03
Rich Cline
Rich Cline
Shadows on the Wall

If you're hoping for a movie that makes sense, you're in for 3 very frustrating hours, it jumps from one bizarre 'performance piece' to another.

Full Review Source: TheMovieChicks.com | comment Comment
07/25/03
Cherryl Dawson and Leigh Ann Palone
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com

It's art of the highest order.

Full Review Source: Seattle Times | comment Comment
07/11/03
Sheila Farr
Sheila Farr
Seattle Times

This epic film, eschewing dialogue and conventional narrative logic, tells a gripping tale of biological drama through a highly improbable series of evocative images, superb acting and editing, and haunting music.

Full Review Source: Film Threat | comment Comment
04/29/03
David Finkelstein
David Finkelstein
Film Threat

An enthralling aesthetic experience, one that's steeped in mystery and a ravishing, baroque beauty.

Full Review Source: TV Guide's Movie Guide | comment Comment
06/19/02
Ken Fox
Ken Fox
TV Guide's Movie Guide

The filmmaker ascends, literally, to the Olympus of the art world, but he would have done well to end this flawed, dazzling series with the raising of something other than his own cremaster.

Full Review Source: Entertainment Weekly | comment Comment
06/04/03
Owen Gleiberman
Owen Gleiberman
Entertainment Weekly
Top Critic Icon Top Critic

Matthew Barney's five-part, out-of-sequence Cremaster Cycle culminates with Cremaster 3, his most accomplished work to date.

Full Review Source: Slant Magazine | comment Comment
06/07/02
Ed Gonzalez
Ed Gonzalez
Slant Magazine

The hypnotic imagery and fragmentary tale explore the connections between place and personal identity.

Full Review Source: Minneapolis Star Tribune | comment Comment
06/12/03
John Habich
John Habich
Minneapolis Star Tribune
Top Critic Icon Top Critic

It offers little beyond the momentary joys of pretty and weightless intellectual entertainment.

Full Review Source: Village Voice | comment Comment
06/19/02
Ed Halter
Ed Halter
Village Voice
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Brings to a spectacular completion one of the most complex, generous and subversive artworks of the last decade.

Full Review Source: L.A. Weekly | comment Comment
05/14/03
Doug Harvey
Doug Harvey
L.A. Weekly

Cremaster 3 is at once a tough pill to swallow and a minor miracle of self-expression.

Full Review Source: MovieMartyr.com | comment Comment
06/19/02
Jeremy Heilman
Jeremy Heilman
MovieMartyr.com

Barney throws away the goodwill the first half of his movie generates by orchestrating a finale that is impenetrable and dull.

Full Review Source: St. Paul Pioneer Press | comment Comment
06/13/03
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

Exudes the fizz of a Busby Berkeley musical and the visceral excitement of a sports extravaganza.

Full Review Source: New York Times | comment Comment
06/20/02
Stephen Holden
Stephen Holden
New York Times
Top Critic Icon Top Critic

Personifies experimental filmmaking pushed to new extremes.

Full Review Source: San Diego Union-Tribune | comment Comment
08/29/03
Neil Kendricks
Neil Kendricks
San Diego Union-Tribune

It is either an unparalleled opportunity to witness the work of an artist proclaimed by some the 'most important American artist of his generation.' Or an obligation to witness the work of the artist etc., etc.

Full Review Source: Denver Post | comment Comment
08/01/03
Lisa Kennedy
Lisa Kennedy
Denver Post
Top Critic Icon Top Critic
 
 
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