Rejection of "childhood innocence"
Cria Cuervos (1977)
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Reviews Counted:5
Fresh:5
Rotten:0
Average Rating:8.1/10
Runtime: 1 hr 55 mins
Genre: Foreign Films
Synopsis: After doing several films with screenwriter Rafael Azcona (GARDEN OF DELIGHTS, MY COUSIN AGNELICA) Carlos Saura made CRIA! from his own script. He continued using actors in dual roles, allowing for... After doing several films with screenwriter Rafael Azcona (GARDEN OF DELIGHTS, MY COUSIN AGNELICA) Carlos Saura made CRIA! from his own script. He continued using actors in dual roles, allowing for easily shifting time frames and multiple points of view. In a dreamy opening scene, Ana (Ana Torrent), a wide-eyed child of about ten, comes down the stairs and sees a half-dressed woman run from her father's room. She quietly and without emotion goes into the room where her father lies dead on the bed and removes a half-full glass of milk. In the kitchen, as she washes out the glass, her mother (Geraldine Chaplin) enters and scolds her for being up so late. But her Mother, we learn later, died earlier, and Ana blamed her father for it and put poison in his milk. When Ana is alone her mother appears to her again, but this time she looks right in the camera and explains that she's Ana, now age 29. Some of what came before was a flashback from her adult perspective. With Chaplin playing both parts, the film shifts between the story of Ana and her mother, and Ana's life as an adult, until what actually happened the night her father died is completely revealed. CRIA! is the most complex and ambitious of the many films that Saura and Chaplin made together. [More]
Starring: Geraldine Chaplin, Ana Torrent, Conchita Perez, Maite Sanchez
Starring: Geraldine Chaplin, Ana Torrent, Conchita Perez, Maite Sanchez, Monica Randal
Director: Carlos Saura
Director: Carlos Saura
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Reviews for Cria Cuervos
An hypnotic arthouse psychological drama that complexly mixes reality and fantasy.
A seamless story about memory and fantasy blurring together, Cría cuervos is unquestionably Carlos Saura's greatest film.
The film's vaguely uncanny and disquieting tone is due to several factors, including its emphasis on death, loss, and decay...In many ways, the film is a lament and warning for Spain's future.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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