While it may occasionally stumble on its way to busting Hollywood clichés, the lunatic tone suits the subject matter perfectly.
The Perfect Crime (2005)
Tomatometer
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Reviews Counted:52
Fresh:44
Rotten:8
Average Rating:7.1/10
Consensus: If you like your comedies wicked and pitch-black, El Crimen Perfecto delivers without flinching.
Runtime: 1 hr 45 mins
Genre: Foreign Films
Theatrical Release:Aug 19, 2005 Limited
Synopsis: Theatrical release: August 19, 2005 (NY/LA) Spanish iconoclast Alex de Iglesia continues to toy with genre conventions in this black comedy, offering up his characteristic social commentary in a... Theatrical release: August 19, 2005 (NY/LA) Spanish iconoclast Alex de Iglesia continues to toy with genre conventions in this black comedy, offering up his characteristic social commentary in a skewering of consumerist culture and the superficial values it perpetuates. Having garnered an international cult following with such films as Spanish spaghetti Western 800 BULLETS, and PERDITA DURANGO, starring Rosie Perez and Javier Bardem and based on the same novel as David Lynch's WILD AT HEART, the director again delivers a picture that will disturb even as it delights. Rafael (Guillermo Toledo) is at the top of the heap at Yeyo's, the department store whose ladies department is his own small kingdom. A hit with customers and coworkers alike, the suave Rafael is able to sell anything to anyone, and seems a shoe-in for store manager. But things don't go exactly as planned, and Rafael is beaten out by rival Don Antonio (Luis Varela) in menswear. When Don Antonio mysteriously disappears, Rafael is the most likely suspect, and one person knows the secret that could bring him down. That person is Lourdes, a coworker who has loved Rafael from afar for years, and the one woman he has not bedded due to her less-than-stunning physical attributes. Forced to submit to her will, Rafael is subjected to a litany of affronts to his womanizing, egocentric sensibilities, including Lourdes's rapacious sexual appetites, a coerced meeting with Lourdes's eccentric family (one of the film's most hilarious sequences), and ultimately a very public wedding. Rafael's mental stability begins to deteriorate as he conjures various ways of offing his new bride, but the outcome is one that no one could ever have predicted. Ultimately sympathetic to both Lourdes and Rafael, mere products of capitalism's pervasive ideology, the film maintains its madcap buoyancy throughout, allowing it to maintain its hilarity along with its prescience. [More]
Starring: Guillermo Toledo, Luis Varela, Monica Cervera, Enrique Villen
Starring: Guillermo Toledo, Luis Varela, Monica Cervera, Enrique Villen, Fernando Tejero, Kira Miro
Director: Alex De La Iglesia
Director: Alex De La Iglesia
Screenwriter: Alex De La Iglesia, Jorge Guerricaechevarria
Composer: Roque Banos
Studio: Vitagraph Films
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Reviews for The Perfect Crime
...as funny and outrageous as the whole thing is...it’s not hard to imagine some viewers finding the whole exercise offensive.
El Crimen Perfecto punctuates an otherwise pedestrian plot with wry social commentary, diverting camerawork, and a title with a cute and unexpected origin.
Dark comedy with lots of laughs - too bad the ending doesn't fit the ferpecto beginning.
Now that Pedro Almodovar doesn't make Pedro Almodovar movies anymore, his countryman Alex de la Iglesia is doing them instead.
Like the Ferris wheel that serves as the setting for one of its climactic scenes, El Crimen Perfecto is a bright, gaudy and tremendously satisfying ride.
From a tight satire about the emptiness of materialism, El Crimen degenerates into such macabre silliness, it's as if another director stepped in and -- rather like Don Antonio -- destroyed a beautiful thing.
Spanish auteur Álex de la Iglesia continues to show absolutely no signs of reconciling his dramatic and comedic impulses.
This erratic Spanish film is never sure if it wants to be a sex comedy or a crime thriller, but Guillermo Toledo somehow makes it all work.
A well%u2013oiled machine of wit, sex and violence, as darkly funny as the Coen Bros. (almost) and as visually interesting as Tarantino (almost).
A black comedy told in the garish colors of Almodovar...well worth a look.
Director Alex de la Iglesia has much to teach the world-at-large about making smart, lively social satire that bows to past masters without being hobbled by self-consciousness.
| Tomatometer Percentage | Movie |
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