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Movies / On DVD / Crimson Gold
Crimson Gold

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Crimson Gold (2004)

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87 %
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Reviews Counted: 71

Fresh: 62

Rotten:9

Average Rating: 7.5/10

Consensus: A slow-burning, riveting film about Iranian class differences.

Rated: Not Rated

Runtime: 1 hr 37 mins

Genre: Dramas

Theatrical Release:Jan 16, 2004 Limited

Synopsis: Crimson Gold, directed by Jafar Panahi and written by Abbas Kiarostami, tells the story of an ordinary pizza deliveryman named Hussein (Hussein Emadeddin), and his journey navigating the dark... Crimson Gold, directed by Jafar Panahi and written by Abbas Kiarostami, tells the story of an ordinary pizza deliveryman named Hussein (Hussein Emadeddin), and his journey navigating the dark injustices of Teheran - from the dirty, downtown “souk” neighborhood to the wealthy, uptown enclaves of the city. The opening scene, an amazing four-minute, camera-steady shot, shows a gun-toting Hussein taking over an upscale jewelry shop, killing the shop owner, and then shooting himself. This grisly scene sets the story for a re-examination of the events that led Hussein to this destructive explosion. Panahi attempts to understand how a simple, shy and good-hearted guy like Hussein could be brought to such violence. Hussein is engaged to the sister of his closest friend, Ali. They decide to go to a jewelry shop after Ali’s discovery of a handbag with a broken wedding ring and a receipt for an expensive imported necklace. Eager to see where such an expensive necklace is sold, they arrive at the shop and are turned away for their working class appearance. Ali suggests returning in their best suits with Hussein's fiancée, to see whether there is anything they can afford. When they realize they don’t have enough money, and when the shop’s owner insults them by suggesting they go to the bazaar for gold, they feel a complete sense of humiliation. In a breathtaking shot we see Hussein on his motorbike, silent and angry, whirring through Teheran’s busy streets. Panahi follows Hussein and his deliveries, letting us see the different people and rushes Hussein to take his Vespa and leave. In another, a cocky policeman refuses him entry to an apartment building for a pizza delivery while a police force waits downstairs to ambush party guests on a charges of drinking alcohol and dancing in mixed company. Resigned and again humiliated, he passes the pizza amongst the soldiers and the arrested partygoers in a scene of dark humor. Soon after, at a luxury apartment building, Hussein makes a delivery to a wealthy bachelor. After telling Hussein that his girlfriend has left him, the gentleman invites Hussein in and over pizza regales him with stories of his wealthy life. Hussein eyes the trappings of his wealth: a winged piano, a gym and a swimming pool. Next we see Hussein in the jewelry shop, where we found him in the film’s first scene, defeated and ready for violence. Panahi uses Hussein's job as a delivery driver to move inside houses and behind closed doors to reveal places rarely seen by western audiences; what emerges is both a daring interrogation of Iranian society and a universal tale of urban alienation and inequality. -- © Wellspring [More]

Starring: Hussein Emadeddin, Kamyar Sheissi, Pourang Nakhayi, Azita Rayeji

Starring: Hussein Emadeddin, Kamyar Sheissi, Pourang Nakhayi, Azita Rayeji, Shahram Vaziri, Ehsan Amani, Kaveh Najmabadi, Saber Safael

Director: Jafar Panahi

Director: Jafar Panahi
Screenwriter: Abbas Kiarostami
Producer: Jafar Panahi
Composer: Peyman Yazdanian
Studio: Wellspring

[See More Credits]

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Release:

Jul 20, 2004

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Reviews for Crimson Gold

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1 - 20 (sorted by date)
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Full Review Source: Empire Magazine | comment Comment
12/30/06
Empire Magazine
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Time Out | comment Comment
06/24/06
Time Out
Top Critic Icon Top Critic

The film's sociopolitical themes are all the more powerful for being subtly expressed through a starkly realistic tale.

Full Review Source: All Movie Guide | comment Comment
09/08/05
Josh Ralske
All Movie Guide

An incisive portrait of one man’s quiet rage at, and heartbreakingly violent response to, social inequality.

Full Review Source: Lessons of Darkness | comment Comment
05/03/05
Nick Schager
Lessons of Darkness

Brutal class realities in contemporary Iran

Full Review Source: rec.arts.movies.reviews | comment Comment
10/02/04
Louis Proyect
rec.arts.movies.reviews

an artful failure, a moped-fueled odyssey into dramatic weariness and monotony

Full Review Source: Los Angeles Alternative | comment Comment
09/30/04
Jay Antani
Los Angeles Alternative

...a slow-moving but ultimately intriguing character study.

Full Review Source: Reel Film Reviews | comment Comment
08/21/04
David Nusair
Reel Film Reviews

It settles into the typical reflective mode of Iranian films, but something is happening: A human being is slowly, sullenly, silently approaching his combustion point.

Full Review Source: Charlotte Observer | comment Comment
08/13/04
Lawrence Toppman
Charlotte Observer

Its cumulative power will smack viewers with all the force of a rattlesnake to the cheek.

Full Review Source: Creative Loafing | comment Comment
08/13/04
Matt Brunson
Creative Loafing

I'm glad I saw Crimson Gold. Watching it is like getting a peek behind the curtain.

Full Review Source: New York Magazine | comment Comment
08/07/04
Peter Rainer
New York Magazine
Top Critic Icon Top Critic

Panahi's movie, unsurprisingly, has been outlawed in Iran. Nobody likes a prophet.

Full Review Source: New Yorker | comment Comment
08/01/04
Anthony Lane
New Yorker
Top Critic Icon Top Critic

Quietly brilliant psychological drama.

Full Review Source: Ozus' World Movie Reviews | comment Comment
07/27/04
Dennis Schwartz
Ozus' World Movie Reviews

Click to read the article

Full Review Source: Denver Rocky Mountain News | comment Comment
07/03/04
Robert Denerstein
Denver Rocky Mountain News
Top Critic Icon Top Critic

The movie can feel slow and tedious, but the supper it makes us work for is nourishing.

Full Review Source: Denver Post | comment Comment
06/25/04
Vic Vogler
Denver Post
Top Critic Icon Top Critic

As overly familiar as director Jafar Panahi's setup and delivery seems, its freshness is in its setting.

Full Review Source: Jam! Movies | comment Comment
05/29/04
Jim Slotek
Jam! Movies

It's every bit as outwardly unruffled as its hero, but inwardly it seethes with the very same gradually accumulated rage. A devastating and beautiful film.

Full Review Source: Toronto Star | comment Comment
05/28/04
Geoff Pevere
Toronto Star
Top Critic Icon Top Critic

A film both shocking and humane, as if Taxi Driver were somehow rewritten by Chekhov.

Full Review Source: Globe and Mail | comment Comment
05/28/04
Liam Lacey
Globe and Mail
Top Critic Icon Top Critic

A work of poetry

Full Review Source: Film Freak Central | comment Comment
05/28/04
Bill Chambers
Film Freak Central

Though it sometimes seems as plodding as its burly protagonist,...an intriguing, if imperfect, piece of work.

Full Review Source: One Guy's Opinion | comment Comment
05/21/04
Frank Swietek
One Guy's Opinion
N/R

Click to read the article

Full Review Source: St. Louis Post-Dispatch | comment Comment
05/14/04
St. Louis Post-Dispatch
Top Critic Icon Top Critic
 
 
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