Average Rating: 7.5/10
Reviews Counted: 73
Fresh: 63 | Rotten: 10
A slow-burning, riveting film about Iranian class differences.
Average Rating: 8/10
Critic Reviews: 25
Fresh: 24 | Rotten: 1
A slow-burning, riveting film about Iranian class differences.
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Average Rating: 3.7/5
User Ratings: 1,412
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Jafar Panahi's Crimson Gold was written by Abbas Kiarostami, who also wrote Panahi's The White Balloon. The film opens in the midst of a jewelry store robbery. In a single shot, a hulk of a man, trapped by the store's security system, shoots the store manager. Moments later, with an excited crowd gathering on the street outside, he turns the gun on himself. The film then flashes back several weeks. Hussein (Hossain Emadeddin) (the robber) is working as a pizza delivery man with his best friend,
Unrated, 1 hr. 35 min.
Feb 6, 2004 Limited
Jul 20, 2004
Wellspring Media
All Critics (80) | Top Critics (26) | Fresh (63) | Rotten (10) | DVD (2)
I'm glad I saw Crimson Gold. Watching it is like getting a peek behind the curtain.
Panahi's movie, unsurprisingly, has been outlawed in Iran. Nobody likes a prophet.
The movie can feel slow and tedious, but the supper it makes us work for is nourishing.
It's every bit as outwardly unruffled as its hero, but inwardly it seethes with the very same gradually accumulated rage. A devastating and beautiful film.
A film both shocking and humane, as if Taxi Driver were somehow rewritten by Chekhov.
It's the singular presence of Hussein Emadeddin -- a nonprofessional like all the other actors Panahi has used in his films -- that gives the film much of its soul and mystery.
The film's sociopolitical themes are all the more powerful for being subtly expressed through a starkly realistic tale.
An incisive portrait of one man's quiet rage at, and heartbreakingly violent response to, social inequality.
Brutal class realities in contemporary Iran
an artful failure, a moped-fueled odyssey into dramatic weariness and monotony
...a slow-moving but ultimately intriguing character study.
It settles into the typical reflective mode of Iranian films, but something is happening: A human being is slowly, sullenly, silently approaching his combustion point.
Its cumulative power will smack viewers with all the force of a rattlesnake to the cheek.
Quietly brilliant psychological drama.
As overly familiar as director Jafar Panahi's setup and delivery seems, its freshness is in its setting.
A work of poetry
Though it sometimes seems as plodding as its burly protagonist,...an intriguing, if imperfect, piece of work.
A real measured and poetic presentation of class and pride in Iranian society and in just human existence in itself. The film is about a pizza delivery man who attempts to rob a jewellery store. Abbas Kiarostami wrote the script for this film, supposedly after meeting with Quintin Tarantino and you can tell in its
April 12, 2012Super Reviewer
A real measured and poetic presentation of class and pride in Iranian society and in just human existence in itself. The film is about a pizza delivery man who attempts to rob a jewellery store. Abbas Kiarostami wrote the script for this film, supposedly after meeting with Quintin Tarantino and you can tell in its
April 12, 2012Super Reviewer
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