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Movies / On DVD / Crimson Gold
Crimson Gold

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Crimson Gold (2004)

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Reviews Counted:71

Fresh:62

Rotten:9

Average Rating:7.5/10

Consensus: A slow-burning, riveting film about Iranian class differences.

Rated: Not Rated

Runtime: 1 hr 37 mins

Genre: Dramas

Theatrical Release:Jan 16, 2004 Limited

Synopsis: Crimson Gold, directed by Jafar Panahi and written by Abbas Kiarostami, tells the story of an ordinary pizza deliveryman named Hussein (Hussein Emadeddin), and his journey navigating the dark... Crimson Gold, directed by Jafar Panahi and written by Abbas Kiarostami, tells the story of an ordinary pizza deliveryman named Hussein (Hussein Emadeddin), and his journey navigating the dark injustices of Teheran - from the dirty, downtown “souk” neighborhood to the wealthy, uptown enclaves of the city. The opening scene, an amazing four-minute, camera-steady shot, shows a gun-toting Hussein taking over an upscale jewelry shop, killing the shop owner, and then shooting himself. This grisly scene sets the story for a re-examination of the events that led Hussein to this destructive explosion. Panahi attempts to understand how a simple, shy and good-hearted guy like Hussein could be brought to such violence. Hussein is engaged to the sister of his closest friend, Ali. They decide to go to a jewelry shop after Ali’s discovery of a handbag with a broken wedding ring and a receipt for an expensive imported necklace. Eager to see where such an expensive necklace is sold, they arrive at the shop and are turned away for their working class appearance. Ali suggests returning in their best suits with Hussein's fiancée, to see whether there is anything they can afford. When they realize they don’t have enough money, and when the shop’s owner insults them by suggesting they go to the bazaar for gold, they feel a complete sense of humiliation. In a breathtaking shot we see Hussein on his motorbike, silent and angry, whirring through Teheran’s busy streets. Panahi follows Hussein and his deliveries, letting us see the different people and rushes Hussein to take his Vespa and leave. In another, a cocky policeman refuses him entry to an apartment building for a pizza delivery while a police force waits downstairs to ambush party guests on a charges of drinking alcohol and dancing in mixed company. Resigned and again humiliated, he passes the pizza amongst the soldiers and the arrested partygoers in a scene of dark humor. Soon after, at a luxury apartment building, Hussein makes a delivery to a wealthy bachelor. After telling Hussein that his girlfriend has left him, the gentleman invites Hussein in and over pizza regales him with stories of his wealthy life. Hussein eyes the trappings of his wealth: a winged piano, a gym and a swimming pool. Next we see Hussein in the jewelry shop, where we found him in the film’s first scene, defeated and ready for violence. Panahi uses Hussein's job as a delivery driver to move inside houses and behind closed doors to reveal places rarely seen by western audiences; what emerges is both a daring interrogation of Iranian society and a universal tale of urban alienation and inequality. -- © Wellspring [More]

Starring: Hussein Emadeddin, Kamyar Sheissi, Pourang Nakhayi, Azita Rayeji

Starring: Hussein Emadeddin, Kamyar Sheissi, Pourang Nakhayi, Azita Rayeji, Shahram Vaziri, Ehsan Amani, Kaveh Najmabadi, Saber Safael

Director: Jafar Panahi

Director: Jafar Panahi
Screenwriter: Abbas Kiarostami
Producer: Jafar Panahi
Composer: Peyman Yazdanian
Studio: Wellspring

[See More Credits]

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Release:

Jul 20, 2004

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Reviews for Crimson Gold

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Full Review Source: Empire Magazine | comment Comment
12/30/06
Empire Magazine

So natural in its construction and effortless in its execution that it's easy to overlook its considerable artistry: the casual elegance of Hassain Jafarian's cinematography, the poignant, deeply humanistic language of Kiarostami's screenplay.

Full Review Source: TV Guide's Movie Guide | comment Comment
01/16/04
TV Guide's Movie Guide

It's not pretty, but it's an amazing study of one man's defeat by a country that doesn't want to admit such defeat exists.

Full Review Source: E! Online | comment Comment
01/22/04
E! Online

Jafar Panahi's film exposes the cruelties and inequities of a society sharply polarized by class and corrupted by selfishness, snobbery and cynicism.

Full Review Source: New York Times | comment Comment
01/15/04
A.O. Scott
A.O. Scott
New York Times
Top Critic Icon Top Critic

Combines the talents of two of Iran's most forceful critics of their country's theocratic regime.

Full Review Source: New York Observer | comment Comment
01/29/04
Andrew Sarris
Andrew Sarris
New York Observer
Top Critic Icon Top Critic

Panahi's movie, unsurprisingly, has been outlawed in Iran. Nobody likes a prophet.

Full Review Source: New Yorker | comment Comment
08/01/04
Anthony Lane
Anthony Lane
New Yorker

A work of poetry

Full Review Source: Film Freak Central | comment Comment
05/28/04
Bill Chambers
Bill Chambers
Film Freak Central

As much a warning about the dangers of self-containment as it is an expose of a dysfunctional society.

Full Review Source: Los Angeles Daily News | comment Comment
02/06/04
Bob Strauss
Bob Strauss
Los Angeles Daily News

The leisurely pace and fatalism become riveting, and the film takes on an unnerving, unblinking intimacy, even as the characters remain distant.

Full Review Source: Dallas Morning News | comment Comment
04/08/04
Chris Vognar
Chris Vognar
Dallas Morning News
Top Critic Icon Top Critic

Probes a society uneasily layered and fearful, neither quite modern nor medieval.

Full Review Source: San Diego Union-Tribune | comment Comment
03/05/04
David Elliott
David Elliott
San Diego Union-Tribune

...a slow-moving but ultimately intriguing character study.

Full Review Source: Reel Film Reviews | comment Comment
08/21/04
David Nusair
David Nusair
Reel Film Reviews

Panahi's movie is at once a boldly conceptualized drama, a complex character study, and a gripping suspense thriller.

Full Review Source: Christian Science Monitor | comment Comment
01/15/04
David Sterritt
David Sterritt
Christian Science Monitor

Quietly brilliant psychological drama.

Full Review Source: Ozus' World Movie Reviews | comment Comment
07/27/04
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

A fascinating whydunit.

Full Review Source: Washington Post | comment Comment
02/06/04
Desson Thomson
Desson Thomson
Washington Post
Top Critic Icon Top Critic

Every scene in Crimson Gold evokes Iranian oppression and, much more cunningly, the nasty “you are either with us or against us” mentality of the United States after 9/11.

Full Review Source: Slant Magazine | comment Comment
10/02/03
Ed Gonzalez
Ed Gonzalez
Slant Magazine

Though it sometimes seems as plodding as its burly protagonist,...an intriguing, if imperfect, piece of work.

Full Review Source: One Guy's Opinion | comment Comment
05/21/04
Frank Swietek
Frank Swietek
One Guy's Opinion

Crimson Gold is a courageous Iranian film by director Jafar Panahi that conveys the harsh realities of contemporary Teheran and the chasm between the rich and the poor.

Full Review Source: Spirituality and Practice | comment Comment
10/12/03
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

The slow-burning fire of life's indignities becomes a riveting touchstone to explore class and economic warfare.

Full Review Source: Mixed Reviews | comment Comment
01/13/04
Gabriel Shanks
Gabriel Shanks
Mixed Reviews

It's every bit as outwardly unruffled as its hero, but inwardly it seethes with the very same gradually accumulated rage. A devastating and beautiful film.

Full Review Source: Toronto Star | comment Comment
05/28/04
Geoff Pevere
Geoff Pevere
Toronto Star
Top Critic Icon Top Critic

A remarkable work, as much for its uncompromising view of a claustrophobic urban landscape as for its always-muted compassion.

Full Review Source: San Jose Mercury News | comment Comment
03/25/04
Glenn Lovell
Glenn Lovell
San Jose Mercury News
Top Critic Icon Top Critic
 
 
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