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Movies / On DVD / Crimson Gold
Crimson Gold

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Crimson Gold (2004)

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Reviews Counted:71

Fresh:62

Rotten:9

Average Rating:7.5/10

Consensus: A slow-burning, riveting film about Iranian class differences.

Rated: Not Rated

Runtime: 1 hr 37 mins

Genre: Dramas

Theatrical Release:Jan 16, 2004 Limited

Synopsis: Crimson Gold, directed by Jafar Panahi and written by Abbas Kiarostami, tells the story of an ordinary pizza deliveryman named Hussein (Hussein Emadeddin), and his journey navigating the dark... Crimson Gold, directed by Jafar Panahi and written by Abbas Kiarostami, tells the story of an ordinary pizza deliveryman named Hussein (Hussein Emadeddin), and his journey navigating the dark injustices of Teheran - from the dirty, downtown “souk” neighborhood to the wealthy, uptown enclaves of the city. The opening scene, an amazing four-minute, camera-steady shot, shows a gun-toting Hussein taking over an upscale jewelry shop, killing the shop owner, and then shooting himself. This grisly scene sets the story for a re-examination of the events that led Hussein to this destructive explosion. Panahi attempts to understand how a simple, shy and good-hearted guy like Hussein could be brought to such violence. Hussein is engaged to the sister of his closest friend, Ali. They decide to go to a jewelry shop after Ali’s discovery of a handbag with a broken wedding ring and a receipt for an expensive imported necklace. Eager to see where such an expensive necklace is sold, they arrive at the shop and are turned away for their working class appearance. Ali suggests returning in their best suits with Hussein's fiancée, to see whether there is anything they can afford. When they realize they don’t have enough money, and when the shop’s owner insults them by suggesting they go to the bazaar for gold, they feel a complete sense of humiliation. In a breathtaking shot we see Hussein on his motorbike, silent and angry, whirring through Teheran’s busy streets. Panahi follows Hussein and his deliveries, letting us see the different people and rushes Hussein to take his Vespa and leave. In another, a cocky policeman refuses him entry to an apartment building for a pizza delivery while a police force waits downstairs to ambush party guests on a charges of drinking alcohol and dancing in mixed company. Resigned and again humiliated, he passes the pizza amongst the soldiers and the arrested partygoers in a scene of dark humor. Soon after, at a luxury apartment building, Hussein makes a delivery to a wealthy bachelor. After telling Hussein that his girlfriend has left him, the gentleman invites Hussein in and over pizza regales him with stories of his wealthy life. Hussein eyes the trappings of his wealth: a winged piano, a gym and a swimming pool. Next we see Hussein in the jewelry shop, where we found him in the film’s first scene, defeated and ready for violence. Panahi uses Hussein's job as a delivery driver to move inside houses and behind closed doors to reveal places rarely seen by western audiences; what emerges is both a daring interrogation of Iranian society and a universal tale of urban alienation and inequality. -- © Wellspring [More]

Starring: Hussein Emadeddin, Kamyar Sheissi, Pourang Nakhayi, Azita Rayeji

Starring: Hussein Emadeddin, Kamyar Sheissi, Pourang Nakhayi, Azita Rayeji, Shahram Vaziri, Ehsan Amani, Kaveh Najmabadi, Saber Safael

Director: Jafar Panahi

Director: Jafar Panahi
Screenwriter: Abbas Kiarostami
Producer: Jafar Panahi
Composer: Peyman Yazdanian
Studio: Wellspring

[See More Credits]

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Release:

Jul 20, 2004

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Reviews for Crimson Gold

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21 - 40 (sorted by date)
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N/R

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Full Review Source: St. Louis Post-Dispatch | comment Comment
05/14/04
St. Louis Post-Dispatch

As with many Iranian films, reality and fiction collide (the lead actor really is a pizza deliveryman), and the moral of the story is a surprisingly blunt critique of the growing inequality of wealth in the slowly Westernizing nation.

Full Review Source: Oregonian | comment Comment
05/07/04
Marc Mohan
Marc Mohan
Oregonian

After watching too many scenes run too long, Crimson Gold itself will probably become tedious to most audiences -- especially those outside its home country.

Full Review Source: Deseret News, Salt Lake City | comment Comment
05/07/04
Jeff Vice
Jeff Vice
Deseret News, Salt Lake City

Works better as a sociological study than as drama.

Full Review Source: Salt Lake Tribune | comment Comment
05/07/04
Sean Means
Sean Means
Salt Lake Tribune

“Crimson Gold” works better when we don’t look at Hussein at all, but look at Tehran through his eyes.

Full Review Source: Capital Times (Madison, WI) | comment Comment
04/30/04
Rob Thomas
Rob Thomas
Capital Times (Madison, WI)

It's the singular presence of Hussein Emadeddin -- a nonprofessional like all the other actors Panahi has used in his films -- that gives the film much of its soul and mystery.

Full Review Source: Chicago Reader | comment Comment
04/23/04
Jonathan Rosenbaum
Jonathan Rosenbaum
Chicago Reader
Top Critic Icon Top Critic

The success of Crimson Gold depends to an intriguing degree on the performance of its leading actor.

Full Review Source: Chicago Sun-Times | comment Comment
04/16/04
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

A stark, minimalist near-masterpiece.

Full Review Source: Chicago Tribune | comment Comment
04/15/04
Michael Wilmington
Michael Wilmington
Chicago Tribune
Top Critic Icon Top Critic

The film comprises a series of events, all mundane and seemingly random, that steadily coheres into a single, multifaceted image by the film’s end.

Full Review Source: Not Coming to a Theater Near You | comment Comment
04/14/04
Leo Goldsmith
Leo Goldsmith
Not Coming to a Theater Near You
N/R

Click to read the article

Full Review Source: Seattle Post-Intelligencer | comment Comment
04/09/04
Seattle Post-Intelligencer

The leisurely pace and fatalism become riveting, and the film takes on an unnerving, unblinking intimacy, even as the characters remain distant.

Full Review Source: Dallas Morning News | comment Comment
04/08/04
Chris Vognar
Chris Vognar
Dallas Morning News
Top Critic Icon Top Critic

An eloquent look at a man made less human by the world around him.

Full Review Source: Seattle Times | comment Comment
04/02/04
Moira MacDonald
Moira MacDonald
Seattle Times

Panahi is the most promising of the new Iranian directors.

Full Review Source: Combustible Celluloid | comment Comment
03/26/04
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

An engrossing tale of class differences that reveals tiny details of one man’s descent into hell.

Full Review Source: San Francisco Chronicle | comment Comment
03/26/04
Jonathan Curiel
Jonathan Curiel
San Francisco Chronicle

The year's first great movie.

Full Review Source: Boston Globe | comment Comment
03/26/04
Wesley Morris
Wesley Morris
Boston Globe
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
03/26/04
Boston Phoenix

A remarkable work, as much for its uncompromising view of a claustrophobic urban landscape as for its always-muted compassion.

Full Review Source: San Jose Mercury News | comment Comment
03/25/04
Glenn Lovell
Glenn Lovell
San Jose Mercury News
Top Critic Icon Top Critic

There are a couple of engaging sequences...but indeed the remainder is mostly mediocre, and ultimately forced.

Full Review Source: New Times | comment Comment
03/24/04
Gregory Weinkauf
Gregory Weinkauf
New Times

Jafar Panahi’s “Crimson Gold” is a worthy entry into the pantheon of that country’s contribution to the art of filmmaking.

Full Review Source: Reeling Reviews | comment Comment
03/22/04
Robin Clifford
Robin Clifford
Reeling Reviews

Panahi keeps the pace brisk, and his story makes us feel sorry and protective of poor, hopelessly lost Hussein.

Full Review Source: Arizona Daily Star | comment Comment
03/22/04
Phil Villarreal
Phil Villarreal
Arizona Daily Star
 
 
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