64% The Maze Runner Sep 19
56% This Is Where I Leave You Sep 19
—— A Walk Among the Tombstones Sep 19
82% Tracks Sep 19
92% The Guest Sep 17

Top Box Office

13% No Good Deed $24.3M
73% Dolphin Tale 2 $15.9M
92% Guardians of the Galaxy $8.1M
19% Teenage Mutant Ninja Turtles $4.9M
20% Let's Be Cops $4.4M
88% The Drop $4.1M
37% If I Stay $3.9M
36% The November Man $2.8M
33% The Giver $2.6M
67% The Hundred-Foot Journey $2.4M

Coming Soon

68% The Equalizer Sep 26
69% The Boxtrolls Sep 26
86% The Two Faces of January Sep 26
—— Two Night Stand Sep 26
91% Jimi: All Is by My Side Sep 26

Premieres Tonight

—— Brickleberry: Season 3
—— The Mindy Project: Season 3
—— New Girl: Season 4

New Episodes Tonight

88% Finding Carter: Season 1
67% Matador: Season 1
83% Sons of Anarchy: Season 7

Discuss Last Night's Shows

71% Dallas: Season 3
62% Under the Dome: Season 2

Crossfire Reviews

Page 1 of 1
Christopher Null

a drawn-out hour of investigation that looks like a schoolyard game of C.S.I.

Full Review Source: | Original Score: 3/5

January 27, 2004
Dennis Schwartz
Ozus' World Movie Reviews

It would have been a much better film if it weren't for the censor: there is absolutely no question about that.

Full Review Source: Ozus' World Movie Reviews | Original Score: C+

January 1, 2000
Pablo Villaca
Cinema em Cena

Sutil como um touro numa loja de porcelana, soa implausível em sua trama e tolo na maneira com que prega o óbvio. Com isso, suas válidas intenções morais se tornam apenas infantis.

| Original Score: 1/5

December 30, 2011
James Agee
The Nation

Crossfire is an unusually good and honest movie and may -- I hope, will - prove a very useful one.

Full Review Source: The Nation

September 14, 2012
Jeffrey M. Anderson
Combustible Celluloid

It has a very strong and powerful message against anti-Semitism.

Full Review Source: Combustible Celluloid | Original Score: 3.5/4

August 8, 2005
Carol Cling
Las Vegas Review-Journal

| Original Score: 5/5

January 23, 2004
Keith H. Brown
Edinburgh U Film Society

An intriguing combination of a common noir theme with the liberal-minded message picture.

Full Review Source: Edinburgh U Film Society

January 1, 2000
Bosley Crowther
New York Times
Top Critic IconTop Critic

A thematically articulate film.

Full Review Source: New York Times | Original Score: 3.5/5

May 20, 2003
Emanuel Levy

Dealing with racial bigotry, this tense thriller combines a message drama with the stylistics of film noir, resulting in one of the best films of the 1940s, with top notch work from Robert Mitchum and Robert Ryan.

Full Review Source: EmanuelLevy.Com | Original Score: 4/5

June 6, 2006
Dave Kehr
Chicago Reader
Top Critic IconTop Critic

While the film remains a respectable thriller, only Ryan's crafty, quietly deranged performance lifts it out of the ordinary.

Full Review Source: Chicago Reader

April 8, 2008


Brave and impressive stuff.

Full Review Source: Film4

May 24, 2003

Time Out
Top Critic IconTop Critic

This ultra-low-budget thriller did what all great B movies do: it broached a subject that 'respectable' movies wouldn't touch.

Full Review Source: Time Out

June 24, 2006

Top Critic IconTop Critic

Producer Dore Schary, in association with Adrian Scott, has pulled no punches.

Full Review Source: Variety

April 8, 2008

TV Guide's Movie Guide

A classic.

Full Review Source: TV Guide's Movie Guide | Original Score: 4/4

April 8, 2008
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