There are good performances here, but the sheer number dilutes their power, leaving the movie a bit of a mess.
Crossing Over (2009)
Tomatometer
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Reviews Counted:28
Fresh:5
Rotten:23
Average Rating:4.6/10
Consensus: Crossing Over is flagrant and heavy-handed about a situation that deserves more deliberate treatment, and joins its characters with coincidences that strain believability.
Rated: R [See Full Rating] for pervasive language, some strong violence and sexuality/nudity.
Runtime: 1 hr 53 mins
Genre: Dramas
Theatrical Release:Feb 27, 2009 Limited
Box Office: $402,469
Synopsis: The struggle to achieve resident alien status, or gain full-blown citizenship in the United States, provides some thought-provoking material in this feature from director Wayne Kramer(THE COOLER).... The struggle to achieve resident alien status, or gain full-blown citizenship in the United States, provides some thought-provoking material in this feature from director Wayne Kramer(THE COOLER). CROSSING OVER is an ensemble piece that contains many overlapping storylines, most of which revolve around Max Brogan (Harrison Ford), a law enforcement official who specializes in arresting people who break stringent immigration laws. Joining Ford is Ray Liotta, who plays a corrupt immigration official who forces a wannabe Australian actress (Alice Eve) to sleep with him in exchange for a green card. The film also focuses on the rigorous guidelines laid down in post-9/11 America, with Kramer detailing the shocking maltreatment of a teenage girl who faces deportation after giving a misguided high school presentation on terrorism. These tales, and several others, all combine to present an intricate overview of the desperate and often overwhelmingly sad lengths people will go to so they can remain in the United States. Kramer’s film closely mirrors other harrowing ensemble pieces such as Paul Haggis’s CRASH (2004) and Richard Linklater’s FAST FOOD NATION (2006). CROSSING OVER carefully presents many different sides of this complicated issue and also examines how coincidence and good fortune can play a part in achieving resident status. Ford is perfectly cast as the downcast lead character who battles with the moral and ethical ramifications of his job, and frequently gets too close to the people he is required to prosecute. Kramer skillfully interweaves each tale and allows just enough screen time to each of his characters, with Cliff Curtis leading the excellent supporting cast by playing an Iranian-American immigration official whose life is irrevocably altered by a series of tragic personal and professional occurrences. [More]
Starring: Harrison Ford, Ray Liotta, Ashley Judd, Cliff Curtis
Starring: Harrison Ford, Ray Liotta, Ashley Judd, Cliff Curtis, Jim Sturgess, Alice Eve, Alice Braga, Justin Chon, Summer Bishil
Director: Wayne Kramer
Director: Wayne Kramer
Screenwriter: Wayne Kramer
Producer: Frank Marshall, Wayne Kramer, Bob Weinstein, Harvey Weinstein
Composer: Mark Isham
Studio: Weinstein Company
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Reviews for Crossing Over
You see, it's all a bit too interlocking, a cable series jammed into a couple of hours.
The film is so choppy, especially in the final going, it appears that entire reels have been cut.
There's more genuine conviction in Ford's face, more complexity, honesty and ability to incite compassion, than everything else in Crossing Over combined.
All we get is a mess of good liberal intentions loosely anchored to a mass of pure Hollywood hokum.
Maybe if he [director Wayne Kramer] had kept Crossing Over simpler, he would have made a less simplistic movie.
It's Crossing Over -- or as we call it at my desk, Crash: Special Victims Unit.
A responsible message movie wrapped in an irresponsible exploitation flick that cries fire in a crowded theater.
The characters don't relate; they trade expedient expository nuggets, when they're not speechifying. A surfeit of coincidence spoils our empathy. And when a character%u2014any character%u2014says "You doubt the veracity of my heart," you have to doubt the
Crossing Over seems to strain, with too many characters, too many story strands and too much of an effort to cover the bases.
Writer-director Wayne Kramer gets uniformly terrific performances from a fine cast playing pawns in the game of sex, violence and betrayal that diminishes the noble tradition of naturalized citizenship.
I think this is really an exceptional film. I didn't find really a false note in the behavior of any of these characters.
This is a movie with the courage to examine the pressing issue of whether hot blond Aussie starlets are sleeping with government agents -- whom they meet in fender benders -- to get green cards.
Crossing Over has its heart in umpteen places and its head stuffed with dramatic claptrap.
An interesting failure, a movie that at least strives to be about something, entangling itself with the question of what it means to be an American -- or, more specifically, what it means to deserve to live here.
Trust Kramer, though, to spring surprises with the help of a risk-taking cast.
Forced, heavy-handed and overdone, it's a pretend serious film that offers crass manipulation in the place where honesty is supposed to be.
Latest News for Crossing Over
June 08, 2009:
RT on DVD: Gran Torino, Crossing Over, Nobel Son Exclusive Look
This week on DVD, celebrate the big screen heroics of two former movie heroes (Clint Eastwood in Gran Torino, Harrison Ford in Crossing Over) or watch Clive Owen and Naomi Watts... More...
March 01, 2009:
Harrison Ford does a very different sort of reluctant, discombobulated thinking man's action hero this time around, a kinder, gentler immigration cop not into raids, and mocked by his colleagues as an INS girlie guy. ![]()
More...
February 26, 2009:
Critics Consensus: Jonas Brothers Fizzles
This week at the movies, we've got teenybop pop (Jonas Brothers: The 3-D Concert Experience, starring Jonas Brothers) and a video game adaptation (Street Fighter: The Legend of... More...
November 26, 2008:
Trailer & Poster review ![]()
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