Crossing the Bridge does more than offer a wide variety of entertaining and intoxicating Turkish music. It also uses music to paint a portrait of a vibrant, cosmopolitan city and provide a window into a rich and varied national culture.
Crossing The Bridge: The Sound Of Istanbul
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Reviews Counted:14
Fresh:14
Rotten:0
Average Rating:7.4/10
Consensus: Infused with cultural and political concerns, this film weaves together a rich tapestry of musical styles that celebrate the diversity that makes up contemporary Turkish life.
Theatrical Release:Jun 9, 2006 Limited
Synopsis: A European musician and composer sets out to capture the musical diversity of Istanbul. A lover of experimenting with sound, Alexander Hacke (of the German avantgarde band Einstürzende Neubauten)... A European musician and composer sets out to capture the musical diversity of Istanbul. A lover of experimenting with sound, Alexander Hacke (of the German avantgarde band Einstürzende Neubauten) roams the streets of Istanbul with his mobile recording studio and "magic mike" to assemble an inspired portrait of Turkish music. His voyage leads to the discovery of a broad spectrum ranging from modern electronic, rock and hip-hop to classical "Arabesque". As he wanders through this seductive world, Alex collects impressions and tracks by artists such as neo-psychedelic band Baba Zula, fusion DJs Orient Expressions, rock groups Duman and Replikas, maverick rocker Erkin Koray, Ceza (Turkeys answer to Public Enemy), breakdance performers Istanbul Style Breakers, digital dervish Mercan Dede, renowned clarinetist Selim Sesler, Canadian folk singer Brenna MacCrimmon, street performers Siyasiyabend, Kurdish singer Aynur, the "Elvis of Arabesque" Orhan Gencebay, and legendary divas Müzeyyen Senar and Sezen Aksu. -- © Official Site [More]
Director: Fatih Akin
Director: Fatih Akin
Studio: Strand Releasing
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Reviews for Crossing The Bridge: The Sound Of Istanbul
Even as Crossing the Bridge acknowledges differences, tensions, the provocative power music exerts on our hearts, it makes an elegant, head-bopping, hip-swaying argument that sound unifies.
Akin's documentary gets its legs from the subtle questions it raises about Turkey's politics, nationalism, religious identity, cultural integrity and international perception.
It's a tasty sonic apertif to an unfamiliar world, and likely to inspire more than a few folks to make a beeline for the world music browser at the music store.
The musical selections are nothing if not eclectic -- rock, hop-hop, psychedelic, folk, electronica, traditional -- and include some perky performances. But Crossing the Bridge is more than just a musical primer.
It is our good fortune that Akin and his on-screen narrator, bass player Alexander Hacke, are our passionate guides through the country's musical history.
An infectiously enjoyable survey of contemporary Turkish music, Fatih Akin's documentary works as a corollary to his breakout fiction film, Head-On.
Crossing the Bridge: The Sound of Istanbul emphasizes the unique geography of the city to explain its eclectic music scene, and a generous sampling of performances clinches the argument.
Fatih Akin's rich documentary follow-up, Crossing the Bridge, digs deeper into Istanbul's musical and social history.
One of the world's great cities comes vibrantly alive through its music and musical denizens.
The film's early insistence on Istanbul as a kind of Asian-European melting-pot crossroads ... ultimately gives way to an increasingly powerful impression of the place as a remarkable haven for stubbornly unyielding musical traditions.
An enjoyable if occasionally maddening primer on the sound of today's Istanbul, a whirling dervish of a sonic tour with Einstuerzende Neubauten guitarist Alexander Hacke as your guide.
Only when the multicultural conceit of vastly different musical traditions blending to produce a transcendent sound is muted does the film finally jell.
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| 82% 82% | Paranormal Activity |
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