Offensive? Yes, and creatively so.
CSA: The Confederate States of America (2006)
Tomatometer
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Reviews Counted:65
Fresh:51
Rotten:14
Average Rating:7/10
Consensus: Through the eyes of a British "documentary", this film takes a satirically humorous, and sometimes frightening, look at the history of an America where the South won the Civil War.
Synopsis: Kevin Willmott's funny and alarming mockumentary, C.S.A.: THE CONFEDERATE STATES OF AMERICA, springs from an ingenious premise: the South defeated the Union army and won the Civil War. The film... Kevin Willmott's funny and alarming mockumentary, C.S.A.: THE CONFEDERATE STATES OF AMERICA, springs from an ingenious premise: the South defeated the Union army and won the Civil War. The film presents itself as a British television series about the history of the C.S.A. In Willmott's faux history, British and French troops joined with the Confederates to rout the Northern armies. With Lincoln jailed and Jefferson Davis in the White House, the C.S.A. goes on to invade Mexico and South America, sides with Hitler in World War II, and builds a giant wall between itself and Canada. Breaking up the "history" lesson are commercials from the modern day C.S.A., slick ads for the Slave Shopping Network (imagine QVC pitching "pickaninnies"), and Coon Chicken Inn (an actual 1950s restaurant). Presented by Spike Lee, C.S.A.: THE CONFEDERATE STATES OF AMERICA clearly has done its historical homework. Though the film will invariably be linked with such mockumentaries as WAITING FOR GUFFMAN and THIS IS SPINAL TAP, Willmott's film is not character-driven (with the exception of the privileged and smug presidential candidate, John Ambrose Fauntroy V, played to perfection by Larry Peterson), and the jokes are much more historical and even academic in nature. Willmott clearly knows the hidden truths of the real African-American experience, and the movie's most startling and disturbing moments are when the "parallel universe" seems awfully familiar. One of the most unnerving scenes is an advertisement for "Runaways," a TV show about catching runaway slaves that looks almost identical to COPS. Other times, the humor is so broad and audacious that the film shares similarities to the should-I-laugh-or-grimace comedy style of SOUTH PARK. However, unlike SOUTH PARK, Willmott has a real agenda: beneath the wit and the quips, he launches a powerful attack on both the C.S.A. and the U.S.A. [More]
Starring: Charles Frank, Shaun Toub, Jeris Poindexter, Rhonda Stubbins White
Starring: Charles Frank, Shaun Toub, Jeris Poindexter, Rhonda Stubbins White, Sean Blake, Ryan L. Carroll, Rupert Pate
Director: Ken Willmott
Director: Ken Willmott
Screenwriter: Kevin Wilmott
Producer: Rick Cowen
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Reviews for CSA: The Confederate States of America
Willmott spends a great deal of energy inventing details for the pulsing flow of his phony history, and some of his invented logic eerily mirrors some of the today's school of thought.
If the world constructed by CSA can seem at times shrill and cheap, however, that may in fact be a good indication of what this world would have been like to live in.
Ingenious and disturbing, it's not really about the past but the present -- a witty successor to 'Fahrenheit 9/11.'
a satirist's distorted reflection of today's globe-mastering US, as presided over by a god-fearing Southerner with imperialist tendencies and a penchant for warmongering.
Kevin Willmott pulls off an amazing trick with the fake documentary CSA: The Confederate States of America. On the lowest of budgets, he rewrites history on the grandest scale.
For all its wit, the overwhelming feeling is one of sadness, as the CSA history and our actual USA history really aren't that far removed.
Kevin Willmott's ersatz documentary CSA: The Confederate States of America is an act of provocation that's sheer genius in its conceptual simplicity.
C.S.A. is pretty mind-boggling stuff, a home-grown no-budget film capable of amusing, angering and educating -- often all at once.
Its central notion is so very promising that Willmott's failure to properly run with it only compounds the eventual disappointment.
Rarely does a promising premise get such lackluster execution as in the satiric CSA: The Confederate States of America.
Brimming with daring concepts though only sporadically united into a lacerating whole
Satire via sledgehammer, Kevin Willmott's fake documentary imagines an alternative American history in which the South won the Civil War.
Not just altering history but updating it, this is the best political satire since Joe Dante's The Second Civil War and the strong sections of Spike Lee's Bamboozled.
This provocative, deeply unsettling mockumentary from filmmaker Kevin Willmott offers an alternate history of America based on a terrifying what-if scenario.
The most alarming thing about C.S.A.: Confederate States of America is how utterly unalarming it seems.
CSA: The Confederate States of America offers a smart balance of edgy thoughtfulness and off-beat entertainment.
Its attack on American racist capitalism is provocative, disturbing and powerful satire . . . shows us through fiction what Katrina has already revealed in fact.
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