There are droll comic flourishes in this very brave film, to be sure, but all you really want to do after watching CSA is hang down your head and cry.
CSA: The Confederate States of America (2006)
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Reviews Counted:65
Fresh:51
Rotten:14
Average Rating:7/10
Consensus: Through the eyes of a British "documentary", this film takes a satirically humorous, and sometimes frightening, look at the history of an America where the South won the Civil War.
Synopsis: Kevin Willmott's funny and alarming mockumentary, C.S.A.: THE CONFEDERATE STATES OF AMERICA, springs from an ingenious premise: the South defeated the Union army and won the Civil War. The film... Kevin Willmott's funny and alarming mockumentary, C.S.A.: THE CONFEDERATE STATES OF AMERICA, springs from an ingenious premise: the South defeated the Union army and won the Civil War. The film presents itself as a British television series about the history of the C.S.A. In Willmott's faux history, British and French troops joined with the Confederates to rout the Northern armies. With Lincoln jailed and Jefferson Davis in the White House, the C.S.A. goes on to invade Mexico and South America, sides with Hitler in World War II, and builds a giant wall between itself and Canada. Breaking up the "history" lesson are commercials from the modern day C.S.A., slick ads for the Slave Shopping Network (imagine QVC pitching "pickaninnies"), and Coon Chicken Inn (an actual 1950s restaurant). Presented by Spike Lee, C.S.A.: THE CONFEDERATE STATES OF AMERICA clearly has done its historical homework. Though the film will invariably be linked with such mockumentaries as WAITING FOR GUFFMAN and THIS IS SPINAL TAP, Willmott's film is not character-driven (with the exception of the privileged and smug presidential candidate, John Ambrose Fauntroy V, played to perfection by Larry Peterson), and the jokes are much more historical and even academic in nature. Willmott clearly knows the hidden truths of the real African-American experience, and the movie's most startling and disturbing moments are when the "parallel universe" seems awfully familiar. One of the most unnerving scenes is an advertisement for "Runaways," a TV show about catching runaway slaves that looks almost identical to COPS. Other times, the humor is so broad and audacious that the film shares similarities to the should-I-laugh-or-grimace comedy style of SOUTH PARK. However, unlike SOUTH PARK, Willmott has a real agenda: beneath the wit and the quips, he launches a powerful attack on both the C.S.A. and the U.S.A. [More]
Starring: Charles Frank, Shaun Toub, Jeris Poindexter, Rhonda Stubbins White
Starring: Charles Frank, Shaun Toub, Jeris Poindexter, Rhonda Stubbins White, Sean Blake, Ryan L. Carroll, Rupert Pate
Director: Ken Willmott
Director: Ken Willmott
Screenwriter: Kevin Wilmott
Producer: Rick Cowen
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Reviews for CSA: The Confederate States of America
Here, technique interferes with the film's argument because it's attempting to satirize a history that didn't occur.
A sometimes incisive, sometimes amateurish look at race in America, the things we do and tolerate as a nation that are really no different from an America ruled by unrepentant slave-holders.
It's as if, in trying to emulate the style of stuffy documentarian Ken Burns, Wilmott made something that actually makes Burns' films seem livelier.
An entertaining and razor-sharp lesson in the pervasiveness of racism in American history.
The most alarming thing about C.S.A.: Confederate States of America is how utterly unalarming it seems.
Never lacks for material, it may be a bit too smart for its own good.
A cheeky speculation on what may have happened had the Confederacy prevailed in the War of Northern Aggression ...
[Writer/Director] Willmott could have easily stumbled over his own cleverness but, as with the rest of the movie, his fantasia is intellectually rigorous and makes for stimulating debate.
Willmott's battlefield strategy is parody, not drama, and he makes his points with far more invention than finesse.
It's worth seeing, but you can't watch it without imagining how much better it could be.
Rarely does a promising premise get such lackluster execution as in the satiric CSA: The Confederate States of America.
Willmott's film is an inventive indie production, and a chilling look at a future America narrowly avoided.
Willmott could have better served his research to make a book, or scrapping the artifice in favor of a documentary treatment. Or better yet, he could have handed all his info over to Burns or someone else who knows what he's doing.
For all its wit, the overwhelming feeling is one of sadness, as the CSA history and our actual USA history really aren't that far removed.
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