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Cul-de-Sac (1966)
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Reviews Counted:10
Fresh:9
Rotten:1
Average Rating:7.8/10
Runtime: 1 hr 51 mins
Genre: Dramas
Synopsis: A somewhat surreal black comedy directed and coscripted by Roman Polanski, CUL-DE-SAC is the tale of a mismatched married couple, George and Teresa (Donald Pleasence and Françoise Dorléac), living... A somewhat surreal black comedy directed and coscripted by Roman Polanski, CUL-DE-SAC is the tale of a mismatched married couple, George and Teresa (Donald Pleasence and Françoise Dorléac), living in an isolated 11th-century castle near the ocean whose home is invaded by two gangsters on the run after an unsuccessful heist. Lionel Stander plays Dicky, a thug who attempts to save the life of his mortally wounded partner (Jack MacGowran) by enlisting the help of George and Teresa, then holds them captive in their own home as the group awaits the arrival of the mysterious Mr. Kattlebach, the gangsters' boss whom Dicky has contacted prior to cutting the phone line. The nubile young Teresa proves more resourceful than her ever-cringing husband as they try to come up with a plan for eluding their boorish captor; further complications arise, however, after an unexpected visit from an old school chum of George's, who arrives with an entourage of annoying family and friends. In spite of tensions that, as Polanski later reported, existed between him and his often less than cooperative stars, all three principals give fine performances, most notably Pleasence as the cuckolded, humiliated, and (as Dicky at one point proclaims) hopelessly "square" British WWII veteran George. [More]
Starring: Donald Pleasence, Jacqueline Bisset, Lionel Stander, Jack MacGowran
Starring: Donald Pleasence, Jacqueline Bisset, Lionel Stander, Jack MacGowran
Director: Roman Polanski
Director: Roman Polanski
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Reviews for Cul-de-Sac
I kind of expected the film to keep up some kind of momentum with a slam-bang beginning like that. It never slows down to a crawl, but it never gets as good as its first ten minutes.
Roman Polanski's character study is strange, creepy, and often compelling.
After two clean hits -- Knife in the Water and Repulsion -- Roman Polanski is entitled to one wild swing.
This much sounds like a standard horror-film outline, especially since Stander looks amazingly like Frankenstein. But Polanski ignores the horror to concentrate instead on macabre humor.
The troubled dynamic of a castle-bound couple is further distorted by the arrival of a gangster who is marginally less vile than Carol's phantom.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
| 75% 75% | Julie & Julia |
| 95% 95% | The Cove |
| 85% 85% | World's Greatest Dad |
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