One might quibble with the CGI battle sequences ..., but that's a small complaint. As long as [the film] concentrates on the scheming royals in their lush and lavish settings, it soars.
Curse of the Golden Flower (2006)
Tomatometer
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Reviews Counted:117
Fresh:76
Rotten:41
Average Rating:6.4/10
Consensus: Melodrama, swordplay, and CG armies -- fans of martial arts epic will get what they bargain for, though the baroque art direction can be both mesmerizing and exhaustively excessive.
Runtime: 1 hr 54 mins
Genre: Action/Adventure
Theatrical Release:Dec 21, 2006 Limited
Box Office: $6,466,942
Synopsis: In 2004, Zhang Yimou caused a sensation with his astonishing HOUSE OF FLYING DAGGERS, and his CURSE OF THE GOLDEN FLOWER is yet another dazzling, visually stunning film. Calling again upon the... In 2004, Zhang Yimou caused a sensation with his astonishing HOUSE OF FLYING DAGGERS, and his CURSE OF THE GOLDEN FLOWER is yet another dazzling, visually stunning film. Calling again upon the talents of the striking Gong Li, Yimou tells an epic tale of lust and power set in the opulent world of the Later Tang dynasty. The plot follows the story of the Emperor (Chow Yun Fat) and his Empress (Li) and the tragic disintegration of their royal family--whose problems go far beyond the merely dysfunctional. For starters, the ailing Empress has long been having an affair with her stepson, the Crown Prince Wan (Liu Ye). Unbeknownst to her, Wan has been dallying with the Imperial Doctor's daughter (Li Man), and has plans to escape the palace with her. Meanwhile, the Emperor himself has just returned from a long trip, and while relations with his wife are obviously icy, it becomes clear that his plans for her are far more ominous than she could ever imagine. Everyone involved has a secret plan for either escape or domination, resulting in an explosive ending wherein the darkest family secrets are revealed and horrifically bloody battles are waged both inside and outside the walls of the sparkling, gold-encrusted palace. Yimou appears to be trying to balance his flair for telling an emotional story with his talent for thrilling, detail-driven action sequences, and while CURSE's plot does at times seem close to that of a soap opera, the phenomenal performances and breathtaking visuals are more than enough to power the film forward. Fans of Yimou's quieter work (RIDING ALONG FOR THOUSANDS OF MILES) are likely to enjoy the dramatic exploration of family relationships, while there are still plenty of hissing ninjas to satisfy DAGGERS enthusiasts. [More]
Starring: Chow Yun Fat, Jay Chou, Gong Li, Liu Ye
Starring: Chow Yun Fat, Jay Chou, Gong Li, Liu Ye, Chen Jin, Ni Dahong, Li Man, Qin Junjie
Director: Yimou Zhang
Director: Yimou Zhang
Producer: William Kong, Zhang Weiping
Studio: Sony Pictures Classics
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Reviews for Curse of the Golden Flower
Just as the emperor’s own misrule is shrouded in ceremony, so too is the rather emotionally insignificant melodrama at the center of Curse of the Golden Flower, given only minimal cover from scrutiny by Zhang’s visual virtuosity.
Curse's gorgeous scenes are draped in silk and brocade, gold and jade -- literally, the walls and floors and ceilings. Battle scenes are painstakingly bloody.
Zhang does a marvelous job at contrasting the tactile sumptuousness of the sets with the venomous, venal brutality that occurs within their walls.
Basically, the movie is soap opera done on a grand opera scale -- more Dynasty than Later Tang Dynasty. The immensity of Zhang's vision is eyepopping. Imagine several football fields worth of shimmering golden chrysanthemums.
Theatrical drama becomes largescale cinema. It's a spectacular take on family ties that bind so tight they're cutting off circulation.
Some may be turned off by how busy the film is, rushing from one set piece to the next without catching a breath.There's no time to stop and sniff a golden flower.
These characters have enough conflicting relational issues to fill about a year on a daily soap; it's messy and passionate, murderous and lusty.
It's operatic in its feeling and there’s a lot going on here. And there’s murders and betrayals, and affairs that are illicit, and women on horse-back and great fight scenes.
[Y]es to opulence, yes to passion, yes to political murder and courtly intrigue and illicit sex and all that. But no... to histrionics overblown on a nuclear scale and ludicrousness that blots out the sun...
Curse of the Golden Flower is a watchable soap opera, but its marching-band martial-arts scenes are little more than weakly staged retreads of the ones in Zhang's Hero.
...a fascinating tale of palace intrigue and themachinations of power play.
While the film looks beautiful and the cinematography and staging by Xiaoding Zhao is as magnificent as ever, Curse of the Golden Flower is the weakest of the class (like being the worst student at Yale).
Curse of the Golden Flower may be one of Zhang's most erratic, even to major fans, but it still manages to also be a successful marriage of the storytelling that he built his career on and the large scale epics he's making now.
Director Zhang Yimou is aiming for glorious visual, kinetic and emotional overload, and he delivers the goods.
The morbid grandiosity of Curse of the Golden Flower is its own distinctive accomplishment, another remarkable chapter in the career of Asia's most important living filmmaker.
A visually sumptuous action drama by Zhang Yimou, who proves himself to be the Busby Berkeley of our times.
Eye-popping. One of the year's most spectacularly visual treats. It has wide-screen images that are beyond astounding.
Curse of the Golden Flower is a triumph of set dressing, cinematography and costuming. Now if only it were compelling.
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