Von Trier is vicious when it comes to milking the melodrama.
Dancer in the Dark (1999)
Tomatometer
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Reviews Counted:111
Fresh:75
Rotten:36
Average Rating:6.6/10
Consensus: Dancer in Dark can be grim, dull, and difficult to watch, but even so, it has a powerful and moving performance from Bjork and is something quite new and visionary.
Theatrical Release:Sep 23, 2000 Wide
Box Office: $891,547
Synopsis: The final installment in Lars von Trier's Golden Heart trilogy (which includes BREAKING THE WAVES and THE IDIOTS), DANCER IN THE DARK takes the director's original blend of heightened... The final installment in Lars von Trier's Golden Heart trilogy (which includes BREAKING THE WAVES and THE IDIOTS), DANCER IN THE DARK takes the director's original blend of heightened pseudorealism, fabricated melodrama, and the priciples of the Dogme 95 genre to a dangerously intense level. The story concerns Selma (Björk), a Czech immigrant living in 1964 Washington State with her 12-year-old son, Gene (Vladan Kostic). On the verge of blindness, Selma spends her days working in a factory, as well as performing other odd jobs, in order to save up enough money to pay for an operation that will cure Gene of the same disease. To pass the time, Selma fantasizes that her own life is a musical, one in which her friends join her in sweeping song-and-dance routines. After her neighbor Bill (David Morse) discovers Selma's hidden savings and steals them from her, she is forced to perform an act of salvation that will condemn her forever. As the innocent Selma, Björk is one of the most fragile and heartbreaking presences the screen has ever seen. Her unbearably moving performance is enough to keep the viewer mesmerized throughout, even amid the story gaps and inconsistencies. Featuring compassionate supporting turns by Catherine Deneuve and Peter Stormare, DANCER IN THE DARK is an unrelenting gut punch that will have sympathetic audiences quivering with uncontrollable emotion. [More]
Starring: Björk, Catherine Deneuve, Jean-Marc Barr, David Morse
Starring: Björk, Catherine Deneuve, Jean-Marc Barr, David Morse, Stellan Skarsgaard, Peter Stormare, Udo Kier, Cara Seymour
Director: Lars von Trier
Director: Lars von Trier
Screenwriter: Lars von Trier
Producer: Vibeke Windelov
Studio: Fine Line Features
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Reviews for Dancer in the Dark
As a big fan of Björk, I greatly enjoyed her often stunning work both as a singer and an actor here. In fact, she does a better job of generating sympathy for herself than von Trier does for Selma.
This is one special film and in some ways fantastic. -- also INTERVIEW w/BJORK
The Danish director has made an incredibly dour, music-tinged drama that might break some hearts, but just made me want to break things.
Seeing it, one does get some sense that the Danish Emperor of Film is wearing no clothes.
It demands to be seen, and though you might detest it, at least you'll exit the theater with the bruised sense of having seen something memorable.
A thought-provoking, emotionally resonant, and innovative cinematic experience.
Nothing less than a groundbreaking -- and magical -- art house reinvention of a genre that even Disney cartoons have been shying away from in recent years.
It is not pleasing to watch, by any conceivable definition of that word.
This is a film like no other this year, and on that grounds alone you should see it.
Powerful -- and powerfully irritating. But love it or hate it, you're not likely to forget it.
The musical is dead. Long live the musical! Lars Von Trier has not only resurrected the form in his latest film, he has reinvented it.
I make no promises about Dancer in the Dark. You may hate it. But I thought it was one of the best pictures of the year.
A film like no other, and even if only to simply bear witness to such a bold, experimental work, it commands a viewing.
Von Trier is poking at subconscious safety nets we turn to for reassurance in ways both pretentious and provocative, depending on the predisposition of the beholder.
It's a carefully crafted provocation that both undermines and expands the notion of what makes a movie musical.
It smashes down the walls of habit that surround so many movies. It returns to the wellsprings. It is a bold, reckless gesture.
The preachiness is off-putting, and so are the film's melodramatic plotting and woozy handheld camerawork.
Latest News for Dancer in the Dark
July 22, 2009:
RT Interview: Lars von Trier on Antichrist
If you go down to the woods today... Well, just don't. Danish provocateur Lars von Trier's arthouse psychohorror Antichrist is the most controversial film of the year -- and the... More...
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