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The Dangerous Lives of Altar Boys (2002)
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Reviews Counted:109
Fresh:84
Rotten:25
Average Rating:6.5/10
Consensus: The inter-cutting of animation by Spawn's creator, Todd McFarlane, doesn't always work, but the performances by the young actors capture the pains of growing up well.
Rated: R [See Full Rating] for language, sexual content and youth substance use
Runtime: 1 hr 45 mins
Genre: Dramas
Theatrical Release:Jun 14, 2002 Limited
Box Office: $1,507,000
Synopsis: Set in the rural South in the 1970s in a Catholic school, four pre-teen boys (Kieran Culkin, Emile Hirsch, Jake Richardson, and Tyler Long) create a comic book called "The Atomic Trinity" to... Set in the rural South in the 1970s in a Catholic school, four pre-teen boys (Kieran Culkin, Emile Hirsch, Jake Richardson, and Tyler Long) create a comic book called "The Atomic Trinity" to channel their creativity, imagination, and rebellious adolescent angst. They each develop their own superhero and, in doing so, live out fantasy lives through their empowered, unchained alter egos. Their evil adversaries are exaggerated characters designed after their teachers: Sister Assumpta (Jodie Foster) the stark, peg-legged nun; and Father Casey (Vincent D'Onofrio), the shady, chain-smoking priest. The spotlight of the film shines clearly on the handsome Francis (Hirsch) whose crush on his neighbor and schoolmate, Margie Flynn (Jenna Malone), leaves him tongue-tied. Tim (Culkin) is bolder, and so he rewrites a William Blake poem and uses it to bring together secretly dark Margie with wide-eyed Francis. Their relationship flowers into one of the heavier and more mysterious subplots in the film. Margie is instantly written into the comic as a wounded warrior-heroine who enlists the superheroes to help her in her battles against evil. Meanwhile, the boys are busy planning--and occasionally executing--devilish pranks at school, eventually taking things a step too far, to tragic result. Based on the Chris Fuhrman book of the same name, adapted to the screen by writer Jeff Stockwell, THE DANGEROUS LIVES OF ALTAR BOYS from director Peter Care is an edgy, engrossing, teen rebellion flick. Extensive animated sequences share a good amount of screen time with the live action narrative, and a prescient musical score by Marco Beltrami and Joshua Homme provides the perfect accent to the action of the film. [More]
Starring: Emile Hirsch, Kieran Culkin, Jena Malone, Jodie Foster
Starring: Emile Hirsch, Kieran Culkin, Jena Malone, Jodie Foster, Vincent D'Onofrio, Jake Richardson, Tyler Long
Director: Peter Care
Director: Peter Care
Screenwriter: Jeff Stockwell
Producer: Jodie Foster, Meg LeFauve, Jay Shapiro
Composer: Marco Beltrami
Studio: ThinkFilm
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Reviews for The Dangerous Lives of Altar Boys
'The Dangerous Lives of Altar Boys manages to capture that impossible time when idealism clashes with reality and religion, wrapped inside a delicious nostalgia...'
What would have otherwise been a routine nostalgic coming-of-ager takes on a new, innovative form.
An intriguing inquiry into the ways fantasy and reality clash during the coming-of-age process.
The film takes us into the secret world of teenage boys as if first-time director Peter Care had been issued a special password.
Foster and newcomer Hirsch are the best things in Dangerous Lives, a touching but odd mix of live action and animation.
If you're part of the ever-growing audience that's looking for more in your movies than the latest TV show brought to the big screen - check this out.
Beautifully captures the painful, hilarious, complicated process of becoming an adult.
Director Peter Care and screenwriters Jeff Stockwell and Michael Petroni have retained much of the wry, teen-wise dialogue from the late Chris Fuhrman’s cult-hit novel, while giving his story arc a fuller, more rounded shape.
This is the best American movie about troubled teens since 1998's Whatever.
The movie has no profound insights to offer, but its nimble acting and lifelike dialogue make it entertaining as well as thoughtful.
The film does a good job bringing out the fragile and sensitive sides to teens who are searching for answers adults can't give them.
As jaggedly formed as [it is] around the edges, the focal point in each of these characters' lives remain crystal clear and solidly effective.
Nuns are nowhere near as mean as Jodie Foster's one-legged Assumpta but what fun are they if they did have two legs and didn't ride around on motor scooters?
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