There's a streak of prankishness in the boys that goes pretty far, yet so rich and engaging is this film and its people that we never lose sympathy for them.
The Dangerous Lives of Altar Boys (2002)
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Reviews Counted:109
Fresh:84
Rotten:25
Average Rating:6.5/10
Consensus: The inter-cutting of animation by Spawn's creator, Todd McFarlane, doesn't always work, but the performances by the young actors capture the pains of growing up well.
Rated: R [See Full Rating] for language, sexual content and youth substance use
Runtime: 1 hr 45 mins
Genre: Dramas
Theatrical Release:Jun 14, 2002 Limited
Box Office: $1,507,000
Synopsis: Set in the rural South in the 1970s in a Catholic school, four pre-teen boys (Kieran Culkin, Emile Hirsch, Jake Richardson, and Tyler Long) create a comic book called "The Atomic Trinity" to... Set in the rural South in the 1970s in a Catholic school, four pre-teen boys (Kieran Culkin, Emile Hirsch, Jake Richardson, and Tyler Long) create a comic book called "The Atomic Trinity" to channel their creativity, imagination, and rebellious adolescent angst. They each develop their own superhero and, in doing so, live out fantasy lives through their empowered, unchained alter egos. Their evil adversaries are exaggerated characters designed after their teachers: Sister Assumpta (Jodie Foster) the stark, peg-legged nun; and Father Casey (Vincent D'Onofrio), the shady, chain-smoking priest. The spotlight of the film shines clearly on the handsome Francis (Hirsch) whose crush on his neighbor and schoolmate, Margie Flynn (Jenna Malone), leaves him tongue-tied. Tim (Culkin) is bolder, and so he rewrites a William Blake poem and uses it to bring together secretly dark Margie with wide-eyed Francis. Their relationship flowers into one of the heavier and more mysterious subplots in the film. Margie is instantly written into the comic as a wounded warrior-heroine who enlists the superheroes to help her in her battles against evil. Meanwhile, the boys are busy planning--and occasionally executing--devilish pranks at school, eventually taking things a step too far, to tragic result. Based on the Chris Fuhrman book of the same name, adapted to the screen by writer Jeff Stockwell, THE DANGEROUS LIVES OF ALTAR BOYS from director Peter Care is an edgy, engrossing, teen rebellion flick. Extensive animated sequences share a good amount of screen time with the live action narrative, and a prescient musical score by Marco Beltrami and Joshua Homme provides the perfect accent to the action of the film. [More]
Starring: Emile Hirsch, Kieran Culkin, Jena Malone, Jodie Foster
Starring: Emile Hirsch, Kieran Culkin, Jena Malone, Jodie Foster, Vincent D'Onofrio, Jake Richardson, Tyler Long
Director: Peter Care
Director: Peter Care
Screenwriter: Jeff Stockwell
Producer: Jodie Foster, Meg LeFauve, Jay Shapiro
Composer: Marco Beltrami
Studio: ThinkFilm
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Reviews for The Dangerous Lives of Altar Boys
Give Care and McFarlane points for trying to do something innovative with the same old thing. But realize that, as spruced up as the facade may be, this movie is indeed still the same old thing.
The story is set at a Catholic high school, in which -- Yes, you guessed it! -- the nuns cruelly harass and embarrass the students. How's that for an original movie idea?
This is a splendidly stylish, scary, savvy coming-of-age drama aimed at adults who are hip enough to recall their comic-book influenced adolescence.
The gentle comic treatment of adolescent sturm und drang should please fans of Chris Fuhrman's posthumously published cult novel.
First-time director Peter Care crafts something darkly funny and touching.
It's the type of film about growing up that we don't see often enough these days: realistic, urgent, and not sugarcoated in the least.
Though certainly original in form, Altar Boys requires a taste for Swamp Thing-type animation, doubled with a deafening score.
The deliriously dark cartooning upstages Spiderman's visual antics, by luminously linking inner emotion to the hormonal driven craziness, extreme bad taste and ultimate beauty of the groping adolescent mind.
What would have otherwise been a routine nostalgic coming-of-ager takes on a new, innovative form.
It sings like great films do, jumping off the screen with moments of stunning originality and devastating authenticity.
Nuns are nowhere near as mean as Jodie Foster's one-legged Assumpta but what fun are they if they did have two legs and didn't ride around on motor scooters?
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| 77% 77% | The Hangover |
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