Opening

90% Guardians of the Galaxy Aug 01
82% Get On Up Aug 01
88% Calvary Aug 01
0% Behaving Badly Aug 01
38% Child Of God Aug 01

Top Box Office

59% Lucy $43.9M
62% Hercules $29.8M
91% Dawn Of The Planet Of The Apes $16.8M
57% The Purge: Anarchy $10.5M
43% Planes: Fire And Rescue $9.5M
18% Sex Tape $6.1M
17% Transformers: Age of Extinction $4.7M
16% And So It Goes $4.6M
23% Tammy $3.5M
90% A Most Wanted Man $2.7M

Coming Soon

—— Teenage Mutant Ninja Turtles Aug 08
88% Step Up: All In Aug 08
—— Into The Storm Aug 08
—— The Hundred-Foot Journey Aug 08
87% What If Aug 08

Premieres Tonight

89% The Honorable Woman: Season 1

New Episodes Tonight

100% Defiance: Season 2
40% Dominion: Season 1
41% Gang Related: Season 1
86% Maron: Season 2
56% Married: Season 1
94% Rectify: Season 2
—— Rookie Blue: Season 5
39% Rush: Season 1
82% Satisfaction: Season 1
85% Welcome to Sweden: Season 1
41% Working the Engels: Season 1
77% You're the Worst: Season 1

Discuss Last Night's Shows

86% The Bridge (FX): Season 2
91% The Divide: Season 1
83% Extant: Season 1
—— Graceland: Season 2
—— Hot in Cleveland: Season 5
50% Jennifer Falls: Season 1
—— Motive: Season 2
69% Mystery Girls: Season 1
—— Rogue: Season 2
100% Suits: Season 4
38% Taxi Brooklyn: Season 1
—— Wilfred: Season 4
43% Young & Hungry: Season 1

Dark Blue Reviews

Page 1 of 8
Ella Taylor
L.A. Weekly
Top Critic IconTop Critic

Dark Blue proclaims itself a character drama and a voyage of self-discovery for the flawed cop -- which proves to be its fatal weakness.

Full Review Source: L.A. Weekly

February 20, 2003
James Rocchi
Netflix

L.A. cop-and-corruption drama set against the Rodney King verdicts is an uninspiring morass of been-there, seen-that material.

Full Review Source: Netflix | Original Score: 1/5

February 21, 2003
Nick Schager
Filmcritic.com

Shelton, working from a script by David Ayer, is eager to use each and every cliché at his disposal.

Full Review Source: Filmcritic.com | Original Score: 2/5

February 23, 2003
Stephen Hunter
Washington Post
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The movie ends not with a bang but a wimp.

Full Review Source: Washington Post

February 21, 2003
Joe Lozito
Big Picture Big Sound

Full Review Source: Big Picture Big Sound | Original Score: 2/4

December 27, 2007
Staci Layne Wilson
Fantastica Daily

When it comes to Dark Blue, you've seen it all before and seen it done better.

Full Review Source: Fantastica Daily

February 21, 2003
Rob Blackwelder
SPLICEDWire

Its imagined grittiness is polished to a Hollywood high gloss. Its hard-edged dialogue...has had all its shock value re-written and over-rehearsed right out of it.

Full Review Source: SPLICEDWire | Original Score: 1/4

February 19, 2003
Dennis Schwartz
Ozus' World Movie Reviews

... there's not much here but for the pulp entertainment value.

Full Review Source: Ozus' World Movie Reviews | Original Score: C+

February 24, 2003
John J. Puccio
Movie Metropolis

...standard, formulaic, Hollywood crime fluff.

Full Review Source: Movie Metropolis | Original Score: 5/10

June 22, 2003
Michael Atkinson
Village Voice
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The movie has a distinctly dated vibe.

Full Review Source: Village Voice

February 19, 2003
A.O. Scott
New York Times
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The script is overloaded with exposition and incident, and for long passages it shows all the verve and imagination of an episode of Hunter.

Full Review Source: New York Times | Original Score: 2/5

February 20, 2003
Bruce Newman
San Jose Mercury News
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Speedman doesn't show much in his first big movie role, while Russell shows too much.

Full Review Source: San Jose Mercury News | Original Score: 2/4

February 20, 2003
Robert Denerstein
Denver Rocky Mountain News
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Like Los Angeles in the spring of 1992, Dark Blue generates tension but eventually goes up in smoke.

| Original Score: C+

February 21, 2003
Terry Lawson
Detroit Free Press
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Those who criticized Training Day for its lack of credibility will be rolling their eyes at the nonchalance with which Dark Blue plays the race card.

Full Review Source: Detroit Free Press | Original Score: 2/4

February 21, 2003
Tom Long
Detroit News
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Too many elements of David Ayers' screenplay fall flat, from individual lines to Bobby's sudden change of heart.

| Original Score: C+

February 21, 2003
Steven Rea
Philadelphia Inquirer
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While much of the action rings true in Dark Blue, and the events leading up to the riots make for a tense, eerie framework, the movie heads in a disastrous direction ...

| Original Score: .5/4

February 21, 2003
Robert Wilonsky
Dallas Observer

In the end [Shelton] uses the King riots as window dressing, not commentary or context: The city burns, but nothing's been learned, nothing's been gained, nothing's been said that hasn't been said a hundred times before.

Full Review Source: Dallas Observer

February 21, 2003
John Venable
Supercala.com

Wildly average.

Full Review Source: Supercala.com | Original Score: 5/10

February 20, 2003

An unoriginal, uninspired good cop/bad cop movie with one-dimensional characters.

Full Review Source: TheMovieChicks.com | Original Score: 2/5

February 21, 2003
Sean O'Connell
Eclipse Magazine

(Russell's) hammy performance should come with some bread and cheese. At least we'd get a decent sandwich out of this deal.

Full Review Source: Eclipse Magazine | Original Score: D+

February 20, 2003
Jonathan Rosenbaum
Chicago Reader
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February 28, 2003
Rich Cline
Shadows on the Wall
July 3, 2003
Nik Huggins
Future Movies UK
November 6, 2003
Jennie Kermode
Movie Gurus
November 9, 2011
Adam Nayman
eye WEEKLY
March 25, 2003
Wilson Morales
BlackFilm.com

In Ron Shelton's new film DARK BLUE, Kurt Russell shines as a latest of bad cops who tries to make right what he consciously knows is wrong in the eyes of the law.

Full Review Source: BlackFilm.com

February 25, 2003
Jeff Strickler
Minneapolis Star Tribune
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May 19, 2004
Urban Cinefile Critics
Urban Cinefile
October 18, 2008
Cynthia Fuchs
Nitrate Online

By the time the inevitable comes to pass, the movie has devolved into conventional action-melodrama, complete with bad white cops' sacrifice, redemption, and just punishment.

Full Review Source: Nitrate Online

February 21, 2003
David Edelstein
Slate
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March 1, 2003
Peter Rainer
New York Magazine/Vulture
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March 2, 2003
Glenn Kenny
Premiere Magazine
March 4, 2003

Arizona Republic
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February 21, 2003

Baltimore Sun
February 21, 2003

St. Louis Post-Dispatch
Top Critic IconTop Critic
February 21, 2003

ComingSoon.net

February 22, 2003

Boston Phoenix
July 2, 2003

Guardian
July 8, 2003

Sydney Morning Herald
August 8, 2003

Movieline
March 8, 2004
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