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Dark Blue World (2001)
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Reviews Counted:58
Fresh:36
Rotten:22
Average Rating:6.2/10
Consensus: While it's better than Pearl Harbor, Dark Blue World still spends too much time on a trite love triangle.
Theatrical Release:Dec 28, 2001 Limited
Synopsis: In 1939, as Hitler and Germany ran roughshod over Eastern Europe, many people escaped, including Czech pilots who joined up with the British Royal Air Force to fight the Nazis. Jan Sverák's moving... In 1939, as Hitler and Germany ran roughshod over Eastern Europe, many people escaped, including Czech pilots who joined up with the British Royal Air Force to fight the Nazis. Jan Sverák's moving war drama, DARK BLUE WORLD, details the story of one such group of Czech pilots who are at first laughed at by their British superiors until they prove themselves in the air. Ondrej Vetchy stars as Franta Sláma, the father figure to this motley group of men who desperately want to win back their country. Krystof Hádek plays Karel Vojtísek, Franta's young daredevil protegee who falls in love with an older British woman, Susan (Tara Fitzgerald), whose soldier husband is missing in action. When Franta and Susan grow close, everything threatens to erupt. Sverák, whose previous film was the Oscar-winning KOLYA, has crafted a beautiful film filled with believable, complex relationships, well-drawn characters, and plenty of finely choreographed air-battle scenes between the young, headstrong Czechs and the perfectly organized Nazis. The acting is excellent, especially the love triangle of Hádek, Vetchy, and Fitzgerald, and terrific support is provided by Oldrich Kaiser as Machaty, the piano-playing Gable look-alike. The film's politics are based on real events; when the Czech pilots who flew for the RAF returned home, they were treated as the enemy, not as heroes, and Sverák intercuts harrowing scenes from 1950 in which the pilots who survived the war are subject to jail and torture in their own land. [More]
Starring: Ondrez Vetchy, Krystof Hadek, Tara Fitzgerald, Oldrich Kaiser
Starring: Ondrez Vetchy, Krystof Hadek, Tara Fitzgerald, Oldrich Kaiser, Charles Dance, Hans Assmann, Linda Rybová, David Novotny
Director: Jan Sverak
Director: Jan Sverak
Screenwriter: Zdenek Sverak
Producer: Eric Abraham, Jan Sverak
Composer: Ondrej Soukup
Studio: Sony Pictures Classics
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Reviews for Dark Blue World
Yeah, some of the plot devices are familiar, but with its elegant photography, terrific flying sequences and schmaltz-free love story, this war movie comes out with honors.
Svęrák once again affirms his status as a master humanist, elegantly evoking a complex range of emotions.
The filmmakers give us a bitter taste of both the Nazi and Red regimes and take pains to remind us that one form of totalitarianism is no less cruel than another.
The memorable stars ... are the Spitfires and Messerschmitts in its aerial battles -- a crackerjack combination of live action, special effects and recycled footage.
Good-looking and earnest, but a little too stiff to make you feel the grand-scale emotions it wants to inspire.
Fitzgerald is a fine bit of Brit, the men are truly men, England shines, the sky is streaked with courage. And attention is owed.
A fun film with good acting, a great script and fine special effects.
Formulaic and manipulative, to be sure, but its sincerity and good-heartedness keep it from crashing and burning.
"Pearl Harbor" Czech-style...a more authentic mixture of romance and battle.
An engrossing, elegantly detailed, intermittently sappy dramatization of the heroism of Czech bomber pilots and the ignominious fate that awaited many of them in the years following the war.
A bittersweet world, and it's frankly one to which we've been before, but seldom do we see it rendered with such exquisite, if pained, craftsmanship.
A complex story with a number of twists, it possesses a fatalism uncommon in American films.
Gawky and precious as the film can be, its context is nothing less than the 20th century.
Dark Blue World is a human war movie without flag-waving -- a relief these days.
More bleak and certainly more hushed than the relatively bombastic Pearl Harbor, but they both tell a war-movie plot staple in approximately the same way.
Its uncompromising bleakness and its Eastern European sense of life's cruel absurdities give it a sophistication quite a few cuts above mainstream fare.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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