It’s credit to both Streep and Quinn’s integrity that Dark Matter uncovers the natural instincts and social foibles that underpin racism.
Dark Matter (2008)
Tomatometer
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Reviews Counted:35
Fresh:13
Rotten:22
Average Rating:5/10
Consensus: The creaky plotting, inscrutable characters, and unconvincing ending make it difficult for audiences to connect with Dark Matter.
Rated: R [See Full Rating] for a scene of violence, brief sexual content and language.
Runtime: 90 mins
Genre: True Story
Theatrical Release:Apr 11, 2008 Limited
Synopsis: The feature film debut of renowned opera and theater director Chen Shi-Zheng, DARK MATTER delves into the world of Liu Xing (Chinese for “Shooting Star”), a Chinese science student pursuing a Ph.D.... The feature film debut of renowned opera and theater director Chen Shi-Zheng, DARK MATTER delves into the world of Liu Xing (Chinese for “Shooting Star”), a Chinese science student pursuing a Ph.D. in the U.S. in the early 1990s. Driven by ambition, yet unable to navigate academic politics, Liu Xing is inexorably pushed to the margins of American life, until he loses his way. Liu Xing (Liu Ye) arrives at a big Western university with plans to study the origins of the universe. In the beginning, everything is looking up. He finds other Chinese students to share a cheap apartment with him, and flirts with an attractive American girl who works in a local tea shop. When the head of the department, Jacob Reiser (Aidan Quinn), welcomes Liu Xing into his select cosmology group, it seems that only hard work stands between him and a bright future in American science. At an orientation for foreigners sponsored by a local church, Joanna Silver (Meryl Streep), a wealthy patron of the university, notices the earnest student. An unspoken bond forms between them. Liu Xing becomes Reiser’s protégé, accompanying him to a prestigious conference where he makes an impressive debut. He is drawn to the study of dark matter, an unseen substance that shapes the universe, but it soon becomes clear that his developing theories threaten the Reiser Model. Excited by the possibility of a breakthrough, Liu Xing is deaf to warnings that he must first pay his dues. Soon he is eclipsed within the department by Laurence, a more dutiful Chinese student, and is forced to go behind Reiser’s back to publish his discoveries. When the article draws ire instead of accolades, Liu Xing turns to Joanna, who naively encourages him on his collision course. Liu Xing clings to the idea of American science as a free market of ideas, and American society as wide open to immigrants. But in the end, his dissertation is rejected, and the girl in the tea shop brushes him off. His roommates find jobs, leaving him behind. Too proud to accept help from Joanna, and unwilling to return home to his parents, Liu Xing becomes a ghost-like presence at the university. Left alone with his shattered dreams, he explodes in a final act of violence. --© First Independent Pictures [More]
Starring: Liu Ye, Aidan Quinn, Meryl Streep, Blair Brown
Starring: Liu Ye, Aidan Quinn, Meryl Streep, Blair Brown, Bill Irwin
Director: Chen Shi-Zheng
Director: Chen Shi-Zheng
Screenwriter: Billy Shebar
Story: Chen Shi-Zheng, Billy Shebar
Producer: Janet Yang, Andrea Miller, Mary Salter
Composer: Van Dyke Parks
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Reviews for Dark Matter
A remarkable whisper of a movie as well, for something that deals with a subject as alarming as campus violence.
Buttressed by outstanding, unpredictable performances and a beguiling mood of raw nerve collegiate ambition, Matter develops erratically but intelligently.
First-time director Chen Shi-Zheng shows great sensitivity to the pressure and isolation felt by Chinese brains at American universities, and the relationship between Liu and Quinn provides a rare look at the intellectual serfdom of graduate study.
Director Chen Shi-Zheng's film has a graceful energy, and three strong performances help make this serene drama - and its shocking conclusion - quietly moving.
Written by Billy Shebar and directed by opera director Chen Shi-Zheng, this visually sophisticated film has been criticized for turning a deeply disturbed individual into a "hero," but nothing could be further from the truth.
The film does a fine job of displaying the contrasts between these tense, formalized Chinese students and the faux populist American academics.
Poignantly and sympathetically gets inside the confused head of an Asian immigrant rarely seen in film, a grad student flummoxed by American culture and academic politics.
While imperfect, the high caliber of acting as well as these lucid moments in the earlier part of the film are strong and memorable highlights with which to leave the theatre.
Dark Matter, with its view of cutthroat politics and competing egos inside a university, is also laudable in its refusal to soft-pedal the viciously petty side of the academic fishbowl.
It's an inelegant experiment that captures many intriguing moments as they pass, but ends up utterly baffled by the question of how its delightful central character becomes a tabloid-ready monster.
A seriously misguided effort in attempting to explore what might lead a normally quiet and intelligent university student to lose control and go on a shooting spree.
There are so few films about higher education (and fewer intelligent ones) that it's a shame that what begins as a poignant probe of academic politics, freedom and expression and cultural assimilation gradually turns into a turgid, senseless melodrama.
A sharp and engaging study of the yearning for academic success; unfortunately, its impact is thrown out the window with a shocking and depressing finale.
You could charge Streep with stealing the movie but there's not much to take.
Liu Ye is too inexpressive for his role's demands, and the movie doesn't build to his downfall: It just zaps itself there.
It concludes in a way that will have you asking whether the ending was misguided, or maybe it was just the rest of the movie.
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