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Movies / Upcoming / The Day I Became A Woman
The Day I Became A Woman

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The Day I Became A Woman (2001)

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Reviews Counted:54

Fresh:47

Rotten:7

Average Rating:7.3/10

Consensus: Meshkini has made an excellent contribution to Iranian cinema with this poetic, emotionally poignant film.

Rated: Not Rated

Genre: Dramas

Theatrical Release:Apr 6, 2001 Limited

Synopsis: For her first film, THE DAY I BECAME A WOMAN, Marziyeh Meshkini, the wife of Iran's most prominent filmmaker, Mohsen Makhmalbaf, has crafted a mystical three-part allegorical vision of the... For her first film, THE DAY I BECAME A WOMAN, Marziyeh Meshkini, the wife of Iran's most prominent filmmaker, Mohsen Makhmalbaf, has crafted a mystical three-part allegorical vision of the treacherous cycle in which Iranian women are robbed of their freedom and dignity. In the first episode, a girl is informed on her ninth birthday that she can no longer play with or speak to boys and must begin to wear the traditional head-to-toe black body covering warn by Iranian women. In the second, a young woman feverishly competes in a visually stunning all-female bicycle race while pursued on horseback by her husband, family, and clan members, urging her to return to her responsibilities and duties, and eventually taking her bicycle from her. The protagonist in the final episode is a crippled old woman, lost in delusional fantasies, who hires a young child to assist her in buying all of the things that she lacked throughout her long and difficult life. While the plots are simple, the interweaving visual and conceptual motif of a life cycle of deprivation and humiliation creates a reflexive and elegant elegy to the struggles and poetic dignity of the Iranian woman. [More]

Starring: Fatemeh Cheragh Akhtar, Shabnam Toloui, Azizeh Seddighi

Starring: Fatemeh Cheragh Akhtar, Shabnam Toloui, Azizeh Seddighi

Director: Marzieh Meshkini

Director: Marzieh Meshkini
Screenwriter: Mohsen Makhmalbaf
Studio: The Shooting Gallery

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Reviews for The Day I Became A Woman

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1 - 20 (sorted by source)
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Zzzzzzzzzzzzz.

Full Review Source: Aisle Seat | comment Comment
04/10/01
Mike McGranaghan
Mike McGranaghan
Aisle Seat
N/R

Click to read the article

Full Review Source: Atlanta Journal-Constitution | comment Comment
02/21/04
Atlanta Journal-Constitution

Click to read the article

Full Review Source: Austin Chronicle | comment Comment
03/10/03
Marrit Ingman
Marrit Ingman
Austin Chronicle

Click to read the article

Full Review Source: BBC | comment Comment
12/31/01
Jamie Russell
Jamie Russell
BBC

Its central image instantly leaps into the pantheon of world cinema with a rightness and an urgency that glue your eyes to the screen.

comment Comment
04/06/01
Jay Carr
Jay Carr
Boston Globe
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
03/24/02
Boston Phoenix

Both hypnotic in its imagery and frustrating in its limitations.

Full Review Source: Boxoffice Magazine | comment Comment
04/06/01
Luisa F. Ribeiro
Luisa F. Ribeiro
Boxoffice Magazine
N/R

Click to read the article

Full Review Source: Chicago Reader | comment Comment
02/07/01
Jonathan Rosenbaum
Jonathan Rosenbaum
Chicago Reader
Top Critic Icon Top Critic

Still more evidence of how healthy and alive the Iranian cinema is, even in a society we think of as closed.

Full Review Source: Chicago Sun-Times | comment Comment
04/06/01
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

[Meshkini's] filmmaking debut announces the arrival of an undeniable talent that has come of age.

Full Review Source: Chicago Tribune | comment Comment
04/05/01
Mark Caro
Mark Caro
Chicago Tribune
Top Critic Icon Top Critic

[Meshkini] immediately finds the amazing lucidity and emotional strength that have given Iranian cinema a worldwide reputation in the last decade.

Full Review Source: Citysearch | comment Comment
04/05/01
Dave Kehr
Dave Kehr
Citysearch
N/R

Click to read the article

Full Review Source: Combustible Celluloid | comment Comment
05/26/06
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Pity the day that an Iranian becomes a woman.

Full Review Source: Compuserve | comment Comment
03/29/01
Harvey S. Karten
Harvey S. Karten
Compuserve

The images evolve from poignant to oblique, but the effort to express the theme of independence in different ways keeps the film from seeming heavy-handed.

Full Review Source: Dallas Morning News | comment Comment
04/05/01
John C. Davenport
John C. Davenport
Dallas Morning News

It has only fitful power as a work of art and/or entertainment.

Full Review Source: Denver Post | comment Comment
04/06/01
Steven Rosen
Steven Rosen
Denver Post
Top Critic Icon Top Critic

You leave not only engaged with the three main characters, but also wondering about their fate, hoping for the best.

Full Review Source: Detroit News | comment Comment
04/06/01
Susan Stark
Susan Stark
Detroit News
Top Critic Icon Top Critic

Scenes run long, becoming repetitive and spinning their wheels -- literally.

Full Review Source: E! Online | comment Comment
04/06/01
E! Online

Click to read the article

Full Review Source: eFilmCritic.com | comment Comment
05/21/01
Greg Muskewitz
Greg Muskewitz
eFilmCritic.com

No review available.

comment Comment
07/01/05
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

Click to read the article

Full Review Source: Empire Magazine | comment Comment
12/30/06
Empire Magazine
 
 
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