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Movies / Upcoming / The Day I Became A Woman
The Day I Became A Woman

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The Day I Became A Woman (2001)

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Reviews Counted:22

Fresh:21

Rotten:1

Average Rating:7.6/10

Consensus: Meshkini has made an excellent contribution to Iranian cinema with this poetic, emotionally poignant film.

Rated: Not Rated

Genre: Dramas

Theatrical Release:Apr 6, 2001 Limited

Synopsis: For her first film, THE DAY I BECAME A WOMAN, Marziyeh Meshkini, the wife of Iran's most prominent filmmaker, Mohsen Makhmalbaf, has crafted a mystical three-part allegorical vision of the... For her first film, THE DAY I BECAME A WOMAN, Marziyeh Meshkini, the wife of Iran's most prominent filmmaker, Mohsen Makhmalbaf, has crafted a mystical three-part allegorical vision of the treacherous cycle in which Iranian women are robbed of their freedom and dignity. In the first episode, a girl is informed on her ninth birthday that she can no longer play with or speak to boys and must begin to wear the traditional head-to-toe black body covering warn by Iranian women. In the second, a young woman feverishly competes in a visually stunning all-female bicycle race while pursued on horseback by her husband, family, and clan members, urging her to return to her responsibilities and duties, and eventually taking her bicycle from her. The protagonist in the final episode is a crippled old woman, lost in delusional fantasies, who hires a young child to assist her in buying all of the things that she lacked throughout her long and difficult life. While the plots are simple, the interweaving visual and conceptual motif of a life cycle of deprivation and humiliation creates a reflexive and elegant elegy to the struggles and poetic dignity of the Iranian woman. [More]

Starring: Fatemeh Cheragh Akhtar, Shabnam Toloui, Azizeh Seddighi

Starring: Fatemeh Cheragh Akhtar, Shabnam Toloui, Azizeh Seddighi

Director: Marzieh Meshkini

Director: Marzieh Meshkini
Screenwriter: Mohsen Makhmalbaf
Studio: The Shooting Gallery

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Reviews for The Day I Became A Woman

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1 - 20 (sorted by date)
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Click to read the article

Full Review Source: San Jose Mercury News | comment Comment
04/14/05
Glenn Lovell
Glenn Lovell
San Jose Mercury News
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N/R

Click to read the article

Full Review Source: Atlanta Journal-Constitution | comment Comment
02/21/04
Atlanta Journal-Constitution
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A hauntingly simple, profound and beautiful movie.

Full Review Source: Houston Chronicle | comment Comment
05/11/01
Eric Harrison
Eric Harrison
Houston Chronicle
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What appears on the screen has a starkness that is almost indelible.

Full Review Source: New York Times | comment Comment
04/16/01
Stephen Holden
Stephen Holden
New York Times
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Creates a flow of symbolism so potent, so transporting in its physicality, that its impact all but transcends its righteous liberal 'meaning.'

Full Review Source: Entertainment Weekly | comment Comment
04/13/01
Owen Gleiberman
Owen Gleiberman
Entertainment Weekly
Top Critic Icon Top Critic

This film catapults Meshkini into the 'Someone to Watch' category.

Full Review Source: Hollywood Reporter | comment Comment
04/09/01
Kirk Honeycutt
Kirk Honeycutt
Hollywood Reporter
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Short on drama but long on poetry.

Full Review Source: Washington Post | comment Comment
04/06/01
Michael O'Sullivan
Michael O'Sullivan
Washington Post
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An episodic drama rich in sly humor and symbolic imagery.

Full Review Source: Washington Post | comment Comment
04/06/01
Rita Kempley
Rita Kempley
Washington Post
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Each of [Meshkini's] stories has the timeless quality of a fable, and each has wisdom and a quiet, stoic sense of defiance in the face of patriarchal tradition.

Full Review Source: San Francisco Chronicle | comment Comment
04/06/01
Edward Guthmann
Edward Guthmann
San Francisco Chronicle
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Exhilarating.

Full Review Source: Newsday | comment Comment
04/06/01
John Anderson
John Anderson
Newsday
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Slight but affecting.

Full Review Source: New York Post | comment Comment
04/06/01
Jonathan Foreman
Jonathan Foreman
New York Post
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Beautiful and poignant.

Full Review Source: Los Angeles Times | comment Comment
04/06/01
Kevin Thomas
Kevin Thomas
Los Angeles Times
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You leave not only engaged with the three main characters, but also wondering about their fate, hoping for the best.

Full Review Source: Detroit News | comment Comment
04/06/01
Susan Stark
Susan Stark
Detroit News
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It has only fitful power as a work of art and/or entertainment.

Full Review Source: Denver Post | comment Comment
04/06/01
Steven Rosen
Steven Rosen
Denver Post
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Still more evidence of how healthy and alive the Iranian cinema is, even in a society we think of as closed.

Full Review Source: Chicago Sun-Times | comment Comment
04/06/01
Roger Ebert
Roger Ebert
Chicago Sun-Times
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Its central image instantly leaps into the pantheon of world cinema with a rightness and an urgency that glue your eyes to the screen.

comment Comment
04/06/01
Jay Carr
Jay Carr
Boston Globe
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So breathtakingly textural, so empathic in its images, that it transcends its context and achieves timelessness.

Full Review Source: Mr. Showbiz | comment Comment
04/05/01
Michael Atkinson
Michael Atkinson
Mr. Showbiz
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In the uncluttered directness that distinguishes so many of the most memorable Iranian films, Meshkini's movie takes us into three lives at crucial junctures.

comment Comment
04/05/01
Desmond Ryan
Desmond Ryan
Philadelphia Inquirer
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The images evolve from poignant to oblique, but the effort to express the theme of independence in different ways keeps the film from seeming heavy-handed.

Full Review Source: Dallas Morning News | comment Comment
04/05/01
John C. Davenport
John C. Davenport
Dallas Morning News
Top Critic Icon Top Critic

Imbued with Makhmalbaf's surreal poignancy and soul-shaking ironies.

comment Comment
04/05/01
Tom Keogh
Tom Keogh
Film.com
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