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Movies / Upcoming / The Day I Became A Woman
The Day I Became A Woman

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The Day I Became A Woman (2001)

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Reviews Counted:54

Fresh:47

Rotten:7

Average Rating:7.3/10

Consensus: Meshkini has made an excellent contribution to Iranian cinema with this poetic, emotionally poignant film.

Rated: Not Rated

Genre: Dramas

Theatrical Release:Apr 6, 2001 Limited

Synopsis: For her first film, THE DAY I BECAME A WOMAN, Marziyeh Meshkini, the wife of Iran's most prominent filmmaker, Mohsen Makhmalbaf, has crafted a mystical three-part allegorical vision of the... For her first film, THE DAY I BECAME A WOMAN, Marziyeh Meshkini, the wife of Iran's most prominent filmmaker, Mohsen Makhmalbaf, has crafted a mystical three-part allegorical vision of the treacherous cycle in which Iranian women are robbed of their freedom and dignity. In the first episode, a girl is informed on her ninth birthday that she can no longer play with or speak to boys and must begin to wear the traditional head-to-toe black body covering warn by Iranian women. In the second, a young woman feverishly competes in a visually stunning all-female bicycle race while pursued on horseback by her husband, family, and clan members, urging her to return to her responsibilities and duties, and eventually taking her bicycle from her. The protagonist in the final episode is a crippled old woman, lost in delusional fantasies, who hires a young child to assist her in buying all of the things that she lacked throughout her long and difficult life. While the plots are simple, the interweaving visual and conceptual motif of a life cycle of deprivation and humiliation creates a reflexive and elegant elegy to the struggles and poetic dignity of the Iranian woman. [More]

Starring: Fatemeh Cheragh Akhtar, Shabnam Toloui, Azizeh Seddighi

Starring: Fatemeh Cheragh Akhtar, Shabnam Toloui, Azizeh Seddighi

Director: Marzieh Meshkini

Director: Marzieh Meshkini
Screenwriter: Mohsen Makhmalbaf
Studio: The Shooting Gallery

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Reviews for The Day I Became A Woman

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21 - 40 (sorted by date)
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What appears on the screen has a starkness that is almost indelible.

Full Review Source: New York Times | comment Comment
04/16/01
Stephen Holden
Stephen Holden
New York Times
Top Critic Icon Top Critic

Creates a flow of symbolism so potent, so transporting in its physicality, that its impact all but transcends its righteous liberal 'meaning.'

Full Review Source: Entertainment Weekly | comment Comment
04/13/01
Owen Gleiberman
Owen Gleiberman
Entertainment Weekly
Top Critic Icon Top Critic

A scathing indictment of the harsh, stifling treatment of women in Iran.

Full Review Source: Flick Filosopher | comment Comment
04/11/01
MaryAnn Johanson
MaryAnn Johanson
Flick Filosopher

Zzzzzzzzzzzzz.

Full Review Source: Aisle Seat | comment Comment
04/10/01
Mike McGranaghan
Mike McGranaghan
Aisle Seat

This film catapults Meshkini into the 'Someone to Watch' category.

Full Review Source: Hollywood Reporter | comment Comment
04/09/01
Kirk Honeycutt
Kirk Honeycutt
Hollywood Reporter
Top Critic Icon Top Critic

Short on drama but long on poetry.

Full Review Source: Washington Post | comment Comment
04/06/01
Michael O'Sullivan
Michael O'Sullivan
Washington Post
Top Critic Icon Top Critic

An episodic drama rich in sly humor and symbolic imagery.

Full Review Source: Washington Post | comment Comment
04/06/01
Rita Kempley
Rita Kempley
Washington Post
Top Critic Icon Top Critic

A bold, vibrant piece of filmmaking that dares to not only question the justice of sexist orthodoxy, but to demonstrate the poignancy of lives trapped and twisted within its confines.

Full Review Source: TV Guide's Movie Guide | comment Comment
04/06/01
Ken Fox
Ken Fox
TV Guide's Movie Guide

Through Meshkini's lens, their stories are sad, funny, cathartic and beautiful.

Full Review Source: Seattle Times | comment Comment
04/06/01
John Zebrowski
John Zebrowski
Seattle Times

Achieves its social commentary through passion and poetry.

Full Review Source: Seattle Post-Intelligencer | comment Comment
04/06/01
Sean Axmaker
Sean Axmaker
Seattle Post-Intelligencer

Each of [Meshkini's] stories has the timeless quality of a fable, and each has wisdom and a quiet, stoic sense of defiance in the face of patriarchal tradition.

Full Review Source: San Francisco Chronicle | comment Comment
04/06/01
Edward Guthmann
Edward Guthmann
San Francisco Chronicle
Top Critic Icon Top Critic

Too flimsy and brief (at a scant 78 minutes) to really have an impact.

Full Review Source: Reel.com | comment Comment
04/06/01
Rod Armstrong
Rod Armstrong
Reel.com

Exhilarating.

Full Review Source: Newsday | comment Comment
04/06/01
John Anderson
John Anderson
Newsday
Top Critic Icon Top Critic

Slight but affecting.

Full Review Source: New York Post | comment Comment
04/06/01
Jonathan Foreman
Jonathan Foreman
New York Post
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Beautiful and poignant.

Full Review Source: Los Angeles Times | comment Comment
04/06/01
Kevin Thomas
Kevin Thomas
Los Angeles Times
Top Critic Icon Top Critic

Lest you think you're in for a one-note feminist jingle, know that the imagery on display here is thrilling enough to quiet that criticism.

Full Review Source: IFilm | comment Comment
04/06/01
Dave White
Dave White
IFilm

You leave not only engaged with the three main characters, but also wondering about their fate, hoping for the best.

Full Review Source: Detroit News | comment Comment
04/06/01
Susan Stark
Susan Stark
Detroit News
Top Critic Icon Top Critic

It has only fitful power as a work of art and/or entertainment.

Full Review Source: Denver Post | comment Comment
04/06/01
Steven Rosen
Steven Rosen
Denver Post
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An extraordinary film about freedom, the loss of innocence and the pull of life's inescapable social forces.

Full Review Source: Los Angeles Daily News | comment Comment
04/06/01
Glenn Whipp
Glenn Whipp
Los Angeles Daily News

Still more evidence of how healthy and alive the Iranian cinema is, even in a society we think of as closed.

Full Review Source: Chicago Sun-Times | comment Comment
04/06/01
Roger Ebert
Roger Ebert
Chicago Sun-Times
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