What appears on the screen has a starkness that is almost indelible.
The Day I Became A Woman (2001)
Tomatometer
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Reviews Counted:54
Fresh:47
Rotten:7
Average Rating:7.3/10
Consensus: Meshkini has made an excellent contribution to Iranian cinema with this poetic, emotionally poignant film.
Rated: Not Rated
Genre: Dramas
Theatrical Release:Apr 6, 2001 Limited
Synopsis: For her first film, THE DAY I BECAME A WOMAN, Marziyeh Meshkini, the wife of Iran's most prominent filmmaker, Mohsen Makhmalbaf, has crafted a mystical three-part allegorical vision of the... For her first film, THE DAY I BECAME A WOMAN, Marziyeh Meshkini, the wife of Iran's most prominent filmmaker, Mohsen Makhmalbaf, has crafted a mystical three-part allegorical vision of the treacherous cycle in which Iranian women are robbed of their freedom and dignity. In the first episode, a girl is informed on her ninth birthday that she can no longer play with or speak to boys and must begin to wear the traditional head-to-toe black body covering warn by Iranian women. In the second, a young woman feverishly competes in a visually stunning all-female bicycle race while pursued on horseback by her husband, family, and clan members, urging her to return to her responsibilities and duties, and eventually taking her bicycle from her. The protagonist in the final episode is a crippled old woman, lost in delusional fantasies, who hires a young child to assist her in buying all of the things that she lacked throughout her long and difficult life. While the plots are simple, the interweaving visual and conceptual motif of a life cycle of deprivation and humiliation creates a reflexive and elegant elegy to the struggles and poetic dignity of the Iranian woman. [More]
Starring: Fatemeh Cheragh Akhtar, Shabnam Toloui, Azizeh Seddighi
Starring: Fatemeh Cheragh Akhtar, Shabnam Toloui, Azizeh Seddighi
Director: Marzieh Meshkini
Director: Marzieh Meshkini
Screenwriter: Mohsen Makhmalbaf
Studio: The Shooting Gallery
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Reviews for The Day I Became A Woman
Creates a flow of symbolism so potent, so transporting in its physicality, that its impact all but transcends its righteous liberal 'meaning.'
A scathing indictment of the harsh, stifling treatment of women in Iran.
A bold, vibrant piece of filmmaking that dares to not only question the justice of sexist orthodoxy, but to demonstrate the poignancy of lives trapped and twisted within its confines.
Through Meshkini's lens, their stories are sad, funny, cathartic and beautiful.
Each of [Meshkini's] stories has the timeless quality of a fable, and each has wisdom and a quiet, stoic sense of defiance in the face of patriarchal tradition.
Too flimsy and brief (at a scant 78 minutes) to really have an impact.
Lest you think you're in for a one-note feminist jingle, know that the imagery on display here is thrilling enough to quiet that criticism.
You leave not only engaged with the three main characters, but also wondering about their fate, hoping for the best.
An extraordinary film about freedom, the loss of innocence and the pull of life's inescapable social forces.
Still more evidence of how healthy and alive the Iranian cinema is, even in a society we think of as closed.
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