64% The Maze Runner Sep 19
53% This Is Where I Leave You Sep 19
—— A Walk Among the Tombstones Sep 19
82% Tracks Sep 19
92% The Guest Sep 17

Top Box Office

13% No Good Deed $24.3M
73% Dolphin Tale 2 $15.9M
92% Guardians of the Galaxy $8.1M
19% Teenage Mutant Ninja Turtles $4.9M
20% Let's Be Cops $4.4M
88% The Drop $4.1M
37% If I Stay $3.9M
36% The November Man $2.8M
33% The Giver $2.6M
67% The Hundred-Foot Journey $2.4M

Coming Soon

68% The Equalizer Sep 26
69% The Boxtrolls Sep 26
86% The Two Faces of January Sep 26
—— Two Night Stand Sep 26
91% Jimi: All Is by My Side Sep 26

Premieres Tonight

—— Brickleberry: Season 3
—— The Mindy Project: Season 3
—— New Girl: Season 4

New Episodes Tonight

88% Finding Carter: Season 1
67% Matador: Season 1
83% Sons of Anarchy: Season 7

Discuss Last Night's Shows

71% Dallas: Season 3
62% Under the Dome: Season 2

Roozi ke zan shodam (The Day I Became a Woman) Reviews

Page 1 of 4
Wesley Lovell
Cinema Sight

..."The Day I Became a Woman" doesn't really capture the imagination at the end.

| Original Score: 2/4

September 28, 2001
Steve Rhodes
Internet Reviews

These simple episodes are all admirable but rarely engaging.

Full Review Source: Internet Reviews | Original Score: 2.5/4

May 2, 2001
Mike McGranaghan
Aisle Seat


Full Review Source: Aisle Seat | Original Score: 1/4

April 10, 2001
Steven Rosen
Denver Post
Top Critic IconTop Critic

It has only fitful power as a work of art and/or entertainment.

Full Review Source: Denver Post

April 6, 2001
Rod Armstrong

Too flimsy and brief (at a scant 78 minutes) to really have an impact.

| Original Score: 2.5/4

April 6, 2001
Greg Muskewitz

Full Review Source: | Original Score: 2/5

May 21, 2001

E! Online

Scenes run long, becoming repetitive and spinning their wheels -- literally.

Full Review Source: E! Online

April 6, 2001
Roger Ebert
Chicago Sun-Times
Top Critic IconTop Critic

Still more evidence of how healthy and alive the Iranian cinema is, even in a society we think of as closed.

Full Review Source: Chicago Sun-Times | Original Score: 3.5/4

April 6, 2001
Kirk Honeycutt
Hollywood Reporter
Top Critic IconTop Critic

This film catapults Meshkini into the 'Someone to Watch' category.

April 9, 2001
Jonathan Rosenbaum
Chicago Reader
Top Critic IconTop Critic

Full Review Source: Chicago Reader | Original Score: 3/4

February 7, 2001
Jeffrey M. Anderson
Combustible Celluloid

This is just about the lightest and most agreeable of the umpteen Iranian films I've seen.

Full Review Source: Combustible Celluloid

May 26, 2006
Christopher Null

reasonably intriguing

Full Review Source: | Original Score: 3/5

March 29, 2001
Frederic and Mary Ann Brussat
Spirituality and Practice

These three brief but poignant dramas will steal your heart with their unique mix of unvarnished simplicity and metaphoric richness.

Full Review Source: Spirituality and Practice

April 5, 2001
Sean Axmaker
Seattle Post-Intelligencer

Achieves its social commentary through passion and poetry.

Full Review Source: Seattle Post-Intelligencer | Original Score: A

April 6, 2001
MaryAnn Johanson
Flick Filosopher

A scathing indictment of the harsh, stifling treatment of women in Iran.

Full Review Source: Flick Filosopher

April 11, 2001
Jeanne Aufmuth
Palo Alto Weekly

...pulsing with energy, fear, and determination

| Original Score: 3.5/4

April 24, 2001
Laura Clifford
Reeling Reviews

"The Day I Became a Woman" is a trio of fables which simply yet evocatively lay out the problems of being a woman in Iran.

Full Review Source: Reeling Reviews | Original Score: B

May 23, 2001
David N. Butterworth

Not wholly successful, but it does have enough intriguing elements to warrant a viewing.

Full Review Source: | Original Score: 2.5/4

January 1, 2000
Dennis Schwartz
Ozus' World Movie Reviews

The three stories reflect how women suffer from repression because of the strict observance of Muslim law.

Full Review Source: Ozus' World Movie Reviews | Original Score: A-

January 1, 2000
J. Hoberman
Village Voice
Top Critic IconTop Critic

The sense of cosmic simultaneity [is] the most effective aspect of the film.

Full Review Source: Village Voice

April 4, 2001
Sam Adams
Philadelphia City Paper
April 6, 2001
Rich Cline
Shadows on the Wall
December 10, 2001
Robin Clifford
Reeling Reviews
January 1, 2000
Jean Lowerison
San Diego Metropolitan
October 21, 2002

January 6, 2002

Boston Phoenix
March 24, 2002

Atlanta Journal-Constitution
Top Critic IconTop Critic
February 21, 2004

Time Out
Top Critic IconTop Critic
January 26, 2006
Page 1 of 4
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