De rouille et d'os (Rust and Bone) (2012)
A struggling single father helps a beautiful whale trainer recover her will to live following a terrible accident that leaves her confined to a wheelchair. Lonely and destitute, Ali (Matthias Schoenaerts) leaves the north of France for his sister's house in Antibes after becoming the sole guardian of his estranged five-year-old son Sam. When Ali lands a job as a bouncer in a nearby nightclub, things quickly start to look up for the itinerant father and son. Then one night, after breaking up a fight in the club, Ali meets the radiant Stephanie (Marion Cotillard), and slips her his number after dropping her off safely at home. Though Stephanie's position on the high end of the social spectrum makes romance an unlikely prospect for the pair, a tragic accident at Marineland robs her of her legs, and finds her reaching out in desperation to Ali. Her spirit broken by the same tragedy that took her legs, Stephanie gradually finds the courage to go on living trough transcendent moments spent with Ali -- a man with precious little pity, but an enormous love of life. ~ Jason Buchanan, Rovi … More
- R (for strong sexual content, brief graphic nudity, some violence and language)
- Mystery & Suspense , Drama
- Directed By:
- Jacques Audiard
- Written By:
- Thomas Bidegain , Jacques Audiard
- In Theaters:
- Nov 23, 2012 Limited
- On DVD:
- Mar 19, 2013
- Box Office:
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Critic Reviews for De rouille et d'os (Rust and Bone)
An emotionally gripping if slightly meandering drama marked by two powerful lead performances.
The movie wanders off course in the final act, as if none of its three screenwriters could quite figure out how to end it.
"Rust" has some lovely scenes - Alain carrying Stephanie out to the sea - but it seems to wander off in search of something it already has, and in wandering, it loses its way.
"Rust and Bone" seems to wander unexpectedly into its heart; it feels organic in its casual unfolding, like life itself.
You couldn't ask for a more random relationship, but "Rust and Bone" slowly, almost magically, gives it meaning, symbolism, even a kind of symmetry.
Audiard visits a physicality that isn't necessarily female or male, but of the body, and toward the body, as in Cotillard's wide, lidded eyes when she watches him punching, thumping and bleeding in illegal bare-fisted takedown fights.
It's a film for people who believe that fallen souls aren't inevitably destined to become lost ones.
...while all the admittedly well-wrought details engage us on an intellectual level and keep us watching, the film doesn't linger in the imagination the way truly great cinema does
there is no denying the cinematic power of Audiard's fearless storytelling
Rust and Bone is a tough, emotionally raw movie, but its not a difficult watch, and its a very skillfully rendered piece of neo-realism.
The notion of strings-free sex gets a good working over from director Jacques Audiard (A Prophet), who takes as much pride in exploring the workings of Stephanie's troubled mind as he does in digitally removing her legs.
The film achieves what all dramatic films should strive for: complete audience empathy for the main characters. I cared for these two so deeply, and the many, many moments of quiet triumph gave me rushes of joy. A beautiful triumph of precision.
Rust and Bone is an unsentimentally lyrical triumph, unexpected in every way.
For a film that deals in different forms of agony it's rather pleasant. A portrait of family that's refreshing with the right emotional punch.
This multi-layered film with its characters tossed like flotsam on fate's giant, unpredictable waves drenches us in the intimate details of characters
Two damaged souls find solace together in this gritty drama in which physical pain and disfigurement play a key role ... a stunningly delivered exposition
Audiard crafts a film with logical scenic construction yet surprising turns of events, with the drama never devolving into melodrama.
Rather like a persuasive pick-up artist, I'm not sure Rust & Bone is a film I'd want to spend a second night with, for fear of shattering the emotional illusion.
Through restraint, French director Jacques Audiard does a better job of tugging on viewers' hearts than most filmmakers can achieve with excess.
In 'Rust and Bone,' Marion Cotillard loses both legs but retains her hotness. This might seem like an inappropriate observation, but it's very much to the point of this very physical French romance of redemptive suffering from director Jacques Audiard.
Audience Reviews for De rouille et d'os (Rust and Bone)
Healing in the midst of the brokenness of it all.
Great Film!!! For quite some time into the film it seems both the film and its main characters aimlessly sit in their cocoon without breaking out. One feels some very vague potential in people but somehow their very lives seem the greatest impediments to its blossoming. One wonders what the film is about and where it is going. Like its characters, it feels like a bunch of loose ends aimlessly hanging about. But I must say that at the end of the movie it has grown on you: suddenly, as the story progresses, the film hatches, the characters break out of their cocoon and in retrospect one feels one has been witness to the improbable -and yet realistic- birth of an unusual but deep love story between two common people. The story has a hidden intensity of screenplay which is intensely performed by Schoenaerts and Cotillard. It creeps beneath your skin. If you like Audiard's way of developing gradual character drama with an intensity that seems to be implicit, buried beneath trailer-trash but still strongly present, you'll like this film. It's a story of how one can find anew a purpose in life when one feels like wasted trash. The cinematography and soundtrack are pretty beautiful too, completing a fantastic triumph of an understated film.
Put in charge of his young son, Alain leaves Belgium for Antibes to live with his sister and her husband as a family. Alain's bond with Stephanie, a killer whale trainer, grows deeper after Stephanie suffers a horrible accident.
I am not a fan of French films, usually. As a matter of fact, I didn't even know that it WAS a French film until I was an hour into it. The movie was supposed to be about the relationship between the two main characters, but even at the end of the movie, I was still left scratching my head wondering what the basis was of their attraction. The ending was frustrating, too. BUT, I still found myself watching it, and for the most part enjoying it....mostly due to Marion Cotillard. She is wonderful to watch...More
A women whose legs are chewed off by a killer whale starts a relationship with a street fighter who treats her relatively badly but is occasionally helpful. It doesn't sound like the premise of a classy romantic film does it but surprisingly it is a beautiful love story. It is beautifully films, the two lead roles are brilliantly played by Marion Cotillard and Matthias Schoenaerts and the story is original and compelling. It's the simplest of components that make films like this great, other young directors should take note! That poor little boy though, I'm not sure I would have signed him up if I was his parent after reading the script! Jacques Audiard is fast becoming a director to take notice of.More
'Rust and Bone'. Marion Cotillard stole my heart. The most emotionally affecting performance of the year in this love story that ain't sunshine and rainbows in the least. Nearly every touching scene is confronting and/or brutal.
I appreciated the screenplay skipping those "in-between" scenes that normally play out, left to our imagination. Bookending the film with two Bon Iver songs didn't hurt!
De rouille et d'os (Rust and Bone) Quotes
- In a human hand there are 27 bones. Some apes have more. A gorilla has 32, five in each thumb. A human has 27. If you break an arm or a leg, the bone grows back together by calcification. It will be stronger than before. If you break a bone in your hand, it will never recover completely. Before every fight, you'll think. In each slap, you'll think. You'll be careful. But at some point the pain will come back. Like needles. Like glass splinters.
- Can't a whore train whales?
- Can't a whore train whales?
- If we continue we have to do it right.
- What am I for you?
- A friend?
- A pal?
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