Dead Man Reviews

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Top Critic
Roger Ebert
Chicago Sun-Times
January 1, 2000
Full Review | Original Score: 1.5/4
Top Critic
James Berardinelli
ReelViews
January 1, 2000
Full Review | Original Score: 2.5/4
Rob Vaux
Flipside Movie Emporium
August 29, 2005
Bad, but not uninteresting
| Original Score: 2/5
Jeffrey Westhoff
Northwest Herald (Crystal Lake, IL)
February 6, 2003
| Original Score: 2/5
Top Critic
Mike Clark
USA Today
January 1, 2000
Coy to a fault, the movie collapses under its own weight with 90 minutes to go, despite Robby MĂuller's impressive black-and-white photography, which puts the film on a higher artistic plane than other equally unbearable movies.
| Original Score: 1.5/4
Dragan Antulov
rec.arts.movies.reviews
June 3, 2003
Full Review | Original Score: 3/10
Madeleine Williams
Cinematter
January 1, 2000
Full Review | Original Score: 2/4
Robert Roten
Laramie Movie Scope
January 1, 2001
Full Review | Original Score: 4/10
Frank Swietek
One Guy's Opinion
November 10, 2005
| Original Score: 1/5
Top Critic

Entertainment Weekly
May 26, 1995
Full Review | Original Score: C-
Philip Martin
Arkansas Democrat-Gazette
May 14, 2003
| Original Score: 3/5
Leo Goldsmith
Not Coming to a Theater Near You
August 7, 2006
Characteristically meandering and sardonic, with Robby Muller's floating, shimmering camerawork, a catalog of witty cameos, and one of the most beautiful modern film-scores
Scott Weinberg
eFilmCritic.com
April 3, 2005
Depp and Jarmusch combine for something fairly bizarre, yet quietly rewarding.
| Original Score: 4/5
Anton Bitel
Eye for Film
January 5, 2009
a low-key classic of strangely poetic beauty - a western for sleepwalkers and dreamers.
Rob Gonsalves
eFilmCritic.com
December 30, 2006
I was held by Depp's transformation from white-man non-entity to the Jarmusch version of the affectless Man With No Name.
Full Review | Original Score: 5/5
Cole Smithey
ColeSmithey.com
October 27, 2006
Jarmusch's lyrical update on the western genre is a real joy.
| Original Score: 4/5
Top Critic
Jonathan Rosenbaum
Chicago Reader
January 1, 2000
Full Review | Original Score: 4/4
Jeffrey M. Anderson
Combustible Celluloid
January 1, 2000
A visual, poetic journey not unlike Coppola's Apocalypse Now.
Full Review | Original Score: 4/4
Dennis Schwartz
Ozus' World Movie Reviews
January 1, 2000
It is an American masterpiece and one of the best films of the '90s.
Full Review | Original Score: A+
Jeremy Heilman
MovieMartyr.com
April 24, 2002
It's completely irony-free because it's so convinced that it has something potent to say.
Full Review | Original Score: 4/4
Joe Baltake
Sacramento Bee
January 1, 2000
Betty Jo Tucker
ReelTalk Movie Reviews
August 2, 2002
Top Critic
Stephen Holden
New York Times
January 1, 2000
Top Critic
Jack Mathews
Los Angeles Times
February 14, 2001
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Stanley Kauffmann
The New Republic
January 1, 2000
Liz Braun
Jam! Movies
January 1, 2000
Cynthia Fuchs
Philadelphia City Paper
January 1, 2000
Top Critic
Greil Marcus
Salon.com
January 1, 2000
Matt Easterbrook
Matt's Movie Reviews
January 1, 2000
Top Critic
Edward Guthmann
San Francisco Chronicle
January 1, 2000
Barbara Shulgasser
San Francisco Examiner
January 1, 2000
Gino Moliterno
Senses of Cinema
July 3, 2001
Top Critic
David Ansen
Newsweek
March 31, 2008
Top Critic

Washington Post
January 1, 2000

Deseret News, Salt Lake City
January 1, 2000

Movieline
January 9, 2002

Boxoffice Magazine
June 5, 2002
Top Critic

Time Out
January 26, 2006
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