Dead Man Down Reviews
A way-too-leisurely thriller whose destination is fairly obvious from early on, but to which the talented cast apply themselves with effortful seriousness.
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| Original Score: 2/5
Explores a common ground for noir thrillers before stumbling and imploding in a climax that feels like it might have been hijacked from an Arnold Schwarzenegger movie.
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| Original Score: 2.5/4
While a mob thriller can be as nasty as it likes, what it can't be is silly.
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| Original Score: 0.5/4
More a dark fairy tale about vengeance than the action-packed crime thriller it purports to be, the film is at times exhilarating, bold, and beautiful -- when it's not busy being ludicrous, fragmented, and just plain stupid.
Dead Man Down is a very serious thriller featuring very serious stars being very serious about the seriousness at hand.
This blend of Scandinavian gloom and Hollywood hokum never jells.
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| Original Score: 1/4
Yep, there's a whole lot going on here, but this is one of those plot-heavy scripts that carries its weight with confidence - the intricate twists don't cheat.
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| Original Score: 3/4
Perhaps if Farrell and Rapace and Oplev had all stayed in Europe - and tried to do a similar script, with half-as-much firepower, and twice as much brainpower - they might have had something worth watching. Instead it's just something worth ducking.
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| Original Score: 2/4
The film has been directed in a murky, rhythmless fashion by Niels Arden Oplev, who directed Rapace in the original, and terrific, Swedish-language The Girl With the Dragon Tattoo.
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| Original Score: 1.5/4
A moody twist of hyper-violent vengeance and heartache where death is hand-delivered, mercy is hard to come by and love is never easy.
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| Original Score: 3/5
A derivative collection of brazen plot holes and latenight-cable cliches.
The cautionary adage about weaving tangled webs in the process of deception certainly applies to Dead Man Down, an overwrought thriller brought to ground by its own contrivances.
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| Original Score: 2/4
As a gritty thriller, Dead Man Down doesn't stand out among its bullet-riddled brethren.
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| Original Score: 2/4
The movie might have been better if its Swedish director, Niels Arden Oplev, had played with the genre clichés stuffed in this turkey instead of going for straight-up action.
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| Original Score: 2/5
It's all so much turgid brooding, dialogue underlined with import, and leaden symbolism involving Rapace's white and red dresses, none of which is salvaged by a typically understated Farrell performance.
In the end, a viewer can do little more than appreciate Dead Man's shimmering look and wish all involved better luck in their next endeavor.
The screenplay by J. H. Wyman is squirm-inducing in its preposterous dialogue and haphazard plotting.
That crack cast still keeps things involving, especially Rapace's emotionally and physically disfigured Beatrice.
Before it devolves into typical American-style action, there's an intriguing, European-style complexity to Dead Man Down.
Full Review
| Original Score: 3/5
Before this urban revenge melodrama falls apart in a clatter of plot absurdities and pretensions, it has its loopy charms.
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| Original Score: 2/4

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