Pugnacious, poetic and compellingly raw, it's a simple but unforgettable look at the roots and costs of frontier justice at a time when frontiers no longer exist except in the hearts and minds of men.
Dead Man's Shoes (2006)
Tomatometer
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Reviews Counted:38
Fresh:21
Rotten:17
Average Rating:5.7/10
Consensus: Though enhanced by cramped, gritty camerawork, this unsettling look at violence and revenge lacks the provocative edge needed to give it a substantial kick.
Theatrical Release:May 12, 2006 Limited
Synopsis: Talented director Shane Meadows (A ROOM FOR ROMEO BRASS) teams up with fellow Brit Paddy Considine (IN AMERICA) for this exhilarating venture towards the dark edges of the human psyche. Considine... Talented director Shane Meadows (A ROOM FOR ROMEO BRASS) teams up with fellow Brit Paddy Considine (IN AMERICA) for this exhilarating venture towards the dark edges of the human psyche. Considine plays Richard, a former military man who looks like life has chewed him up and spat him out in the most ugly way imaginable. As Meadows's film begins, Richard returns to his small home town along with his mentally challenged younger brother, Anthony (Toby Kebbell). It quickly becomes clear why Richard has returned: some years previously a gang of local thugs, led by the thoroughly unpleasant Sonny (Gary Stretch), tortured Anthony, and Richard is hell-bent on making them pay for their crimes. Meadows gradually allows Richard's psychotic tendencies and lust for revenge to unravel, crafting a number of scenes where Richard teasingly mocks Sonny and co. before delving into scenes of shockingly relentless violence. An unusual film for Meadows, who has mostly plied his trade as a director of wry British comedies, DEAD MAN'S SHOES is packed full of unbearable tension and densely claustrophobic camera work. The film really belongs to Considine, whose impressive performance feels painfully real, often mirroring legendary on-screen psychopaths such as Robert DeNiro's Travis Bickle (TAXI DRIVER) or Michael Caine's Jack Carter (GET CARTER). Although the violence is unremitting when it comes, Meadows carefully judges it so the film doesn't descend into meaningless slasher territory, instead choosing to steer his film into a satisfying fantasy-revenge scenario aimed at anyone who has been tormented by small-town aggressors. [More]
Starring: Paddy Considine, Gary Stretch, Toby Kebbell, Emily Aston
Starring: Paddy Considine, Gary Stretch, Toby Kebbell, Emily Aston
Director: Shane Meadows
Director: Shane Meadows
Screenwriter: Shane Meadows
Producer: Mark Herbert
Studio: Magnolia Pictures
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Reviews for Dead Man's Shoes
With Dead Man's Shoes I can get the thrill of a guy in a gasmask taking an axe to a bastard, while also getting interesting characters and moral complications.
Meadows [makes] a stringy pulp premise into something personal and passionate which builds from relaxed comedy into existential dread...
the film is a failure ... does nothing new or especially radical with the normal revenge flick
Despite some hints at conscience and humanity, Dead Man's Shoes is a typical slasher film at the core.
Dead Man’s Shoes is for the true connoisseur: a tight, well-made, evocative piece of filmmaking that recalls the extreme emotions in some of Sam Peckinpah’s genre-benders about retribution and vigilante justice.
Dead Man's Shoes is all about revenge, but in trying to be one of those serious revenge films that questions violence while indulging in it, it manages to keep virtually all the characters unsympathetic and uninteresting.
As anger sumlimation, it's a useful piece of work--the filmmakers wallow in their need for the drug of revenge.
Considine hawks a striking cipher, an avenging angel whose metaphysical communion with otherworldly energies is echoed in the film's unhinged, stewy surface.
Brit thriller, downbeat revenge story, but why can't the English learn to speak?
It's as though there are two completely different films uncomfortably mixed into one and they're just fundamentally incompatible.
Dead Man’s Shoes is never less than watchable, thanks to Considine’s performance, but it’s never really engaging either and there’s a definite sense of the end not justifying the means.
A thorny take on the morality of crime and punishment, it's a back-to-basics guerrilla production that sees Meadows heading back to familiar gritty territory.
The film is filled with deeply unpleasant and stupid people whose vapid speech is largely incomprehensible due to thick regional accents.
The ending feels like a desperate attempt to inject some emotion into the film. And it just doesn't work.
Shane Meadows delivers a tale that's as grimly satisfying as it is sadly insightful.
Latest News for Dead Man's Shoes
June 28, 2009:
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