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Dead Silence (2007)
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Reviews Counted:70
Fresh:12
Rotten:58
Average Rating:3.8/10
Consensus: More tasteful than recent slasher flicks, but Dead Silence is undone by boring characters, bland dialogue, and an unnecessary and obvious twist ending.
Theatrical Release:Mar 16, 2007 Wide
Box Office: $16,545,445
Synopsis: Old ladies, ventriloquist dummies, decrepit small-towns, and dolls are all exploited for their full creepy potential in DEAD SILENCE, a relatively innocent but thoroughly scary horror feature from... Old ladies, ventriloquist dummies, decrepit small-towns, and dolls are all exploited for their full creepy potential in DEAD SILENCE, a relatively innocent but thoroughly scary horror feature from the makers of SAW. After a heavily stylized black-and-white opening credit sequence that shows the story's central ghost, Mary Shaw, constructing her beloved ventriloquist dolls back in her heyday, the film transports viewers to the present. As newlyweds Jamie (Ryan Kwanten) and Lisa Ashen putter lovingly about their apartment far from their hometown of Raven's Fair, it is clear that something bad is about to happen. This dread is only further cemented when a knock on the door leads the lovebirds to discover an unmarked box containing a worn but eerily lifelike ventriloquist's dummy. Lisa is all too friendly towards the doll and gets what's coming to her when Jamie goes out to pick up some takeout, returning to find his wife's mangled body (minus her tongue) propped up like the dummy seemingly responsible for her death. With detective Jim Lipton (Donnie Wahlberg) on his heels, and a very guilty dummy in his passenger seat, grieving Jamie returns to Raven's Fair with the hunch that his wife's death is linked to the town's murdered ventriloquist, Mary Shaw. Once grand, Raven's Fair is now in a state of decay, and many of its inhabitants have died mysterious and brutal deaths in the years since Jamie was last home. Jamie arrives at his wealthy father's home, only to find a young new bride (Amber Valetta) by his side. No one wants to talk about Mary Shaw, let alone whisper her name. If Jamie is going to get to the bottom of the Mary Shaw legend, he'll have to face the town's past on his own. Arriving in the midst of the gore/torture trend (SAW, HOSTEL), DEAD SILENCE comes as a breath of fresh air. It's nice to see that a horror movie can still use gore with discretion and deliver a fright through old-fashioned scare tactics and a premise as simple as a ghost story. [More]
Starring: Ryan Kwanten, Amber Valletta, Donnie Wahlberg, Bob Gunton
Starring: Ryan Kwanten, Amber Valletta, Donnie Wahlberg, Bob Gunton, Laura Regan, Michael Fairman, Judith Roberts
Director: James Wan
Director: James Wan
Screenwriter: Leigh Whannell, James Wan
Producer: Gregg Hoffman, Mark Burg, Oren Koules
Composer: Charlie Clouser
Studio: Universal Pictures
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Reviews for Dead Silence
This is Days Of Our Lives for the living dead - possibly the only film in history to prompt the reaction, 'That would have been worse, if not for Donnie Wahlberg's acting talent!' and far more predictable than you'd expect from the director of Saw.
“Who’s the dummy now?” she rasps. Well, you are if you waste your hard-earned on this tepid retread of Dickie Attenborough's 1978 Magic, a curious stumble from Leigh Whannell and James Wan after the success of their Saw gore-fests.
It’s also a bit shocking that a movie this mediocre is getting a cinema release at all. Dead Silence more resembles one of those five-quid DVDs you find in petrol stations.
For the love of Chucky, avoid this insipid attempt at reviving the killer doll horror.
The muddled plot and stilted dialogue irritate to the point where you're tempted to side with the villain.
I admit that I didn't see the daft last-minute twist coming, and sort of admired it, but for the rest you'd need an extravagant love of hokum not to feel mildly bored.
The spirit of Edward D. Wood Jr. is alive and well, and currently taking up residence in the movies of James Wan and Leigh Whannell.
Fans coming from the Saw franchise are going to be bored to death by Dead Silence.
Ultimately undone by not only amateurish acting but also DOA dialogue.
A perfunctory, cynical movie, made by people who must know how unfrightening their film is and how idiotic its 'surprise' ending is.
Watching it, the amateur, institutionalized filmmaker might think, "Well, there it is--the movie to which I aspire." For the rest of us, however, things are predictably bleak.
Plodding and bereft of suspense, "Dead Silence" is an irredeemable jumble of cliché genre fragments.
A film of such pointlessness, a film with neither thrill nor chill, an exercise of such tedium that it delivers nary a scare and sends no pulses a-racing.
All of this is then capped off by an ending so hilarious, so inane, that it could only have come from the idiots that made Saw.
It's woefully flat and not nearly as scary as it thinks it is. It almost makes one yearn for Saw. But not quite.
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