A delightful period piece about reincarnation, friendship and dogs with a wonderful collection of performances from its four main characters.
Dean Spanley (2008)
Tomatometer
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Reviews Counted:26
Fresh:22
Rotten:4
Average Rating:6.5/10
Consensus: Offbeat, whimsical, period-set shaggy dog story with daffy performances from Sam Neill and Peter O’Toole.
Genre: Comedies
Theatrical Release:Nov 30, 1999 Wide
Starring: Peter O'Toole, Sam Neill, Jeremy Northam, Brian Brown
Starring: Peter O'Toole, Sam Neill, Jeremy Northam, Brian Brown, Dudley Sutton, Judy Parfitt
Director: Toa Fraser
Director: Toa Fraser
Producer: Alan Harris, Matthew Metcalfe
Composer: Don McGlashan
Reviews for Dean Spanley
Truly original and very moving, with a hypnotic and elliptical quality all its own.
Fraser and Sharp have structured the film, and the cast interpret it, so that comedy and poignancy are intertwined to the last; even as all is revealed, a sense of wonder remains.
This whimsical tale, based on a short story by Lord Dunsany, has moving undercurrents of loss and grief and in underplaying his role, Peter O'Toole brings a beautiful sense of reconciliation to his character.
Toa Fraser's sensitive direction of this deceptively challenging and surprisingly satisfying film, keeps the tone perfectly balanced in the manner of perhaps an eccentric English tale with dashes of humour and pathos
A wondrous story about cats and dogs, fathers and sons and the elusive bottle of Hungarian Imperial Tokay that brings them all together, Dean Spanley is a rather special
The word offbeat doesnt quite cover it and its a touchslow to begin with but, really, if you dont fancy having your soul crushed byKeanu and co, do check this one out. Funny, warm and sensitive,its got gem written all over it.
Wilfully whimsical and determinedly eccentric, this faintly bonkers period tale won’t be for everyone. But if you fall for Dean Spanley, you’ll fall hard.
This nicely acted drama, in quietly intimating the quirky familial relations and peculiar fascinations of the era – not least with the transmigration of souls, mysticism and the supernatural – delivers a highly pleasurable if modest experience.
A charming, unique film, well crafted and boasting some great performances, notably from the spry Peter O'Toole.
I can’t see too many children taking advantage of the U certificate. The measured performances look stiff and theatrical. A stifling fable with the rhythm of a grandfather clock.
This is a charming and eccentric little family comedy for the older generation. It's like a Werther's Original sweet that's for grandpa only.
Dean Spanley, adapted from a shaggy-dog tale by Lord Dunsany, is a decidedly odd business, a rummage in mothballed obscurantism for its own sake.
While Neill gives a masterclass in subtle eccentricity and Northam and Brown happily play second string, the theatricals are wisely left to legendary virtuoso O’Toole.
A redemptive arc leashes the threads together, hinged on insights into familial repression that are a tad too costumedrama-stifled for their own good.
I don't know of any film quite like Dean Spanley, and I mean that as a compliment. It will stay with me long after 99 per cent of this year's films have been forgotten.
Fisk’s cantankerous father, played with biting wit by Peter O’Toole, is sceptical about reincarnation. Many will be tempted to agree with him, but for The Sneak this is a wonderful shaggy dog story.
In Dean Spanley Peter O’Toole, luminous of eye and loopy of intonation, acts as if he should be locked up. You have to admire the cut of his lunacy. He brings what little style there is to this winsome tale adapted from Lord Dunsany.
The only drawback to its fey shaggy-dog story is the ponderous pace. But Northam and Neill are both on good form.
Latest News for Dean Spanley
January 29, 2008:
Exclusive: RT Visits the Set of Dean Spanley
We take a trip to Holkam Hall in Norfolk, England to talk the transmigration of souls with Peter O'Toole and Sam Neill. More...
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