This shows Greg Kinnear at his most forced. Director Garry Marshall should've given Kinnear and the other actors more depth before taking it to the silver screen.
Dear God (1996)
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Reviews Counted:32
Fresh:4
Rotten:28
Average Rating:3.7/10
Runtime: 1 hr 52 mins
Genre: Comedies
Synopsis: In lieu of prison, fast-talking con artist Tom Turner (Greg Kinnear) is sentenced to employment in the dead letter department of the post office. Turner thinks he has found a perfect solution for... In lieu of prison, fast-talking con artist Tom Turner (Greg Kinnear) is sentenced to employment in the dead letter department of the post office. Turner thinks he has found a perfect solution for all the undeliverable mail--and his own gambling debts--when he begins to plunder valuables found in the discarded letters. But when he mistakenly sends money meant for his bookie to the address of one of the "Dear God" letters, Turner finds himself the unexpected leader of a crusade of good will--and an accidental hero to the entire city. [More]
Starring: Greg Kinnear, Laurie Metcalf, Tim Conway, Maria Pitillo
Starring: Greg Kinnear, Laurie Metcalf, Tim Conway, Maria Pitillo, Roscoe Lee Browne, Jon Seda, Hector Elizondo
Director: Garry Marshall
Director: Garry Marshall
Screenwriter: Warren Leight, Ed Kaplan
Producer: Steve Tisch
Composer: Jeremy Lubbock, James Patrick Dunne
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Reviews for Dear God
'Dear God' commits the worst sin of all for a comedy -- it evokes very few laughs.
God, this thing is a total piece of junk. Even I'm embarrassed for You, and I'm an atheist.
It is a demonstration that Garry Marshall should retire from directing.
A goofy, goodwill gesture toward the U.S. Postal Service, it’s never funny and moves slower than an unaddressed letter without postage.
As trite as the framework is, Dear God might have been a charming holiday film, if only its miracles weren't so trite.
Together, these characters discover the ideas of faith and fellowship as the film congratulates itself on its noble instincts.
Ultimately what we have here is further evidence of just how difficult it is to make a film that works.
It unfortunately has an unfinished quality, and plays very much like a good first draft for a much better movie than the one on view.
[An] embarrassingly heavy-handed descent into the nightmarish maelstrom of feel-good cinema that comes on stronger than a speed-crazed pitbull with its tail on fire.
The movie is as well-intentioned as a Christmas card, but as a work of narrative art, it's a train wreck.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
| 75% 75% | Julie & Julia |
| 95% 95% | The Cove |
| 85% 85% | World's Greatest Dad |
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