Average Rating: 5.1/10
Reviews Counted: 60
Fresh: 22 | Rotten: 38
No consensus yet.
Average Rating: 4.2/10
Critic Reviews: 16
Fresh: 3 | Rotten: 13
No consensus yet.
liked it
Average Rating: 3.2/5
User Ratings: 16,137
The contradictions of America's simultaneous love and fear of violence go under the microscope in this drama from Danish filmmaker Thomas Vinterberg. Dick (Jamie Bell) is a timid young man growing up in a mining town where he's been deemed to frail to work with the other men. Dick is given a toy gun by a girl who works in a dime store, and he becomes fascinated with the weapon -- especially when it becomes clear that the gun isn't a toy after all. Dick and a handful of other local misfits who
Sep 23, 2005 Wide
Mar 21, 2006
Wellspring Media
All Critics (68) | Top Critics (16) | Fresh (23) | Rotten (38) | DVD (9)
We get it, Lars. Actually, we got it some time ago. Guns are bad things. They kill people and Americans are obsessed with them. Can we move on now?
The scenario's practically straitjacketed in commentary. Von Trier's weak story doesn't help.
Like the Dandies, Vinterberg and Von Trier are fascinated by something they despise, and despise it even more for fascinating them. And in the end, like the Dandies, Vinterberg and Von Trier still don't know the first thing about it.
The audience is clearly expected to enjoy the bloodbath even while it disapproves.
Dear Wendy is loaded with ideas, some half-baked, some dead-on, some just stupid, and Vinterberg throws them at the screen willy-nilly.
For a film that explores the nuances of this complicated issue, I suggest you rent Gus Van Sant's Elephant.
Entre la sátira, la fábula y el comentario crítico (...) el interés se pierde y no convencen.
The highlight is when a female member of the Dandies bares her breasts, which is about as pointless as the rest of the film.
Naive, corruptible, lonely young man meets femme fatale, and it all leads, inevitably, absurdly, to destruction.
The result is mixed.
a private joke for two guys who should know better.
The film has the unmistakable imprint of [Lars] von Trier, with its heavy-handed tirade, masquerading as satire, assailing what he perceives to be America's obsessions with guns and violence.
Von Trier's caricature of teen angst and Vinterberg's junkyard-chic stylistic flourishes aren't about anything but their loathing of American culture.
you won't know whether to laugh, cry, or moon the screen. Von Trier shoots, von Trier scores.
If Jamie Bell can't rescue a movie, it's probably not salvageable.
The message doesn't come through with any particular wit or metaphoric punch, and it makes such a strong case for the joys of gun ownership that it could serve as a recruiting film for the National Rifle Association.
When you have to ask yourself whether this parable is intended as comedic satire or stone-cold-serious moralizing, that's a big sign that you're watching a misfire.
A dumb movie that thinks it's smart is the worst kind of awful.
Wendy might have a bizarre sense of locale and idolatry, but the imagination of the filmmakers is just enough to help swallow their incredibly condescending posturing.
I was expecting a little more. I can't say that I was disappointed, but I thought that there could have been more to the plot. Some of the special effects work well with the movie, and play into its slightly dangerous charms. Something that's worth a look, I just wouldn't consider this an idie classic.
October 25, 2010Super Reviewer
Jamie Bell, Michael Angarano, Allison Pill, Bill Pullman, Chris Owen, Mark Webber, Danso Gordon, Novella Nelson DIRECTED BY: Thomas Vinterberg When a young loner named Dick discovers a handgun, he finds himself strangely drawn to it despite his pacifist views. Soon he forms a secret club with other misfits in his
August 26, 2009
Super Reviewer
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