While it's far from the terrorist-training video that right-wing watchdogs are accusing it of being, it's not a particularly enlightening exercise either.
Death of a President (2006)
Tomatometer
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Reviews Counted:98
Fresh:36
Rotten:62
Average Rating:5.3/10
Consensus: In this unconvincing fictional documentary, the tense 30 minutes that lead into the title event is outweighed by the boring, melodramatic hour preceding it.
Theatrical Release:Oct 27, 2006 Limited
Box Office: $167,000
Synopsis: Winner of the International Critics' Prize at the Toronto Film Festival, "DEATH OF A PRESIDENT" is conceived as a fictional TV documentary broadcast in 2008, reflecting on a monstrously despicable... Winner of the International Critics' Prize at the Toronto Film Festival, "DEATH OF A PRESIDENT" is conceived as a fictional TV documentary broadcast in 2008, reflecting on a monstrously despicable and cataclysmic event: the assassination of President George W. Bush on October 19th, 2007. The "documentary" combines archival footage and carefully composed interviews, presented in a respectful and dignified manner. It is exciting and questioning, and it offers viewers a riveting story, creating a provocative political thriller that reveals larger truths. But the film doesn't advocate violence; rather, it shows the pernicious effects of violence The film opens with ferocious energyas frenetically edited archival footage thrusts us into a raging crowd of protesters, waiting for President Bush's procession. The President is portrayed as a sympathetic and likable man-beloved by those close to him and charming to his followers. As the President gives a patriotic speech inside a hotel, the demonstrators' fury increases to the breaking point. The tension mounts until the horrible instant where the President is assassinated. After the assassination, the film shifts into the style of a mystery, and follows the FBI's hunt for the assassin. All the suspects are interviewed except one-the Syrian man who is convicted and put on death row. There is much circumstantial evidence against him. But is he guilty of the crime? Or does his Middle Eastern origin provide a convenient excuse to label the death of the President as an Act of Terror? Director Gabriel Range previously used the device of a "retrospective documentary" in his celebrated 2003 film "The Day Britain Stopped," about a chain of events that led to a breakdown of the country's transport system and nearly a hundred fatalities. Both of these films have been acclaimed for the technical virtuosity with which they combine archival footage and filmed scenes to create disturbingly real visions of catastrophes. --© Newmarket Films [More]
Starring: George W. Bush, Becky Ann Baker, Michael Reilly Burke, Hend Ayoub
Starring: George W. Bush, Becky Ann Baker, Michael Reilly Burke, Hend Ayoub, Brian Boland, Robert Mangiardi, Jay Patterson, James Urbaniak, Neko Parham, Seena Jon, Christian Stolte, Tony Dale
Director: Gabriel Range
Director: Gabriel Range
Screenwriter: Simon Finch, Gabriel Range
Producer: Simon Finch, Ed Guiney, Gabrielle Range
Studio: Newmarket Films
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Reviews for Death of a President
Despite its technical excellence and its careful balance, the film eventually dims its own fire.
(Director Gabriel) Range is a great mimic of media reportage, but he's not above nudging the audience to note what he's not talking about.
Despite being heavy-handed and pretentious, and never providing a satisfying conclusion, Gabriel Range's fake-umentary "Death of a President" is nevertheless brilliant in its conception and execution.
Dramatic escalation falls by the wayside and gives way to political axe-grinding. By the end, there's nothing to admire except Range's technical virtuosity.
Accomplished and visually persuasive, but the movie's central conceit remains something of a stunt...
Death of a President is celluloid mediocrity. It's neither interesting nor convincing.
A fictional documentary that presents many of the divisive shadow elements afoot in our combative and xenophobic American culture.
The whole film has the whiff of a low-cost documentary unspooling on a basic cable channel on Sunday afternoon when you should be out raking leaves.
The flipside of Michael Moore's conspirapalooza, DOAP not only has a smarter satirical stab, its technical merits are beyond reproach.
Don't waste your time being offended by Death of a President. This reeking excuse of a mockumentary deserves to be completely forgotten.
The movie's proposed shocking scenario comes off as a stunt, becoming the main morbid draw and leaving us little the wiser.
Like the puppet some consider Dubya to be, Death of a President shows its strings too often to convince us that the man behind the curtain is truly in control of his convictions.
Eerie, tense and immediate as Death of a President looks and feels, it doesn't contribute much of anything new to the discourse.
Rather than opening up his subject and illustrating how Bush's death might affect a broad range of opinion, the world's as well as the country’s, Range narrows everything down because it plays more comfortably to the pieties of a partisan audience.
While it dazzlingly manipulates snippets of film to create a genuine-looking docudrama, its knee-jerk, black-and-white political imagination never equals its technical expertise.
I won't tell you how the story resolves the question of who killed the president. I will tell you that it involves a careless reading of American society by a director who apparently hasn't totally thought through what he's saying.
An impressive mix of real and created footage, but never really grabs you or keeps you interested ... this ain't JFK.
What’s missing is shapeliness, suspense, narrative cunning, visual flair -- in short, art. Are we really to believe that a network of the future would broadcast such a barbiturate?
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