Don't waste your time being offended by Death of a President. This reeking excuse of a mockumentary deserves to be completely forgotten.
Death of a President (2006)
Tomatometer
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Reviews Counted:98
Fresh:36
Rotten:62
Average Rating:5.3/10
Consensus: In this unconvincing fictional documentary, the tense 30 minutes that lead into the title event is outweighed by the boring, melodramatic hour preceding it.
Theatrical Release:Oct 27, 2006 Limited
Box Office: $167,000
Synopsis: Winner of the International Critics' Prize at the Toronto Film Festival, "DEATH OF A PRESIDENT" is conceived as a fictional TV documentary broadcast in 2008, reflecting on a monstrously despicable... Winner of the International Critics' Prize at the Toronto Film Festival, "DEATH OF A PRESIDENT" is conceived as a fictional TV documentary broadcast in 2008, reflecting on a monstrously despicable and cataclysmic event: the assassination of President George W. Bush on October 19th, 2007. The "documentary" combines archival footage and carefully composed interviews, presented in a respectful and dignified manner. It is exciting and questioning, and it offers viewers a riveting story, creating a provocative political thriller that reveals larger truths. But the film doesn't advocate violence; rather, it shows the pernicious effects of violence The film opens with ferocious energyas frenetically edited archival footage thrusts us into a raging crowd of protesters, waiting for President Bush's procession. The President is portrayed as a sympathetic and likable man-beloved by those close to him and charming to his followers. As the President gives a patriotic speech inside a hotel, the demonstrators' fury increases to the breaking point. The tension mounts until the horrible instant where the President is assassinated. After the assassination, the film shifts into the style of a mystery, and follows the FBI's hunt for the assassin. All the suspects are interviewed except one-the Syrian man who is convicted and put on death row. There is much circumstantial evidence against him. But is he guilty of the crime? Or does his Middle Eastern origin provide a convenient excuse to label the death of the President as an Act of Terror? Director Gabriel Range previously used the device of a "retrospective documentary" in his celebrated 2003 film "The Day Britain Stopped," about a chain of events that led to a breakdown of the country's transport system and nearly a hundred fatalities. Both of these films have been acclaimed for the technical virtuosity with which they combine archival footage and filmed scenes to create disturbingly real visions of catastrophes. --© Newmarket Films [More]
Starring: George W. Bush, Becky Ann Baker, Michael Reilly Burke, Hend Ayoub
Starring: George W. Bush, Becky Ann Baker, Michael Reilly Burke, Hend Ayoub, Brian Boland, Robert Mangiardi, Jay Patterson, James Urbaniak, Neko Parham, Seena Jon, Christian Stolte, Tony Dale
Director: Gabriel Range
Director: Gabriel Range
Screenwriter: Simon Finch, Gabriel Range
Producer: Simon Finch, Ed Guiney, Gabrielle Range
Studio: Newmarket Films
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Reviews for Death of a President
Theater bans give "Death of a President" the appeal of forbidden fruit, which is just enough to make watching the slipshod film a giddy experience.
...for all the hype and gnashing of teeth, D.O.A.P. isn't a very interesting movie ... It means to shock us. All right, we're shocked.
(Director Gabriel) Range does a pretty good and sometimes very good job of laying out a disturbing narrative that's certain to provoke a lot of after-the-movie discussion.
Dramatic escalation falls by the wayside and gives way to political axe-grinding. By the end, there's nothing to admire except Range's technical virtuosity.
Range comes about these issues in a provocative way, but they're still worth discussing, aren't they?
The whole film has the whiff of a low-cost documentary unspooling on a basic cable channel on Sunday afternoon when you should be out raking leaves.
Rather than opening up his subject and illustrating how Bush's death might affect a broad range of opinion, the world's as well as the country’s, Range narrows everything down because it plays more comfortably to the pieties of a partisan audience.
"Death of a President" is generally a sobering film that not only dares to think the unthinkable, but encourages its audience, no matter what their political leans, to stop and think as well.
[DOAP] wants to function as a mindless thriller that eventually makes us think -- and only after the film is over question the form that encouraged us to be mindless. These are incompatible agendas, and in the end neither is fully successful.
I give nothing away by telling you the president dies. From that point on, the film's most egregious offense is becoming predictable and heavy-handed.
The flaw in Death of a President isn't one of morality. It's one of dramatic interest.
(Director Gabriel) Range employs digital effects to rejigger real footage of Bush and others, and he's fairly adept at action filmmaking.
Without directly confronting the behaviors and attitudes associated with its theory, the movie leaves us with uncertainty, vacillation, and worst of all, emptiness.
Death of a President isn't art, or even entertainment: It's the art-house, indie-doc equivalent of Snakes on a Plane, where someone thought of a single idea and then, it seems based on the end-resulting film, stopped thinking altogether.
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