In the end, it comes across as more of a gimmick than a bona fide film.
Death of a President (2006)
Tomatometer
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Reviews Counted:98
Fresh:36
Rotten:62
Average Rating:5.3/10
Consensus: In this unconvincing fictional documentary, the tense 30 minutes that lead into the title event is outweighed by the boring, melodramatic hour preceding it.
Theatrical Release:Oct 27, 2006 Limited
Box Office: $167,000
Synopsis: Winner of the International Critics' Prize at the Toronto Film Festival, "DEATH OF A PRESIDENT" is conceived as a fictional TV documentary broadcast in 2008, reflecting on a monstrously despicable... Winner of the International Critics' Prize at the Toronto Film Festival, "DEATH OF A PRESIDENT" is conceived as a fictional TV documentary broadcast in 2008, reflecting on a monstrously despicable and cataclysmic event: the assassination of President George W. Bush on October 19th, 2007. The "documentary" combines archival footage and carefully composed interviews, presented in a respectful and dignified manner. It is exciting and questioning, and it offers viewers a riveting story, creating a provocative political thriller that reveals larger truths. But the film doesn't advocate violence; rather, it shows the pernicious effects of violence The film opens with ferocious energyas frenetically edited archival footage thrusts us into a raging crowd of protesters, waiting for President Bush's procession. The President is portrayed as a sympathetic and likable man-beloved by those close to him and charming to his followers. As the President gives a patriotic speech inside a hotel, the demonstrators' fury increases to the breaking point. The tension mounts until the horrible instant where the President is assassinated. After the assassination, the film shifts into the style of a mystery, and follows the FBI's hunt for the assassin. All the suspects are interviewed except one-the Syrian man who is convicted and put on death row. There is much circumstantial evidence against him. But is he guilty of the crime? Or does his Middle Eastern origin provide a convenient excuse to label the death of the President as an Act of Terror? Director Gabriel Range previously used the device of a "retrospective documentary" in his celebrated 2003 film "The Day Britain Stopped," about a chain of events that led to a breakdown of the country's transport system and nearly a hundred fatalities. Both of these films have been acclaimed for the technical virtuosity with which they combine archival footage and filmed scenes to create disturbingly real visions of catastrophes. --© Newmarket Films [More]
Starring: George W. Bush, Becky Ann Baker, Michael Reilly Burke, Hend Ayoub
Starring: George W. Bush, Becky Ann Baker, Michael Reilly Burke, Hend Ayoub, Brian Boland, Robert Mangiardi, Jay Patterson, James Urbaniak, Neko Parham, Seena Jon, Christian Stolte, Tony Dale
Director: Gabriel Range
Director: Gabriel Range
Screenwriter: Simon Finch, Gabriel Range
Producer: Simon Finch, Ed Guiney, Gabrielle Range
Studio: Newmarket Films
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Reviews for Death of a President
Aside from its fake assassination, Death of a President hasn't much of substance: warmed-over criticism of the Patriot Act and the Iraq war, in a form less trenchant than your nightly dose of Jon Stewart, or even Chris Matthews.
No reasonable person will come away from [DOAP] feeling that the film promotes... acts of violence. So it is a bit odd that this film gets tabbed 'controversial' when an exercise in sadism like Saw III is sure to be written off as scary fun.
It will only leave Bush supporters wondering how one man can put up with so much hate. And it may leave Bush critics asking why they just spent $10 and 90 minutes on something that's more controversy than content.
D.O.A.P. offers no information, insights or ideas that a couple of political science majors couldn't come up with while hanging out between classes.
While it dazzlingly manipulates snippets of film to create a genuine-looking docudrama, its knee-jerk, black-and-white political imagination never equals its technical expertise.
Aside from satisfying some kind of ghoulish curiosity about how such an incident could possibly happen, there's precious little in Death of a President to justify the extremity of its central conceit.
Range's movie is notable more for its superficial gimmick -- and the publicity campaign trying to cash in on the 'controversy' surrounding it -- than it is for its ideas, which are few and familiar.
As cleverly as the movie pastes together an assassination (using among other things, actual footage of Bush in Chicago and real Bush protesters), its aftermath is prosaic.
Death of a President is a masterly piece of documentary chicanery that kills George W. Bush without once pandering to his legions of ill-wishers.
Death of a President manages to be predictable and astounding at the same time.
To the credit of Range and Simon Finch, with whom he wrote the screenplay, it makes its point and poses its moral questions without speeches or quotation marks.
It starts strong but quickly turns into a standard murder mystery that has few surprises and fewer thrills.
I won't tell you how the story resolves the question of who killed the president. I will tell you that it involves a careless reading of American society by a director who apparently hasn't totally thought through what he's saying.
There's a cowardice at work here. Playing with the powerful tools of documentary, it poses as artistically courageous when it's often little more than a muddied if familiar meditation on the sorry state of affairs the U.S. finds itself in in Iraq.
I give nothing away by telling you the president dies. From that point on, the film's most egregious offense is becoming predictable and heavy-handed.
[DOAP] wants to function as a mindless thriller that eventually makes us think -- and only after the film is over question the form that encouraged us to be mindless. These are incompatible agendas, and in the end neither is fully successful.
The whole film has the whiff of a low-cost documentary unspooling on a basic cable channel on Sunday afternoon when you should be out raking leaves.
The film prompts thought about things like the situation of peaceable Muslims in post-9/11 America, and about the always-precarious status of civil liberties in a time of war.
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