This futuristic faux documentary about the assassination of George W. Bush paints the president as a noble hero along the lines of Abraham Lincoln.
Death of a President (2006)
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Reviews Counted:98
Fresh:36
Rotten:62
Average Rating:5.3/10
Consensus: In this unconvincing fictional documentary, the tense 30 minutes that lead into the title event is outweighed by the boring, melodramatic hour preceding it.
Theatrical Release:Oct 27, 2006 Limited
Box Office: $167,000
Synopsis: Winner of the International Critics' Prize at the Toronto Film Festival, "DEATH OF A PRESIDENT" is conceived as a fictional TV documentary broadcast in 2008, reflecting on a monstrously despicable... Winner of the International Critics' Prize at the Toronto Film Festival, "DEATH OF A PRESIDENT" is conceived as a fictional TV documentary broadcast in 2008, reflecting on a monstrously despicable and cataclysmic event: the assassination of President George W. Bush on October 19th, 2007. The "documentary" combines archival footage and carefully composed interviews, presented in a respectful and dignified manner. It is exciting and questioning, and it offers viewers a riveting story, creating a provocative political thriller that reveals larger truths. But the film doesn't advocate violence; rather, it shows the pernicious effects of violence The film opens with ferocious energyas frenetically edited archival footage thrusts us into a raging crowd of protesters, waiting for President Bush's procession. The President is portrayed as a sympathetic and likable man-beloved by those close to him and charming to his followers. As the President gives a patriotic speech inside a hotel, the demonstrators' fury increases to the breaking point. The tension mounts until the horrible instant where the President is assassinated. After the assassination, the film shifts into the style of a mystery, and follows the FBI's hunt for the assassin. All the suspects are interviewed except one-the Syrian man who is convicted and put on death row. There is much circumstantial evidence against him. But is he guilty of the crime? Or does his Middle Eastern origin provide a convenient excuse to label the death of the President as an Act of Terror? Director Gabriel Range previously used the device of a "retrospective documentary" in his celebrated 2003 film "The Day Britain Stopped," about a chain of events that led to a breakdown of the country's transport system and nearly a hundred fatalities. Both of these films have been acclaimed for the technical virtuosity with which they combine archival footage and filmed scenes to create disturbingly real visions of catastrophes. --© Newmarket Films [More]
Starring: George W. Bush, Becky Ann Baker, Michael Reilly Burke, Hend Ayoub
Starring: George W. Bush, Becky Ann Baker, Michael Reilly Burke, Hend Ayoub, Brian Boland, Robert Mangiardi, Jay Patterson, James Urbaniak, Neko Parham, Seena Jon, Christian Stolte, Tony Dale
Director: Gabriel Range
Director: Gabriel Range
Screenwriter: Simon Finch, Gabriel Range
Producer: Simon Finch, Ed Guiney, Gabrielle Range
Studio: Newmarket Films
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Reviews for Death of a President
With the film's focus on the assassination and its aftermath, we also get little more than hints of what is going on in American society as a result.
The point of view will be familiar from the news and documentaries, but conveyed more subtly than, say, Michael Moore's Fahrenheit 9/11 or Robert Greenwald's Uncovered: The War on Iraq.
The movie's proposed shocking scenario comes off as a stunt, becoming the main morbid draw and leaving us little the wiser.
(Director Gabriel) Range is a great mimic of media reportage, but he's not above nudging the audience to note what he's not talking about.
Love him or hate him, George Bush has generated the kind of emotions that a film like this needs to address in more substantive terms.
The flipside of Michael Moore's conspirapalooza, DOAP not only has a smarter satirical stab, its technical merits are beyond reproach.
Who would think a movie about an incendiary subject like the murder of the current president could be so dull?
As skillful an artist as (director Gabriel) Range clearly is, he has gone to an awful lot of trouble to make a painfully obvious point about threats to civil liberties in a post-9/11 world.
(Director Gabriel) Range employs digital effects to rejigger real footage of Bush and others, and he's fairly adept at action filmmaking.
(Director Gabriel) Range does a pretty good and sometimes very good job of laying out a disturbing narrative that's certain to provoke a lot of after-the-movie discussion.
Eerie, tense and immediate as Death of a President looks and feels, it doesn't contribute much of anything new to the discourse.
The film is a neat little experiment and an alarming 'what if?' scenario.
Death of a President is important and provocative. It should not and cannot be ignored, no matter how much the holier-than-thou bastions of moral clarity and good taste try to dismiss it as reprehensible snuff.
The film itself becomes its own worst enemy, subverting its attempts at subtlety in the name of ideological urgency.
The best that can be said about Gabriel Range's opportunistic fake-umentary is that it faithfully recreates the tone and rhythm of a second-rate American television program.
Despite the intentionally controversial depiction of the murder of a sitting U.S. president, the movie never arrives at the shocking conclusions a picture like this seems to cry out for.
Those expecting a cinematic Molotov cocktail are in for a dose of NyQuil.
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