The flaw in Death of a President isn't one of morality. It's one of dramatic interest.
Death of a President (2006)
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Reviews Counted:98
Fresh:36
Rotten:62
Average Rating:5.3/10
Consensus: In this unconvincing fictional documentary, the tense 30 minutes that lead into the title event is outweighed by the boring, melodramatic hour preceding it.
Theatrical Release:Oct 27, 2006 Limited
Box Office: $167,000
Synopsis: Winner of the International Critics' Prize at the Toronto Film Festival, "DEATH OF A PRESIDENT" is conceived as a fictional TV documentary broadcast in 2008, reflecting on a monstrously despicable... Winner of the International Critics' Prize at the Toronto Film Festival, "DEATH OF A PRESIDENT" is conceived as a fictional TV documentary broadcast in 2008, reflecting on a monstrously despicable and cataclysmic event: the assassination of President George W. Bush on October 19th, 2007. The "documentary" combines archival footage and carefully composed interviews, presented in a respectful and dignified manner. It is exciting and questioning, and it offers viewers a riveting story, creating a provocative political thriller that reveals larger truths. But the film doesn't advocate violence; rather, it shows the pernicious effects of violence The film opens with ferocious energyas frenetically edited archival footage thrusts us into a raging crowd of protesters, waiting for President Bush's procession. The President is portrayed as a sympathetic and likable man-beloved by those close to him and charming to his followers. As the President gives a patriotic speech inside a hotel, the demonstrators' fury increases to the breaking point. The tension mounts until the horrible instant where the President is assassinated. After the assassination, the film shifts into the style of a mystery, and follows the FBI's hunt for the assassin. All the suspects are interviewed except one-the Syrian man who is convicted and put on death row. There is much circumstantial evidence against him. But is he guilty of the crime? Or does his Middle Eastern origin provide a convenient excuse to label the death of the President as an Act of Terror? Director Gabriel Range previously used the device of a "retrospective documentary" in his celebrated 2003 film "The Day Britain Stopped," about a chain of events that led to a breakdown of the country's transport system and nearly a hundred fatalities. Both of these films have been acclaimed for the technical virtuosity with which they combine archival footage and filmed scenes to create disturbingly real visions of catastrophes. --© Newmarket Films [More]
Starring: George W. Bush, Becky Ann Baker, Michael Reilly Burke, Hend Ayoub
Starring: George W. Bush, Becky Ann Baker, Michael Reilly Burke, Hend Ayoub, Brian Boland, Robert Mangiardi, Jay Patterson, James Urbaniak, Neko Parham, Seena Jon, Christian Stolte, Tony Dale
Director: Gabriel Range
Director: Gabriel Range
Screenwriter: Simon Finch, Gabriel Range
Producer: Simon Finch, Ed Guiney, Gabrielle Range
Studio: Newmarket Films
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Reviews for Death of a President
Operates under the façade of controversy while delivering nothing remotely provocative.
A fictional documentary that presents many of the divisive shadow elements afoot in our combative and xenophobic American culture.
Theater bans give "Death of a President" the appeal of forbidden fruit, which is just enough to make watching the slipshod film a giddy experience.
Range has a marvelous feel for the clichés and conventions of TV-news documentary, and the tone of mournful elegy he strikes here is both convincing and -- believe me, I'm shocked to be writing this -- moving.
Death of a President begins as a disturbingly clever stunt but concludes as a contradiction, a political nightmare of haunting banality.
An impressive mix of real and created footage, but never really grabs you or keeps you interested ... this ain't JFK.
Death of a President is celluloid mediocrity. It's neither interesting nor convincing.
There's a far more subversive political mock-umentary coming next week. I invite President Bush, Senator Clinton, and all politicians to get down with Borat.
Like the puppet some consider Dubya to be, Death of a President shows its strings too often to convince us that the man behind the curtain is truly in control of his convictions.
Range's aesthetic trickery isn't nearly as seamless or as clever as that found in Kevin Millmott's C.S.A.: Confederate States of America.
Amazing merging of archival footage with fictionalized doc but the second half is a tedious political thriller.
[T]his convincingly staged television "documentary" falls into a tradition of fictionalized British films... that use nonfiction techniques to explore contemporary social and political issues... Most of all, "Death of a President" is electrifying drama.
First reel is mesmerizing, but then film loses credibility. Range is shrewd but not good director: Blend of fiction and nonfiction is intriguing but the film lacks plausibility as a thriller and its analysis of racial and religious stereotypes is shallow
Death of a President isn't art, or even entertainment: It's the art-house, indie-doc equivalent of Snakes on a Plane, where someone thought of a single idea and then, it seems based on the end-resulting film, stopped thinking altogether.
It's a stunt more than a movie, and if this is what's passing for intelligent liberal thought in this (or any other) country, we're really in trouble.
Mr. Range is a talented man who knows how to control images and emotions, up to a point. By virtue of its subject, however, Death of a President takes on an unreal life of its own. The film itself becomes a riderless horse.
I guess everyone is just super-excited about the prospect of watching Dubya gunned down.
Although slick and clever, the ethnics of this fake docu about an imagined assassination of Bush are woeful.
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