Critic Consensus: Director Jean-Pierre Jeunet deftly combines horror, sci-fi, and humor in Delicatessen, a morbid comedy set in a visually ravishing futuristic dystopia.
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as Madame Tapioca
as The Grandmother
as Roger Kube
as Mr. Interligator
as Mrs. Interligator
as The Facteur
as Roger Kube
as Aurore Interligator
as The Taxi Driver
as Mr. Houy
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Critic Reviews for Delicatessen
With its molelike inhabitants, its sprawling war between flesh-eaters and lentil-men, its achingly sweet love story and surrealist blend of dusty antiquities and 21st-century gizmos, Delicatessen is indescribably wild.
All of this is handled in a breezy, off-handed, nutsy manner, as the superb cast combines to help bring it off.
Delicatessen is a fearsomely intense movie that mixes moods with formidable assurance.
With their detached, sardonic and decidedly sick slant, Jeunet and Caro have served up a burnt-to-a-crisp feast.
There are no characters to care about or remember afterward -- just a lot of flashy technique involving decor, some glib allegorical flourishes, and the obligatory studied film-school weirdness.
Audience Reviews for Delicatessen
A former clown lives in a tenement that features several quirky characters including a cannibalistic butcher.
Super Reviewer Alice Shen contends that Jean-Pierre Jeunet had one good idea, Amelie. I disagree only because I love A Very Long Engagement and liked Micmacs, but her view that his work descends into a convoluted mess when he is unable to seamlessly entwine his characters and plotlines is well-taken in the case of Delicatessen. The underground army that plays a seminal role in the film's conclusion isn't introduced until the second act, and even then, I thought they were just passing through, on their way to another movie. The quirky "sex symphony" and the quirkier frog man weren't interesting or amusing; they were just Jeunet trying too hard. I also think that Dominque Pinon, winner of the Most Interesting-Looking Face award, is more suitable to supporting roles, where he can provide the perfect balance to the film's straight man, as he does in A Very Long Engagement.
Overall, this is not Jeunet's best work, but it's better than most films about cannibalism.
This is exactly like Brazil. That is to say, the movies look really really similar, in thier cluttered sets, quirky characters and post-apocalyptic yet casual world. I liked it as much as I liked Brazil. It was fun, kinda cool, but not really my cup of tea. It kind of bothered me the way it couldn't quite pick what genre it was supposed to be. I think it wanted to be a comedy.
Quite good! An unusual setting with unusual characters which made this an unusually good movie. It is a flick with deception as it seemed to be a friendly comedy, but it's really smothered with darkness!
Strangely, there's romance and it's the cutest kind that lightens up the rather darkly theme, very enjoyable to sit through. It's funny which was weird for me cause its just so heavy with evilness, I was so concerned and yet I couldn't stop laughing. Its so playful and yet so evil, what a stir.
Definitely a strange one for me but a very manageable sitting. I must say that I liked this a little more than "The City of Lost Children" but anyway it's probably not one for everybody, but it was a good watch for me. I do hope to find more like this, I'm enjoying the seriously weird and strange films that exist, sweet.
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