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Movies / On DVD / De-Lovely
De-Lovely

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De-Lovely (2004)

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Reviews Counted:151

Fresh:74

Rotten:77

Average Rating:5.7/10

Consensus: Musical numbers save movie from cliches.

Rated: PG-13 [See Full Rating] for sexual content

Runtime: 2 hrs 5 mins

Genre: Dramas

Theatrical Release:Jul 2, 2004 Limited

Box Office: $13,148,028

Synopsis: Directed by Irwin Winkler, DE-LOVELY depicts the life of the great American composer Cole Porter (Kevin Kline). Despite his sexual preference for men, Porter found inspiration and virtually... Directed by Irwin Winkler, DE-LOVELY depicts the life of the great American composer Cole Porter (Kevin Kline). Despite his sexual preference for men, Porter found inspiration and virtually unconditional love with Linda Lee (Ashley Judd). Told in flashback as Porter is near death, the film follows the Porters' fabulous, unconventional relationship from their meeting in Paris to their subsequent moves to Venice, New York, Hollywood, and Williamstown, as well as the many stops along the way. Kline perfectly captures the Porters' zest for life and seemingly inexhaustible need for love. Classic tunes such as "Let's Do It, Let's Fall in Love," "Let's Misbehave," and "Anything Goes" take on whole new meanings when considered in the context of Porter and Lee's life together. Contemporary musical performers, including Alanis Morissette, Natalie Cole, Robbie Williams, Elvis Costello, and Sheryl Crow, appear in the film singing Porter standards, a device that works surprisingly well. Judd holds her own as the devoted Linda, who gives her love to Porter and supports his musical ambitions while trying to overlook his homosexual affairs. Historians may debate the details of the Porters' relationship, but one thing is clear: DE-LOVELY dazzles with great music, period costumes, and fine performances. [More]

Starring: Kevin Kline, Ashley Judd, Jonathan Pryce, Keith Allen

Starring: Kevin Kline, Ashley Judd, Jonathan Pryce, Keith Allen, Natalie Cole, Angie Hill

Director: Irwin Winkler

Director: Irwin Winkler
Screenwriter: Jay Cocks
Producer: Irwin Winkler, Rob Cowan, Charles Winkler
Composer: Cole Porter
Studio: MGM/UA

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Release:

Dec 21, 2004

No Details Exist
 
 

Reviews for De-Lovely

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1 - 20 (sorted by comments)
Text View | 1 2 3 4 5 6 7 8 >> >|
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The Porter’s sexless marriage means the film is sexless.

Full Review Source: FilmsInReview.com | comment 1 Comment
06/23/04
Victoria Alexander
Victoria Alexander
FilmsInReview.com

A host of classy musicians like Robbie Williams, Elvis Costello and Natalie Cole, who cover Porter's music to further the plot, are simply de-magical.

Full Review Source: E! Online | comment Comment
07/02/04
E! Online
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
07/03/04
Boston Phoenix
N/R

Click to read the article

Full Review Source: St. Louis Post-Dispatch | comment Comment
07/20/04
St. Louis Post-Dispatch

Click to read the article

Full Review Source: Sunday Times (Australia) | comment Comment
11/08/04
Sunday Times (Australia)

Click to read the article

Full Review Source: Empire Magazine | comment Comment
04/01/06
Empire Magazine
N/R

Click to read the article

Full Review Source: Time Out | comment Comment
06/24/06
Time Out

De-senfrenada y de-lirante, de-liciosa en algunos momentos.

Full Review Source: Cinenganos | comment Comment
11/11/04
Alex Ramirez
Alex Ramirez
Cinenganos

It's very, very bad, and not even in a nice, campy Showgirls way.

Full Review Source: FilmFocus | comment Comment
10/06/04
Alexandra Sim-Wise
Alexandra Sim-Wise
FilmFocus

If for no other reason (and there are assuredly other reasons), I recommend De-Lovely to my readers for its honorable role in opening another door to our ridiculously repressed past.

Full Review Source: New York Observer | comment Comment
07/09/04
Andrew Sarris
Andrew Sarris
New York Observer
Top Critic Icon Top Critic

Functions beautifully from the context in which many of his songs are presented.

Full Review Source: Sympatico.ca | comment Comment
07/19/04
Angela Baldassarre
Angela Baldassarre
Sympatico.ca

A failed attempt at stylization, lacking the consistency of view and approach that would knit the parts together into a cohesive whole. But, oh, those songs!

Full Review Source: culturevulture.net | comment Comment
06/18/04
Arthur Lazere
Arthur Lazere
culturevulture.net

Director Irwin Winkler and screenwriter Jay Cocks know that Porter's songs are his story, and so they take care to weave his tunes seamlessly into their movie's structure.

Full Review Source: Lowell Sun | comment Comment
06/30/04
Austin O'Connor
Austin O'Connor
Lowell Sun

Bungled, empty and tortuously constructed.

Full Review Source: Arizona Republic | comment Comment
07/15/04
Bill Muller
Bill Muller
Arizona Republic
Top Critic Icon Top Critic

Too flatly refined to evoke the turbulent existence it examines.

Full Review Source: Los Angeles Daily News | comment Comment
07/02/04
Bob Strauss
Bob Strauss
Los Angeles Daily News

Click to read the article

Full Review Source: FilmJerk.com | comment Comment
08/16/04
Brian Orndorf
Brian Orndorf
FilmJerk.com

Verges on de-bysmal.

Full Review Source: Jam! Movies | comment Comment
07/02/04
Bruce Kirkland
Bruce Kirkland
Jam! Movies

Like a Porter song, De-Lovely has melancholy, wit and style to burn.

Full Review Source: Philadelphia Inquirer | comment Comment
07/01/04
Carrie Rickey
Carrie Rickey
Philadelphia Inquirer
Top Critic Icon Top Critic

Kevin Kline sings less than perfect... It may be truer to life, but it does the music and ultimately the movie a disservice because these songs deserve to be sung well.

Full Review Source: TheMovieChicks.com | comment Comment
07/16/04
Cherryl Dawson and Leigh Ann Palone
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com

Like most Mexican food in Minnesota, De-Lovely is a bold idea, timidly executed.

Full Review Source: St. Paul Pioneer Press | comment Comment
07/23/04
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press
 
 
1 - 20 (sorted by comments)
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Latest News for De-Lovely

June 22, 2004: This musical bio of Cole Porter looks at the songwriter’s loving and unorthodox relationship with his wife, Linda—meaning it doesn’t shy away from his homosexual affairs. Opens in new window
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