The Porter’s sexless marriage means the film is sexless.
De-Lovely (2004)
Tomatometer
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Reviews Counted:151
Fresh:74
Rotten:77
Average Rating:5.7/10
Consensus: Musical numbers save movie from cliches.
Theatrical Release:Jul 2, 2004 Limited
Box Office: $13,148,028
Synopsis: Directed by Irwin Winkler, DE-LOVELY depicts the life of the great American composer Cole Porter (Kevin Kline). Despite his sexual preference for men, Porter found inspiration and virtually... Directed by Irwin Winkler, DE-LOVELY depicts the life of the great American composer Cole Porter (Kevin Kline). Despite his sexual preference for men, Porter found inspiration and virtually unconditional love with Linda Lee (Ashley Judd). Told in flashback as Porter is near death, the film follows the Porters' fabulous, unconventional relationship from their meeting in Paris to their subsequent moves to Venice, New York, Hollywood, and Williamstown, as well as the many stops along the way. Kline perfectly captures the Porters' zest for life and seemingly inexhaustible need for love. Classic tunes such as "Let's Do It, Let's Fall in Love," "Let's Misbehave," and "Anything Goes" take on whole new meanings when considered in the context of Porter and Lee's life together. Contemporary musical performers, including Alanis Morissette, Natalie Cole, Robbie Williams, Elvis Costello, and Sheryl Crow, appear in the film singing Porter standards, a device that works surprisingly well. Judd holds her own as the devoted Linda, who gives her love to Porter and supports his musical ambitions while trying to overlook his homosexual affairs. Historians may debate the details of the Porters' relationship, but one thing is clear: DE-LOVELY dazzles with great music, period costumes, and fine performances. [More]
Starring: Kevin Kline, Ashley Judd, Jonathan Pryce, Keith Allen
Starring: Kevin Kline, Ashley Judd, Jonathan Pryce, Keith Allen, Natalie Cole, Angie Hill
Director: Irwin Winkler
Director: Irwin Winkler
Screenwriter: Jay Cocks
Producer: Irwin Winkler, Rob Cowan, Charles Winkler
Composer: Cole Porter
Studio: MGM/UA
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Reviews for De-Lovely
The kind of escapist entertainment that has one hunting for an escape route.
It's afraid to move too far one way or the other. For a movie about the man who wrote "Let's Misbehave," there's an awful lot of behaving going on here.
Successfully intimate, underwhelming (for the most part) musically, at times as difficult as their relationship, the film also has a very sweet sense to it.
An innovative biopic, an irresistible musical (featuring some of today's top artists covering Porter standards) and a surprisingly touching heterosexual love story -- even though it doesn't shy away one inch from its hero's rampant bisexuality.
Functions beautifully from the context in which many of his songs are presented.
Porter's lyrics and melodies still sparkle with the brilliance of bubbling champagne, but this movie biography is about as effervescent as swamp gas.
As a bio-pic, De-Lovely is pretty standard, run-of-the-mill stuff. However, as a 'best hits' collection of Cole Porter's music, it is unparalleled.
An imaginative, deconstructionist, celebratory musical biography woven together from elements of theater, meta-cinema, chamber drama and Porter's own MGM musicals.
De-Lovely is a work of art, in the medium of film, with an almost dreamlike vision, as if we've fallen into a portal through the floodlights...READ ON->
Porter's songs keep much the film afloat when, otherwise, it would have sunk. No matter how turgid or murky the movie becomes, when the music starts, you're flying.
De-Lovely is an enjoyable musical biography of Cole Porter with a stellar performance by Kevin Kline.
Thoughtful, creative, and generally worthy of its subject, with sins that are more of ambition and miscalculation than of execution.
Despite the occasional lapse, De-Lovely works because of Kline. He zeroes in on Porter's charm and insouciance but isn't afraid to expose the man's selfishness.
De-Lovely is missing the passion and brio it needs to function on a level that best befits its iconic subject -- clever, witty and seemingly effortless in its creation.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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