Kline alone provides the film with any of its non-musical energy
De-Lovely (2004)
Tomatometer
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Reviews Counted:151
Fresh:74
Rotten:77
Average Rating:5.7/10
Consensus: Musical numbers save movie from cliches.
Theatrical Release:Jul 2, 2004 Limited
Box Office: $13,148,028
Synopsis: Directed by Irwin Winkler, DE-LOVELY depicts the life of the great American composer Cole Porter (Kevin Kline). Despite his sexual preference for men, Porter found inspiration and virtually... Directed by Irwin Winkler, DE-LOVELY depicts the life of the great American composer Cole Porter (Kevin Kline). Despite his sexual preference for men, Porter found inspiration and virtually unconditional love with Linda Lee (Ashley Judd). Told in flashback as Porter is near death, the film follows the Porters' fabulous, unconventional relationship from their meeting in Paris to their subsequent moves to Venice, New York, Hollywood, and Williamstown, as well as the many stops along the way. Kline perfectly captures the Porters' zest for life and seemingly inexhaustible need for love. Classic tunes such as "Let's Do It, Let's Fall in Love," "Let's Misbehave," and "Anything Goes" take on whole new meanings when considered in the context of Porter and Lee's life together. Contemporary musical performers, including Alanis Morissette, Natalie Cole, Robbie Williams, Elvis Costello, and Sheryl Crow, appear in the film singing Porter standards, a device that works surprisingly well. Judd holds her own as the devoted Linda, who gives her love to Porter and supports his musical ambitions while trying to overlook his homosexual affairs. Historians may debate the details of the Porters' relationship, but one thing is clear: DE-LOVELY dazzles with great music, period costumes, and fine performances. [More]
Starring: Kevin Kline, Ashley Judd, Jonathan Pryce, Keith Allen
Starring: Kevin Kline, Ashley Judd, Jonathan Pryce, Keith Allen, Natalie Cole, Angie Hill
Director: Irwin Winkler
Director: Irwin Winkler
Screenwriter: Jay Cocks
Producer: Irwin Winkler, Rob Cowan, Charles Winkler
Composer: Cole Porter
Studio: MGM/UA
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Reviews for De-Lovely
You have the creepy sense of watching adult children (with the singular exception of Mr. Kline, who can surmount any disaster) dressed up in period costume at a school pageant.
The kind of escapist entertainment that has one hunting for an escape route.
Seeing fresh, not necessarily traditional renditions of 30 classic Porter tunes done by the likes of Costello, Morissette, Sheryl Crow, Diana Krall, Lemar, Natalie Cole and Robbie Williams was a real treat.
Kline is charming and captivating. He is one of the most underrated actors in the business today
Alanis Moresette in a sailor suit singing 'Anything Goes?' Jeez! It works, though.
Successfully intimate, underwhelming (for the most part) musically, at times as difficult as their relationship, the film also has a very sweet sense to it.
As a bio-pic, De-Lovely is pretty standard, run-of-the-mill stuff. However, as a 'best hits' collection of Cole Porter's music, it is unparalleled.
It's hard not be entertained by two dozen of Cole's best, sung winningly, if not always brilliantly, by a company that includes Alanis Morissette, Elvis Costello, Sheryl Crow and (the best, fittingly) Natalie Cole.
Director Irwin Winkler and screenwriter Jay Cocks know that Porter's songs are his story, and so they take care to weave his tunes seamlessly into their movie's structure.
If you're a Cole Porter fan you might like the songs in De-Lovely, but as a portrait of an unusual marriage it's de-lumbering, de-liberate and de-cidedly flat.
An imaginative, deconstructionist, celebratory musical biography woven together from elements of theater, meta-cinema, chamber drama and Porter's own MGM musicals.
A sterilization of a complicated man's life for non-entertainment purposes.
Something dishy and rare: a biopic about a happy, and even enchanted, man.
The musical interludes, albeit entertaining, yank the viewer out of the early 20th century. Had the film stayed in its own time, it would have been more de-lovely.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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