A stark, unsettling movie, one that grows darker and stranger with every little twist in the plot.
Demonlover (2003)
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Reviews Counted:73
Fresh:35
Rotten:38
Average Rating:5.5/10
Consensus: A stylish but convoluted mess without any sympathetic characters.
Theatrical Release:Sep 19, 2003 Limited
Box Office: $39,284
Synopsis: In this dark French thriller directed by Olivier Assayas, Connie Nielsen (GLADIATOR) stars as Diane, an ambitious corporate climber. As Diane ruthlessly cuts down her rivals, she finds herself... In this dark French thriller directed by Olivier Assayas, Connie Nielsen (GLADIATOR) stars as Diane, an ambitious corporate climber. As Diane ruthlessly cuts down her rivals, she finds herself negotiating an important deal with the imposing Hervé Le Millinec (Charles Berling) and the producers of hi-tech, pornographic Japanese anime films. Eventually, her subversive business techniques lead her into the decadent and mysterious world of "The Hellfire Club," an interactive torture and S&M website. Can Diane maintain control of her increasingly shadowy and confusing situation? And can she continue to eliminate her opponents before they eliminate her? With DEMONLOVER, Assayas has created a film that is immersed in the seedy and corporate elements of early 21st century pop culture--a world where big business, Japanese animation, and sex violently collide. Nielsen, who speaks fluent French, is compelling as Diane, an ice queen who refuses to allow any emotion to stand in her way. The cast is rounded out by the formidable Berling, Chloë Sevigny in a duplicitous role, and Gina Gershon as a trashy American counterpart to Diane. Alternatively atmospheric and jarring, Assayas' film is enhanced by Sonic Youth's cool, evocative score. [More]
Starring: Connie Nielsen, Charles Berling, Chloë Sevigny, Gina Gershon
Starring: Connie Nielsen, Charles Berling, Chloë Sevigny, Gina Gershon, Dominique Reymond
Director: Olivier Assayas
Director: Olivier Assayas
Screenwriter: Olivier Assayas
Studio: Palm Pictures
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Reviews for Demonlover
It moves like a breezy techno-thriller but tangles itself with duplicities and metaphors. You get it, and then you don't get it, and then you wonder if you even care.
The sort of thing for which the term Eurotrash was invented. A cerebral variant of 'feardotcom'...it might better be called 'merdedotcom.'
Many sequences are more about color or energy than conveying any specific information, but the mood the film sets subtly emphasizes the questions it asks about world trade, personal responsibility and corporate greed.
It's a jumbled mess and you'd have to tie me up and gag me to make me sit through it again.
Demonlover is so incomprehensible that you can't readily accuse it of being anything but almost unwatchable.
...perhaps the best cinematic adaptation of a William Gibson novel never written.
It's sort of like watching paint dry, except the paint has a Ph.D in comparative media studies.
All about modern disconnect -- hardly an original subject -- but the film gets style points, and in-your-face points.
I enjoyed it tremendously even as I questioned the sanity of everyone involved.
... a brilliant, stunning piece of work, perhaps not Assayas' best, but certainly his most fearless and impassioned.
For an hour or so, Demonlover is an entrancingly devious soap opera of executive decadence.
A multilayered meditation on the fast-blurring lines between fantasy and reality, and the seductive troika of money, power and sex.
demonlover looked like a promising return to Irma Vep territory, but instead it's merely a hopped-up, arty cover for a standard issue Hollywood thriller.
Expect demonlover to become a midnight-movie staple in the coming years. And expect shards of it to roil your dreams for weeks.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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