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Demonlover (2003)
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Reviews Counted:73
Fresh:35
Rotten:38
Average Rating:5.5/10
Consensus: A stylish but convoluted mess without any sympathetic characters.
Theatrical Release:Sep 19, 2003 Limited
Box Office: $39,284
Synopsis: In this dark French thriller directed by Olivier Assayas, Connie Nielsen (GLADIATOR) stars as Diane, an ambitious corporate climber. As Diane ruthlessly cuts down her rivals, she finds herself... In this dark French thriller directed by Olivier Assayas, Connie Nielsen (GLADIATOR) stars as Diane, an ambitious corporate climber. As Diane ruthlessly cuts down her rivals, she finds herself negotiating an important deal with the imposing Hervé Le Millinec (Charles Berling) and the producers of hi-tech, pornographic Japanese anime films. Eventually, her subversive business techniques lead her into the decadent and mysterious world of "The Hellfire Club," an interactive torture and S&M website. Can Diane maintain control of her increasingly shadowy and confusing situation? And can she continue to eliminate her opponents before they eliminate her? With DEMONLOVER, Assayas has created a film that is immersed in the seedy and corporate elements of early 21st century pop culture--a world where big business, Japanese animation, and sex violently collide. Nielsen, who speaks fluent French, is compelling as Diane, an ice queen who refuses to allow any emotion to stand in her way. The cast is rounded out by the formidable Berling, Chloë Sevigny in a duplicitous role, and Gina Gershon as a trashy American counterpart to Diane. Alternatively atmospheric and jarring, Assayas' film is enhanced by Sonic Youth's cool, evocative score. [More]
Starring: Connie Nielsen, Charles Berling, Chloë Sevigny, Gina Gershon
Starring: Connie Nielsen, Charles Berling, Chloë Sevigny, Gina Gershon, Dominique Reymond
Director: Olivier Assayas
Director: Olivier Assayas
Screenwriter: Olivier Assayas
Studio: Palm Pictures
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Reviews for Demonlover
Assayas' journey into Internet porn is more like email spam: It promises the world but really just wants to take your money.
Our wait for a decent corporate espionage / interactive virtual porn film continues.
This is a deeply misguided film that carries all the intent and pretension of being a profound meditation on dominance, porn, culture clashes and big business as a blood sport
Yes, the subject is entertainment in the 21st century. A shame that it's not more entertaining.
It's a jumbled mess and you'd have to tie me up and gag me to make me sit through it again.
Demonlover is so incomprehensible that you can't readily accuse it of being anything but almost unwatchable.
While this ambitious epic takes a finely cynical attitude toward the excesses of our media-saturated age, it never quite jells into a coherent statement.
Nielsen, Chloe Sevigny and Gina Gershon shine, but ultimately this stylish yet dated arthouse feature is more confused than we are.
There are those who see something brilliant and profound here. All I can see, however, is the confused work of a director who for some reason completely abandoned style and substance.
The sort of thing for which the term Eurotrash was invented. A cerebral variant of 'feardotcom'...it might better be called 'merdedotcom.'
A film so chic you should see it right now, because it will start looking dated sometime next week.
demonlover looked like a promising return to Irma Vep territory, but instead it's merely a hopped-up, arty cover for a standard issue Hollywood thriller.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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