A stark, unsettling movie, one that grows darker and stranger with every little twist in the plot.
Demonlover (2003)
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Reviews Counted:73
Fresh:35
Rotten:38
Average Rating:5.5/10
Consensus: A stylish but convoluted mess without any sympathetic characters.
Theatrical Release:Sep 19, 2003 Limited
Box Office: $39,284
Synopsis: In this dark French thriller directed by Olivier Assayas, Connie Nielsen (GLADIATOR) stars as Diane, an ambitious corporate climber. As Diane ruthlessly cuts down her rivals, she finds herself... In this dark French thriller directed by Olivier Assayas, Connie Nielsen (GLADIATOR) stars as Diane, an ambitious corporate climber. As Diane ruthlessly cuts down her rivals, she finds herself negotiating an important deal with the imposing Hervé Le Millinec (Charles Berling) and the producers of hi-tech, pornographic Japanese anime films. Eventually, her subversive business techniques lead her into the decadent and mysterious world of "The Hellfire Club," an interactive torture and S&M website. Can Diane maintain control of her increasingly shadowy and confusing situation? And can she continue to eliminate her opponents before they eliminate her? With DEMONLOVER, Assayas has created a film that is immersed in the seedy and corporate elements of early 21st century pop culture--a world where big business, Japanese animation, and sex violently collide. Nielsen, who speaks fluent French, is compelling as Diane, an ice queen who refuses to allow any emotion to stand in her way. The cast is rounded out by the formidable Berling, Chloë Sevigny in a duplicitous role, and Gina Gershon as a trashy American counterpart to Diane. Alternatively atmospheric and jarring, Assayas' film is enhanced by Sonic Youth's cool, evocative score. [More]
Starring: Connie Nielsen, Charles Berling, Chloë Sevigny, Gina Gershon
Starring: Connie Nielsen, Charles Berling, Chloë Sevigny, Gina Gershon, Dominique Reymond
Director: Olivier Assayas
Director: Olivier Assayas
Screenwriter: Olivier Assayas
Studio: Palm Pictures
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Reviews for Demonlover
By far one of the most interesting and thoughtful pieces of cinema to savage American cinema screens in ages, and certainly the only incoming French mind-warper with a soundtrack by Sonic Youth.
Expect demonlover to become a midnight-movie staple in the coming years. And expect shards of it to roil your dreams for weeks.
What gets off to a promising start derails thoroughly due to confused plotting, lack of sympathetic characters and a pointless preoccupation with internet torture websites.
Delving into confusion and messing with genre expectations, as well as making some serious points about contemporary morality, this is thought-provoking film. Though not exactly an entirely successful one.
It's gripping and provocative, making effective use of actor Charles Berling and the music of Sonic Youth.
Unlike almost every other sexy modern thriller (especially most recent studio blockbusters), this one gives you a lot to think about.
While this ambitious epic takes a finely cynical attitude toward the excesses of our media-saturated age, it never quite jells into a coherent statement.
You might not like the succession of betrayals or the erotic diligence that is the backbone of the story, but there is command of the medium shown here.
Nielsen, Chloe Sevigny and Gina Gershon shine, but ultimately this stylish yet dated arthouse feature is more confused than we are.
demonlover looked like a promising return to Irma Vep territory, but instead it's merely a hopped-up, arty cover for a standard issue Hollywood thriller.
A film so chic you should see it right now, because it will start looking dated sometime next week.
Demonlover is so incomprehensible that you can't readily accuse it of being anything but almost unwatchable.
...perhaps the best cinematic adaptation of a William Gibson novel never written.
Assayas' journey into Internet porn is more like email spam: It promises the world but really just wants to take your money.
Over and over, people hold solemn, antagonistic meetings over who'll get the rights to make computer-generated sleaze.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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