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The Counterfeiters (2008)
Tomatometer
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Reviews Counted:121
Fresh:114
Rotten:7
Average Rating:7.7/10
Consensus: The Counterfeiters is a gripping account of one prisoner's moral dilemma, superbly portrayed by Karl Markovics.
Rated: R [See Full Rating] for some strong violence, brief sexuality/nudity and language
Runtime: 1 hr 38 mins
Genre: Foreign Films
Theatrical Release:Feb 22, 2008 Limited
Box Office: $5,351,533
Synopsis: Winner of the 2008 Academy Award for Best Foreign Language Film, Stefan Ruzowitzky's THE COUNTERFEITERS is the first film from Austria to ever receive that prestigious honor. Based on the memoir by... Winner of the 2008 Academy Award for Best Foreign Language Film, Stefan Ruzowitzky's THE COUNTERFEITERS is the first film from Austria to ever receive that prestigious honor. Based on the memoir by Adolf Burger, the film tells the inspiring story of a pre-World War II criminal whose cunning and fiery spirit enable him to overcome deadly odds and survive life in Germany's Sachsenhausen concentration camp. Before the war, Salomon Sorowitsch (Karl Markovics) was one of the world's most ingenious counterfeiters, until he was finally caught and arrested by Friedrich Herzog (Devid Striesow). Years later, as the Nazi movement is in full swing, the nefariously charming Herzog--now a Nazi leader--recruits Sorowitsch to lead an enormous counterfeiting project called Operation Bernhard. Placed in a horrific position of moral corruption, Sorowitsch is forced to decide whether or not to save his own life or prevent the Nazis from causing further damage on an even grander scale. His fellow prisoner Adolf Burger (August Diehl) is determined to sabotage the operation, but Sorowitsch understands how dangerous a proposition this is. While THE COUNTERFEITERS is based on real-life tragedy, it never loses its primary objective as a work of dramatic entertainment. This deft balancing act is what keeps Ruzowitzky's moving tale from becoming too bleak and depressing. The result is a deeply impressive work that addresses a topic not often explored in Holocaust cinema--the dilemma of victims who were forced to act immorally and illegally for the betterment of their captors. Powerfully acted by Markovics, THE COUNTERFEITERS is the type of film that the Oscars were made for. [More]
Starring: August Diehl, Karl Markovics, Devid Striesow, Dolores Chaplin
Starring: August Diehl, Karl Markovics, Devid Striesow, Dolores Chaplin, August Zirner, Marie Bäumer
Director: Stefan Ruzowitzky
Director: Stefan Ruzowitzky
Screenwriter: Stefan Ruzowitzky
Producer: Josef Aichholzer, Nina Bohlmann, Babette Schroder
Studio: Sony Pictures Classics
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Reviews for The Counterfeiters
THE COUNTERFEITERS is an accurate procedural, just not a very engrossing or moving film.
The Counterfeiters joins that class of films like Tsotsi and The Sea Inside that are just good enough to look like they matter
Ruzowitzky’s faux-doc shaky-cam zooms are less about the banality of evil than the inappropriateness of style.
Only WWII junkies will find much of anything worth embracing here.
Mainly interesting for its premise and noteworthy for the main performance. [Not] nearly as deserving of accolades as many of the foreign language films that were ignored by the Academy.
While The Counterfeiters does indeed contain a good story, it is by no means a good film.
The trouble is that the storytelling and filmmaking are routine (surely faux-documentary handheld camerawork is the most overused cliche in modern movies), even when the human drama is not.
An awesomely powerful movie exploring not just the day-to-day hell of life in a death camp, but also the moral quandary of helping the Third Reich win the war.
Like most films about the Holocaust, The Counterfeiters, a brisk, tough movie from the Austrian director Stefan Ruzowitzky, is a survivor’s tale.
Based on a real-life Nazi operation, the film is a tense drama with performances that elevate the movie to the front rank of films set in concentration camps.
Curt wit and intermittent humor allow dialogue to be one of the strongest features of this drama and each actor delivers lines with a truth rarely seen in cinema.
Is this the last word on the Holocaust? No. But nothing is. And nothing ever should be.
Ruzowitzky likes to pose questions and clarify the contradictions around them, but he doesn't pretend to have the answers.
This parable of fakery and compromise asks the most difficult question: how much would you be willing to sacrifice in the interest of your own survival? And how grateful do you feel that you will probably never have to answer it?
Making a film about the Holocaust but using a very specific and personal story is what makes The Counterfeiters stand out. It's the specifics of Sorowitsch's story that rivet us.
Indeed, what's clear about The Counterfeiters is that it is intended to be a Holocaust film where the archetypal facets associated with the era...are reduced to a filmic footnote.
Perhaps a tad too cerebral, the film is nevertheless a very well-mounted and acted production that treats its themes with considerable depth.
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