Ruzowitzky honors all the talent with his strong, beautifully structured and eloquent script. Upscale audiences will embrace the fine results.

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The Counterfeiters (2008)
Tomatometer
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Reviews Counted:121
Fresh:114
Rotten:7
Average Rating:7.7/10
Consensus: The Counterfeiters is a gripping account of one prisoner's moral dilemma, superbly portrayed by Karl Markovics.
Rated: R [See Full Rating] for some strong violence, brief sexuality/nudity and language
Runtime: 1 hr 38 mins
Genre: Foreign Films
Theatrical Release:Feb 22, 2008 Limited
Box Office: $5,351,533
Synopsis: Winner of the 2008 Academy Award for Best Foreign Language Film, Stefan Ruzowitzky's THE COUNTERFEITERS is the first film from Austria to ever receive that prestigious honor. Based on the memoir by... Winner of the 2008 Academy Award for Best Foreign Language Film, Stefan Ruzowitzky's THE COUNTERFEITERS is the first film from Austria to ever receive that prestigious honor. Based on the memoir by Adolf Burger, the film tells the inspiring story of a pre-World War II criminal whose cunning and fiery spirit enable him to overcome deadly odds and survive life in Germany's Sachsenhausen concentration camp. Before the war, Salomon Sorowitsch (Karl Markovics) was one of the world's most ingenious counterfeiters, until he was finally caught and arrested by Friedrich Herzog (Devid Striesow). Years later, as the Nazi movement is in full swing, the nefariously charming Herzog--now a Nazi leader--recruits Sorowitsch to lead an enormous counterfeiting project called Operation Bernhard. Placed in a horrific position of moral corruption, Sorowitsch is forced to decide whether or not to save his own life or prevent the Nazis from causing further damage on an even grander scale. His fellow prisoner Adolf Burger (August Diehl) is determined to sabotage the operation, but Sorowitsch understands how dangerous a proposition this is. While THE COUNTERFEITERS is based on real-life tragedy, it never loses its primary objective as a work of dramatic entertainment. This deft balancing act is what keeps Ruzowitzky's moving tale from becoming too bleak and depressing. The result is a deeply impressive work that addresses a topic not often explored in Holocaust cinema--the dilemma of victims who were forced to act immorally and illegally for the betterment of their captors. Powerfully acted by Markovics, THE COUNTERFEITERS is the type of film that the Oscars were made for. [More]
Starring: August Diehl, Karl Markovics, Devid Striesow, Dolores Chaplin
Starring: August Diehl, Karl Markovics, Devid Striesow, Dolores Chaplin, August Zirner, Marie Bäumer
Director: Stefan Ruzowitzky
Director: Stefan Ruzowitzky
Screenwriter: Stefan Ruzowitzky
Producer: Josef Aichholzer, Nina Bohlmann, Babette Schroder
Studio: Sony Pictures Classics
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Reviews for The Counterfeiters
The moral dilemmas marshalled by Austrian director Stefan Ruzowitzky prove absolutely gripping, and the whole film is alive with style and intelligence.
An impressively directed drama with a superb central performance from Markovics and a gripping story to tell.
Far more than another Holocaust drama; it's an examination of complex moral shadows that make us capable of cowardice and courage at the same time.
The Counterfeiters is a story that had to be told, and German director Stefan Ruzowitzky tells it plainly but well.
This parable of fakery and compromise asks the most difficult question: how much would you be willing to sacrifice in the interest of your own survival? And how grateful do you feel that you will probably never have to answer it?
Ruzowitsky’s film, austerely shot and scripted with terse wit, grants itself a licence to make art in exchange for entertaining us with a gripping story.
An awesomely powerful movie exploring not just the day-to-day hell of life in a death camp, but also the moral quandary of helping the Third Reich win the war.
The moral implications of this scheme are so charged and turbulent that they defy neat resolution. If the film's inhabitants are walking a tightrope, it occasionally seems that that its writer-director is too.
This is a first-rate piece of film-making that should appeal to fans of last year’s The Lives of Others.
The Counterfeiters is anchored in Markovics’ central turn as a chilly egotist forced, for the first time, to consider others’ needs.
An absorbing new perspective on the moral, physical and emotional adversity faced in the concentration camps, with one of the most unusual anti-heroes, of any genre, of recent years.
Sensibly, this never takes sides…and it proves a chilling reminder of the dilemmas faced by those placed in an impossible situation.
A sharp and compelling war drama that delivers on the promise of its astonishing true-life origins.
Stefan Ruzowitzky’s meshing of plot with debate is impressive. His film is compelling and clever.
Only WWII junkies will find much of anything worth embracing here.
The moral quandary of Nazi complicity is revisited in taut drama The Counterfeiters.
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