The best thing about "Die, Mommie Die" is the title.
Die Mommie Die! (2003)
Tomatometer
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Reviews Counted:57
Fresh:38
Rotten:19
Average Rating:6.1/10
Consensus: This stagy production has enough funny moments to work.
Rated: R [See Full Rating] for strong sexual content, language and a drug scene
Runtime: 90 mins
Genre: Comedies
Theatrical Release:Oct 31, 2003 Limited
Synopsis: Angela Arden (Charles Busch) is a former cabaret singer whose career has long since hit the skids and crashed to an abrupt halt. Her marriage to producer Sol Sussman (Philip Baker Hall) is rapidly... Angela Arden (Charles Busch) is a former cabaret singer whose career has long since hit the skids and crashed to an abrupt halt. Her marriage to producer Sol Sussman (Philip Baker Hall) is rapidly heading the way of her career, but with Sol unwilling to agree to a divorce Angela gets busy with a bottle of arsenic and terminates the marriage in a less-than-legal manner. Now free to carry on her illicit affair with hot young stud Tony (Jason Priestley), Angela first has to deal with a suspicious daughter, Edith (Natasha Lyonne), and equally suspicious family maid Bootsie (Frances Conroy). Son Lance (Stark Sands) also plays a crucial role, especially when it turns out that both he and Edith are also bedding Tony. First-time director Mark Rucker has successfully created a camp classic by working closely with his talented star and screenwriter Busch, who gloriously hams it up for the cameras throughout, delivering a constant barrage of pithy one-liners. Priestley, Lyonne, and Sands provide deliciously silly support throughout, culminating in a movie that resembles a version of FAR FROM HEAVEN produced by trashy cult director John Waters. [More]
Starring: Charles Busch, Frances Conroy, Philip Baker Hall, Jason Priestley
Starring: Charles Busch, Frances Conroy, Philip Baker Hall, Jason Priestley, Natasha Lyonne, Stark Sands
Director: Mark Rucker
Director: Mark Rucker
Screenwriter: Charles Busch
Producer: Dante DiLoreto, Anthony Edwards, Bill Kenwright
Composer: Dennis McCarthy
Studio: Sundance Film Series
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Reviews for Die Mommie Die!
Die Mommie Die! seems more like an amateur revue, perfectly all right for what it is, but not meant to be seen beyond an audience of friends and family.
Die Mommie Die is one of the funniest films of the year! Mind you it sure isn't the usual toilet-trodden road-trip snorfing anti-cerebral crapitini we are force fed...
Busch is such a tenaciously subversive entertainer that you appreciate the movie despite Mark Rucker's iffy directorial strategies.
...Busch drags his campy send-up of Hollywood melodramas to the screen, and honey does it drag.
The film's greatest asset is Busch himself in a performance so finely tuned that ultimately one almost forgets he's not the glamorous woman with the ritzy wardrobe that he's portraying -- except for the fact that that's the funniest part.
Drag queens are no longer funny just because they're drag queens; we've lost the nervousness about gender that once made us need to laugh at a man in drag.
Busch muffles his drag performance, suffocating the humor, and the cleverness of the plot is given too much responsibility, as if the filmmakers were actually expecting this movie to be appreciated as a thriller.
Busch is actually pretty great as Arden, but with nothing to hang his wig on, it all gets tiresome rather quickly, inviting unflattering comparisons to John Waters' superior 1980 effort, Polyester.
An expertly crafted, loving homage to women's movies of the 1940s and '50s.
How can you not like a movie where characters spout ridiculous dialogue such as, 'You can't discard me like one of your false eyelashes!' and believe every word they're hissing?
Aside from meeting a memorable character -- an aging pop diva with self-dramatizing flair -- this comedy thrives on arch melodrama and movie smarts.
What could have been a one-gag movie turns out to be one of the funniest comedies John Waters never made.
With smart humor and a comfy sense of camp (thanks particularly to Busch's leggy performance), director Mark Rucker keeps the high heels kicking and the references flying.
Charles Busch channels Joan Crawford, Bette Davis, Lana Turner and Susan Hayward in the lovingly crafted “Die Mommie! Die!” – this you HAVE to see!
If you thought Rocky Horror was 'okay, but not all that' then Die Mommie Die is not for you. But if you have an open mind, a good knowledge of old film and TV, and like your sexual innuendo a little multi-flavored, this is one hell of a good movie.
The movie winds up walking a line between put-on pastiche and kitsch passion, and Jason Priestley is perfect as a brooding lunkhead of Tab Hunter gigolo-osity.
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