Opening

43% The Great Gatsby May 10
44% Peeples May 10
96% Stories We Tell May 10
86% The Painting May 10
20% Assault On Wall Street May 10
43% Aftershock May 10
84% Sightseers May 10
18% No One Lives May 10

Top Box Office

77% Iron Man 3 $174.1M
46% Pain & Gain $7.5M
77% 42 $6.1M
56% Oblivion $5.6M
69% The Croods $4.2M
8% The Big Wedding $3.9M
98% Mud $2.2M
60% Oz the Great and Powerful $2.1M
4% Scary Movie 5 $1.4M
81% The Place Beyond The Pines $1.3M

Coming Soon

89% Star Trek Into Darkness May 16
29% Erased May 17
100% Frances Ha May 17
—— The English Teacher May 17

Disconnect Reviews

Page 1 of 4
Oliver Lyttelton
The Playlist

Despite some fairly decent performances, Disconnect is a film that feels both old fashioned and like old news, revealing nothing that hasn't already been suggested by some half-assed op-ed half a decade ago.

Full Review Source: The Playlist | Original Score: D

April 12, 2013
Leah Churner
Austin Chronicle

Come on, guys: There's nothing cinematic about Googling.

Full Review Source: Austin Chronicle | Original Score: 1.5/5

April 26, 2013
Tomas Hachard
Slant Magazine

Fails not so much because of its occasional self-seriousness or didacticism than it does from a scattered plot that makes the story's overriding theme or message difficult to grasp.

Full Review Source: Slant Magazine | Original Score: 1/4

April 7, 2013
Guy Lodge
Variety
Top Critic IconTop Critic

Andrew Stern's overworked but oddly nonspecific script needs to be a lot savvier about contempo media culture to bear the didactic weight of its themes.

Full Review Source: Variety

September 17, 2012
Ben Sachs
Chicago Reader
Top Critic IconTop Critic

This dour would-be art movie posits that social media might be alienating people from each other rather than bringing them together. (Spoiler alert: the title is a metaphor.)

Full Review Source: Chicago Reader

April 11, 2013
Jeff Meyers
Metro Times (Detroit, MI)

There are no revelations or surprises, just newspaper editorial-style lamentations disguised as cautionary tales. I'd rather watch racism push Sandra Bullock down the stairs in Crash.

Full Review Source: Metro Times (Detroit, MI) | Original Score: C-

April 20, 2013
Chris Foran
Milwaukee Journal Sentinel

By constantly weaving these tales together, Rubin takes humanity out of the equation, almost as if all these human intersections were engineered by technology, not an increasingly interrelated world.

Full Review Source: Milwaukee Journal Sentinel | Original Score: 2/4

May 2, 2013
Kelly Vance
East Bay Express

This movie doesn't need a reviewer, it needs a family mediator.

Full Review Source: East Bay Express

April 27, 2013
Jordan Hoffman
Film.com
Top Critic IconTop Critic

Not as bad as 'Crash,' but it sure as heck ain't good

Full Review Source: Film.com | Original Score: 3.5/10

April 11, 2013
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

It thinks it's smarter than it is.

Full Review Source: St. Paul Pioneer Press | Original Score: 1/4

April 18, 2013
Brian Orndorf
Blu-ray.com

Rubin overcooks his vulnerability, rendering the viewing experience frustratingly short-sheeted in the significance department, making online angst a perfect fit for a Lifetime Movie night.

Full Review Source: Blu-ray.com | Original Score: C-

April 17, 2013
Kyle Smith
New York Post
Top Critic IconTop Critic

Soulful though the film is, melodrama gradually sneaks in, and then it takes over.

Full Review Source: New York Post | Original Score: 2.5/4

April 12, 2013
Laura Clifford
Reeling Reviews

As is often the case with multiple, crossing story lines, results are uneven, the film's theme organic to one, cliched in another, forced in a third. Call this one 'Cyber-Crash.'

Full Review Source: Reeling Reviews | Original Score: C-

April 11, 2013
Stephen Whitty
Newark Star-Ledger
Top Critic IconTop Critic

There's a movie to be made, perhaps, about the way that electronic devices have created distance between us. But it'd be better if not every story revolved around a crime.

Full Review Source: Newark Star-Ledger | Original Score: 2/4

April 12, 2013
Rafer Guzman
Newsday
Top Critic IconTop Critic

Journalists lie, spouses stray and thieves steal, but "Disconnect" keeps trying, unsuccessfully, to pin the blame on technology rather than its users.

Full Review Source: Newsday | Original Score: 1.5/4

April 18, 2013
David Fear
Time Out New York
Top Critic IconTop Critic

All the hand-wringing tech paranoia is merely an excuse for a microversion of Babel-like melodrama, one in which the loosely interwoven stories, regrettably, never add up to the sum of their parts.

Full Review Source: Time Out New York | Original Score: 2/5

April 9, 2013
Frank Swietek
One Guy's Opinion

Ironically, by linking things up so snugly it damages its ability to connect with us.

Full Review Source: One Guy's Opinion | Original Score: C+

April 11, 2013
James Verniere
Boston Herald

The director of the acclaimed 2005 documentary 'Murderball' takes on a 'Crash'-like feature film involving several storylines on a collision course, and the results are entirely meh.

Full Review Source: Boston Herald | Original Score: C minus

April 12, 2013
Colin Covert
Minneapolis Star Tribune
Top Critic IconTop Critic

I preferred "Disconnect" 10 years ago when it was called "Crash."

Full Review Source: Minneapolis Star Tribune | Original Score: 2.5/4

April 18, 2013
Marc Mohan
Oregonian

"Disconnect" would have been wiser to focus more on the everyday ways technology alienates us from each other, rather than descend to this sort of fear-mongering melodrama.

Full Review Source: Oregonian | Original Score: C

April 26, 2013
Page 1 of 4
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