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Distant (2004)
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Reviews Counted:16
Fresh:15
Rotten:1
Average Rating:7.9/10
Consensus: Hauntingly beautiful, Distant communicates volumes with its almost pervasive silence.
Theatrical Release:Mar 12, 2004 Limited
Synopsis: Nuri Bilge Ceylan's DISTANT chronicles the numbing loneliness, longing, and isolation in the lives of two men who are consumed by their own problems. Istanbul photographer Mahmut (Muzaffer Ozdemir)... Nuri Bilge Ceylan's DISTANT chronicles the numbing loneliness, longing, and isolation in the lives of two men who are consumed by their own problems. Istanbul photographer Mahmut (Muzaffer Ozdemir) reluctantly receives his relative Yusuf (Mehmet Emin Toprak), but the mingling of their lives does little to alleviate their detachment. Mahmut's ex-wife is moving and Mahmut cannot deal with the residue of his feelings for her, and later, he must care for his ill mother. Yusuf unsuccessfully looks for work on a ship in hopes of seeing the world and having money left over for his family, but ends up wandering the city, failing to find the connection and inclusion he seems to desire. Despite a superficial effort by Mahmut to help by offering Yusuf a job on a photo shoot, their already distant relationship devolves into little more than sharing the same space, as neither can find a way to communicate at a deeper level. Ceylan uses his significant cinematic talents to great effect with long, meditative shots that emphasize a mood of alienation and stagnancy. Wintry Istanbul becomes its own character, as its foreboding weather and stark industrial areas create a physical distance among the characters. Imbued with pathos, this film provides a complex character study that speaks to the need for human connection. Ceylan's cast is comprised of his relatives and friends, all nonprofessional actors, who turn in refined performances. DISTANT won the Grand Prix at the Cannes Film Festival in 2003. [More]
Starring: Muzaffer Ozdemir, Mehmet Emin Toprak, Zuhal Gencer Erkaya, Nazan Kirilmis
Starring: Muzaffer Ozdemir, Mehmet Emin Toprak, Zuhal Gencer Erkaya, Nazan Kirilmis, Feridun Koc, Fatma Ceylan, Ebru Ceylan
Director: Nuri Bilge Ceylan
Director: Nuri Bilge Ceylan
Screenwriter: Nuri Bilge Ceylan
Producer: Nuri Bilge Ceylan
Studio: New Yorker Films
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Reviews for Distant
Ultimately, it becomes a movie about the feeling of being alive, the sensation of existence. It's a movie, in a way, about everything.
Straightforward, droll, brutally honest and arresting, if somewhat stately in progress.
There is no simple sense of uplift in Distant. But there is an exhilaration to revealing the human condition, and Ceylan is ever on the lookout.
This is a movie that dares to ask a powerful question: What does it mean to be really alone? How does it look?
The film possesses a view of the human condition nearly as stark and clear-eyed as its stunning cinematography, which paints Istanbul's domes and minarets and rural Anatolia's breathtaking landscapes with a cold, haunting beauty.
Unwanted guests have a benefit: They can remind us of our own dislikes and vulnerabilities, and help us come to terms (or not) with them.
The film takes place in Turkey, but its dynamic could be transplanted anywhere -- maybe to our own families.
A sublime treat for anyone with a taste for subtly rendered, almost purely cinematic expression.
Has much to say about solitude and friendship and just plain coping with life.
Nuri Bilge Ceylan's wry, modest meditation on pettiness works on a minimalist scale.
Ceylan, who also served as cinematographer, frames the affecting, unstudied performances in gorgeously chosen shots and nonevents that sometimes teeter on the edge of comedy before knocking us breathless with their emotional power.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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