Disturbia isn't your first choice this weekend if you're in your 20s or older, but for the crowd who are about the same age as Shia and the gang, this is great Friday night material.
Disturbia (2007)
Tomatometer
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Reviews Counted:166
Fresh:112
Rotten:54
Average Rating:6.2/10
Consensus: Aside from its clichéd resolution, Disturbia is a tense, subtle thriller with a noteworthy performance from Shia LaBeouf.
Rated: PG-13 [See Full Rating] on appeal for sequences of terror and violence, and some sensuality
Runtime: 1 hr 44 mins 24 secs
Genre: Teenage, Thriller, Murder, Theatrical Release, Murder Mysteries
Theatrical Release:Apr 13, 2007 Wide
Box Office: $80,050,171
Synopsis: Shia LaBeouf (CONSTANTINE, I, ROBOT) is a young talent to be reckoned with, as he demonstrates in this genre-spanning film from director D.J. Caruso. Part teenage romantic comedy, part horror... Shia LaBeouf (CONSTANTINE, I, ROBOT) is a young talent to be reckoned with, as he demonstrates in this genre-spanning film from director D.J. Caruso. Part teenage romantic comedy, part horror flick, DISTURBIA stars LaBeouf as the troubled Kale, who is confined to his home under house arrest after he punches out his Spanish teacher in the middle of class. Kale's array of available diversions dwindle considerably after his mom (Carrie Ann Moss, MEMENTO) shuts off his X-Box and his i-Tunes, and he turns to voyeurism instead, carefully noting the daily activities of his neighbors. These include the swimming schedule of the hot girl who just moved in next door, Ashley (Sarah Roemer, THE GRUDGE 2), whom he ogles with his best friend, the class clown, Ronnie (Aaron Yoo, THE BEDFORD DIARIES). When Ashley unexpectedly shows up and wants to know what the boys are doing behind their binoculars, they concoct a story about their neighbor, Mr. Turner (David Morse, PROOF OF LIFE), and their suspicions that he is the serial killer currently on the loose. The teens' subsequent stakeout makes them increasingly convinced that this is in fact the case, and their creepy interactions with Turner bring them ever closer to learning the dark secret that lies inside his impenetrable suburban existence. Despite a slight identity crisis and distracting product placements, DISTURBIA is carried by the strong performance of its lead character, and manages to charm with its portrayal of young love. [More]
Starring: Shia LaBeouf, Sarah Roemer, David Morse, Carrie-Anne Moss
Starring: Shia LaBeouf, Sarah Roemer, David Morse, Carrie-Anne Moss, Aaron Yoo
Director: D.J. Caruso
Director: D.J. Caruso
Screenwriter: Christopher Landon, Carl Ellsworth
Producer: Jackie Marcus, Joe Medjuck, Tom Pollock
Composer: Geoff Zanelli
Studio: Paramount Pictures
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Reviews for Disturbia
If not perfection, "Disturbia" achieves something more than most modern thrillers - the right to describe itself in that genre and a few others. This hodgepodge homage becomes stupid and shrill in its final reel, but it's a nifty good time.
LaBeouf and Roemer have a frisky chemistry, and the always-reliable Morse is a delicious devil.
LaBeouf, a soulful-eyed wiseguy with a complex emotional repertoire, keeps the movie interesting even after utter predictability sets in.
Okay, so DreamWorks has remade Rear Window with teens, but could it actually be good? Welcome back to the edge of your seat.
as an homage to old-fashioned suspense films, you could do a lot worse
...what the director gets right - very right in the move's first two acts - is the ways kids relate and interact in a modern world where iPods and laptops are ubiquitous, where a lot of the world is reducible to digital blips.
Rear Window redone for a more paranoid age, an age that embraces its paranoia as The New Normal, and not something to be disturbiaed about at all.
Crisp performances, a creepy bad guy, absorbing plot twists, capable direction, and a script that has some telling points to make about the way we saturate ourselves with media make this thriller, like Kale's neighbors, very watchable.
A mash-up of Dawson's Creek and The Conversation. Unfortunately, the movie begins losing its grip around the time Ronny notes that a garage smells 'like the corpse of a rotting hottie.'
Instead of manufacturing elaborate, ridiculous plot twists or imposing overwrought psychological melodrama on a basically absurd premise [director] Caruso and the screenwriters opt for efficient, clever B-movie execution.
Fails on the scores of credibility and originality, but since it's nearly as thrilling as it is unlikely, the picture works out to be trashy fun.
Was Freddy Krueger on vacation? Michael Myers not taking calls? Part of the supposed "fun" of Disturbia is guessing if Turner is a menace or just misunderstood. With Morse in the role, the work has already been done for the viewer.
When the killer shows his hand, the film deteriorates into a typical slasher, complete with jerky angles, blurry footage and ridiculous, near-supernatural chases.
Some might think tackling the subject of an Alfred Hitchcock movie would be blasphemous, but everyone involved makes Disturbia good enough to stand on its own.
Disturbia's reworking of Rear Window for the YouTube generation is pretty nifty, drenching its tale of paranoid surveillance in the type of modern techno-gadgetry that's helped transform privacy from a right into a luxury.
The most disturbious part of Disturbia is how engaging this teenage thriller manages to be, even though it's a shameless rip-off of Rear Window.
This really is LaBeouf's vehicle, and he proves to be an appealing star presence.
Latest News for Disturbia
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September 09, 2008:
Disturbia Sparks Infringement Lawsuit ![]()
The strong similarities between "Rear Window" and "Disturbia" have prompted a lawsuit against DreamWorks. More...
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